36 results on '"indumentaria"'
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2. La autonomía de la moda a partir de Worth.
- Author
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Urcelay, Lorena
- Subjects
FASHION ,INDUSTRIAL revolution ,EIGHTEENTH century ,CLOTHING & dress ,SOCIAL change ,SUBCULTURES - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2025
3. El traje tradicional de Ansó: patrimonio reinterpretado.
- Author
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Castillo Arcas, Fermín
- Subjects
ETHNIC costume ,FASHION design ,CLOTHING & dress ,PAINTING ,HISTORY in art - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2025
4. Transformación digital: Análisis de tendencias en indumentaria sostenible.
- Author
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Retamozo, Elizabeth, Ruppel, Carola, and Christensen, Lucia
- Subjects
SUSTAINABLE design ,ARTIFICIAL intelligence ,MANUFACTURING processes ,FASHION design ,TREND analysis ,INDUSTRY 4.0 - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2023
5. Prendas para atletas paralímpicos: desarrollo de uniformes para la práctica del goalball.
- Author
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Aparecida Sanches, Regina, Santos, Priscila, Moreira, Lucyana, and Sato Duarte, Adriana Yumi
- Subjects
CLOTHING & dress ,VISION disorders ,SOCIAL services ,VISUAL training ,PRIMARY audience - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2023
6. Aprender a vestir el cuerpo: tutoriales y género en Tik Tok.
- Author
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Mariel Soto, Helga
- Subjects
FUNCTION spaces ,NINETEENTH century ,CLOTHING & dress ,KNITTING ,SEWING - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2023
- Full Text
- View/download PDF
7. La indumentaria, un símbolo de estratificación social.
- Author
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Escobar, Tania
- Subjects
SOCIAL status ,SOCIAL classes ,HISTORICAL source material ,COSTUME ,TRAVELERS - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2023
- Full Text
- View/download PDF
8. En la nube. La circulación del diseño de indumentaria en plataformas digitales.
- Author
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Miguel, Paula
- Subjects
FASHION design ,VIRTUAL communities ,SOCIAL networks ,CLOTHING industry ,QUANTITATIVE research - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2022
9. Mapeo y detección de los stakeholders del sector productivo de indumentaria.
- Author
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Retamozo, Elizabeth
- Subjects
NATURAL resources ,FASHION design ,SUSTAINABILITY ,CLOTHING & dress ,POLLUTION - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2022
10. La simbología del traje sastre femenino y el discurso de emancipación femenina.
- Author
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Moreira Bravo, Yamila L.
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
11. Moda y feminismo: la vestimenta como símbolo de protesta.
- Author
-
Tidele, Jesica
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
12. La hibridación de la moda: la teoría del actor-red.
- Author
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Ángeles Martínez Barreiro, Ana María
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
13. La moda femenina española en el Siglo de las Luces: concepto y diseños.
- Author
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Rosillo, Bárbara
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
14. Vestir el reclamo: los pañuelos verdes en la problematización del género.
- Author
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Valladares, Cyntia
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
15. Yo quiero llegar a un Ferragamo. Un análisis etnográfico a partir del libro de Annette Weiner "Inalienable Possessions".
- Author
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Schiava D'Albano, Lorena N.
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2021
16. Diseñando el cuerpo.
- Author
-
Fornés, Martina
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2020
17. El "diseño" como valor y la conformación de un universo de creencia.
- Author
-
Miguel, Paula
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2020
18. Más allá del autor. La construcción pública del diseño de indumentaria en Argentina.
- Author
-
Miguel, Paula
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
19. Discursos sobre el cuerpo, vestimenta y desigualdad de género.
- Author
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Faccia, Analía
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
20. Marcas de shopping o de diseñador. Los procesos de adscripción en la moda.
- Author
-
Guershman, Bárbara
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
21. Diseño e indumentaria: una mirada histórica sobre la estética de las identidades de género.
- Author
-
Zambrini, Laura
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2019
22. Reconocimiento del esquema corporal, como principio fundamental para el Diseño de Moda sustentable.
- Author
-
Lucia Avena, Gioia
- Subjects
COVID-19 pandemic ,SUSTAINABLE fashion ,FASHION design ,SUSTAINABLE design ,IMAGE recognition (Computer vision) ,BODY image ,GRAVE goods - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2022
23. Moda en cine: signos y simbolismos.
- Author
-
Carlos, Matilde
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2016
24. Sustentabilidad, diseño y reciclaje.
- Author
-
Putruele, José E. and Veneziani, Marcia C.
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2015
25. Poética e inspiración en Diseño de Indumentaria.
- Author
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Doria, Patricia M.
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2015
26. Sobre la Enseñanza del Diseño de Indumentaria. El desafío creativo (enseñanza del método).
- Author
-
Doria, Patricia
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2014
27. De New York a Buenos Aires y del Hip Hop a la Cumbia Villera El protagonismo de la imagen en los procesos de transculturación.
- Author
-
Allochis, Leandro
- Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2014
28. Diseñando el cuerpo
- Author
-
Martina Fornés
- Subjects
indumentaria ,cuerpo ,Complementary and alternative medicine ,figurines ,fashion ,clothingm ,design ,diseño ,fashion sketches ,Pharmaceutical Science ,Pharmacology (medical) ,Body ,moda - Abstract
Resumen Este artículo investiga la relación existente en el ámbito del diseño de indumentaria entre el cuerpo y la moda y las consecuencias negativas que genera la disociación de las mismas. La propuesta pone el foco en el origen de esta problemática y sus consecuencias a nivel profesional y social. Se aborda la enseñanza del dibujo del cuerpo humano en el ámbito académico y los cuerpos enseñados como correctos para la representación de los usuarios de las prendas mostrando la necesidad de una visión más amplia e interdisciplinaria a la hora de diseñar. La investigación partió de un análisis de la falta de representación de la diversidad de cuerpos presentes en el mercado de la moda argentino, sus consecuencias y la búsqueda de su origen por medio del análisis y estudio de diversas fuentes como tablas de talles, conversatorios con diferentes grupos sociales, debates y observación de diversos foros y espacios de discusión en las redes sociales. Como diseñadora de indumentaria y docente de la cátedra de Taller de Diseño, la búsqueda del origen de esta problemática fue remitida al ámbito académico. Abstract This paper analyzes the existent relationship between body and fashion in the realm of design and the negative consequences of their dissociation. The proposal focuses on the origin of this problem and its consequences at a professional and social level. It covers the teaching of the drawing of the human body in the academic field, the body figures taught as the correct ones for the representation of the garments’ users and the need for a broader and interdisciplinary vision when designing clothes. Resumo Este artigo investiga a relação existente no campo do design de roupas entre o corpo e a moda e as consequências negativas geradas por sua dissociação. A proposta concentra-se na origem deste problema e suas conseqüências em nível profissional e social. É mostrado o ensino do desenho do corpo humano no campo acadêmico e os corpos ensinados como corretos para a representação dos usuários das peças de vestuário, mostrando a necessidade de uma visão mais ampla e interdisciplinar ao projetar. A pesquisa baseou-se em uma análise da falta de representação da diversidade de corpos presentes no mercado argentino de moda, suas consequências e a busca de sua origem por meio da análise e estudo de várias fontes, como tabelas de tamanhos, conversas com diferentes grupos sociais, debates e observação de diversos fóruns e espaços de discussão em redes sociais. Como designer de roupas e professora da Oficina de Design Chair, a busca pela origem desse problema foi encaminhada para o campo acadêmico.
- Published
- 2020
- Full Text
- View/download PDF
29. Moda y feminismo: la vestimenta como símbolo de protesta
- Author
-
Jesica Tidele
- Subjects
indumentaria ,feminism ,vestuario ,Head (linguistics) ,poder ,empoderamiento ,Pharmaceutical Science ,gênero ,power ,Power (social and political) ,Politics ,feminista ,feminismo ,apparel ,Political science ,fashion ,gender ,Pharmacology (medical) ,Social change ,Media studies ,feminist ,moda ,Present moment ,empowerment ,Complementary and alternative medicine ,empoderamento ,género - Abstract
Resumen El presente artículo se propone analizar y reflexionar sobre el rol de la moda y el ejercicio de ataviarse como acto político y de protesta abarcando diferentes tópicos: desde el rol de las históricas sufragistas y el surgimiento de la revolucionaria Coco Chanel hasta la actualidad de la mano de María Grazia Chiuri , directora creativa de la marca Dior y primer mujer al frente de la firma quien decidió lanzar su primer colección en pasarela bajo el lema “We should all be feminist” (Todos deberíamos ser feministas) extraído del ensayo de la activista nigeriana Chimamanda Ngozi Adichie. Asimismo, a partir de un recorrido histórico por diversas corrientes feministas se intentará vincular la moda, el poder y la política como aliados para encauzar cambios sociales. Abstract The present article attempts an analysis and consideration of the role played by fashion and the practice of adorning oneself as a political act as well as a means of protest by encompassing. The following topics from the role of historical suffragettes and the arrival of the revolutionary Coco Chanel to the present moment with Maria Grazia Chiuri, creative director for the Dior brand and the first woman to head the firm , who decided to launch her first collection on the catwalk under the motto “We should all be feminist”, taken from an essay by the nigerian activist Chimamanda Ngozi Adichie Starting with a tour of diverse feminist currents throughout history, an attempt will be made to connect fashion, power and politics as alles in channeling social change. Resumo Este artigo tem como objetivo analisar e refletir sobre o papel da moda e o exercício do vestirse como ato político e protesto, cobrindo diferentes temas: do papel das sufragistas históricas e do surgimento do revolucionário Coco Chanel até o presente lado a lado por María Grazia Chiuri, diretora criativa da marca Dior e primeira mulher à frente da empresa que decidiu lançar sua primeira coleção na passarela com o slogan “Todos devemos ser feministas” extraído do ensaio da ativista nigeriana Chimamanda Ngozi Adichie. Além disso, a partir de uma jornada histórica por várias correntes feministas, serão feitas tentativas de vincular moda, poder e política como aliados para canalizar mudanças sociais.
- Published
- 2020
- Full Text
- View/download PDF
30. La simbología del traje sastre femenino y el discurso de emancipación femenina
- Author
-
Yamila L. Moreira Bravo
- Subjects
indumentaria ,vestuario ,alfaiate ,Pharmaceutical Science ,masculino ,significances of clothing ,emancipación femenina ,male ,traje sastre ,fashion ,female emancipation ,feminino ,Pharmacology (medical) ,Sociology ,femenino ,female tailor suit ,significados do vestuario ,Female emancipation ,significaciones del vestir ,fala ,moda ,clothing ,female ,Complementary and alternative medicine ,emancipação feminina ,discurso ,Humanities ,speech - Abstract
Resumen El presente trabajo se inscribe en los estudios de historia de la moda y significaciones del vestir. Se realizará un relevamiento socio-histórico de la simbología del traje sastre femenino y su vínculo con el discurso de emancipación femenina. Por un lado, se explica brevemente el origen del traje sastre masculino y la adopción del mismo en siluetas femeninas. Por el otro, se indaga el estado de la simbología del traje sastre femenino en los actuales contextos de la moda, analizando la vestimenta que utilizaron ciertas mujeres celebridades en sus narrativas orales sobre la emancipación femenina. A partir de estos argumentos, es posible reflexionar sobre la carga simbólica del traje sastre desde sus inicios hasta en la actualidad, considerando la importancia del estudio y análisis de la indumentaria para sostener ideologías políticas, económicas y sociales. Asimismo reflexionar sobre las simbologías actuales de las prendas de indumentaria en los géneros masculinos y femeninos. Abstract This work is part of the studies of the history of fashion and the significances of clothing. A socio-historical survey of the symbology of the female tailor suit and its link with the female emancipation discourse will be made. On the one hand, the origin of the male tailor suit and its adoption in female silhouettes are briefly explained. On the other, the status of the symbolism of the female tailor suit is investigated in the current fashion contexts, analyzing the clothing that certain female celebrities used in their oral narratives about female emancipation. From these arguments, it is possible to reflect on the symbolic burden of the tailor suit from its beginnings to the present, considering the importance of the study and analysis of clothing to support political, economic and social ideologies. Also reflect on the current symbologies of clothing in the male and female gender. Resumo Este trabalho faz parte dos estudos de história da moda e significados da roupa. Será feita uma pesquisa sócio-histórica da simbologia do traje feminino e sua ligação com o discurso da emancipação feminina. Por um lado, a origem do traje de alfaiate masculino e sua adoção em silhuetas femininas são brevemente explicadas. Por outro lado, o status do simbolismo da alfaiataria é investigado nos contextos atuais da moda, analisando o vestuário que certas celebridades femininas usavam em suas narrativas orais sobre a emancipação feminina. A partir desses argumentos, é possível refletir sobre a carga simbólica do alfaiate desde o início até o presente, considerando a importância do estudo e análise de roupas para apoiar ideologias políticas, econômicas e sociais. Reflita também sobre as simbologias atuais de itens de vestuário no gênero masculino e feminino.
- Published
- 2020
- Full Text
- View/download PDF
31. Moda, estilo y ciclo de vida de los productos de la industria textil.
- Author
-
Bur, Aníbal
- Subjects
TEXTILE industry ,FASHION & art ,PRODUCT life cycle ,FANTASY (Psychology) ,SOCIOCULTURAL factors ,INDUSTRIAL organization (Economic theory) - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2013
32. Aportes interdisciplinares en Diseño y Comunicación desde el marketing, los negocios y la administración.
- Author
-
González, Susana G.
- Subjects
SINGLE people ,GLOBALIZATION ,INFORMATION technology ,PROFESSIONS ,GRADUATES ,INTERNATIONAL relations - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2013
33. Historias de familia. Retrato, indumentaria y moda en la construcción de la identidad a través de la colección Carlos Fernández y Fernández del Museo Fernández Blanco, 1870-1915.
- Author
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Guerra, Diego and Marino, y Marcelo
- Subjects
ACQUISITION of data ,AMERICAN art ,ART museums ,WEDDING gowns - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2013
34. Moda y Arte. Campos en intersección.
- Author
-
Tuozzo, María Valeria and López, Paula
- Subjects
CLOTHING & dress ,ARTISTS ,TEXTILE design ,EPHEMERAL art ,PERSONAL beauty ,21ST century art - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2013
35. Diseño en Argentina. "Hacia la construcción de nuevos paradigmas".
- Author
-
Mon, Laureano
- Subjects
CLOTHING & dress ,TEXTILE design ,DISCIPLINE ,DECORATION & ornament ,ETHICS - Abstract
Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
- Published
- 2013
36. Marcas de shopping o de diseñador. Los procesos de adscripción en la moda
- Author
-
Bárbara Guershman
- Subjects
indumentaria ,produção ,comercialización ,design ,indumentária ,diseño ,Pharmaceutical Science ,moda ,clothing ,comercialização ,Complementary and alternative medicine ,fashion ,Pharmacology (medical) ,production ,commercialization ,producción - Abstract
Resumen: El objetivo de este artículo consiste en comprender de qué forma se desarrollan los procesos sociales de adscripción, en función de cómo un grupo de productores de indumentaria (prendas de vestir, calzado y accesorios) intervienen en eventos y exhibiciones bianuales de moda. El presente escrito está basado en el trabajo de campo etnográfico realizado para mi tesis de doctorado. Fue en el curso de dicho trabajo que advertí la relevancia de dos categorías: marca y diseñador. Estas categorías remiten a la forma en la cual esos productores se identifican públicamente. Constituye una identificación relativa al volumen de prendas que conforman su producción por temporada, los espacios sociales donde comercializan la indumentaria, así como las imputaciones morales respecto a la presencia de la copia. Esta copia expresa la mayor o menor influencia de tendencias internacionales de moda en un producto propio o la carencia de características propias del autor-diseñador. Quienes son reconocidos como diseñadores, pretenden estar alejados de estas tendencias. Por otra parte, sus colecciones incluyen menos prendas que las marcas, las cuales se caracterizan por venderse en shopping, centros comerciales ubicados en CABA y conurbano. Pero esta distinción se pone en cuestión en varios contextos llevando a que las categorías de marca y diseñador se articulen entre sí. Es una articulación que describiré en el escrito. Abstract: The goal of this article is to understand the development of social process identification. These dynamics are based on the way a group of clothing producers (garment, footwear and accessories) participate in biannual fashion events and exhibitions. This works builds upon my ethnographic fieldwork for my Phd thesis. Precisely during my fieldwork I noticed the relevance of two categories: brand and designer. These categories related to the way producers publicly identify among themselves. This identification is associated to the number of garments that conforms the season collection. Besides it is related to the social spaces where producers commercialize the garments and also to the moral imputations about the often-called copia. The copia presumably expresses more or less, the influence of global fashion trends. The producers recognized as designers would like to remain isolated for these trends. On the other hand, their collections include less garment that the brand´s collections. In addition, brands typically sell in shopping, mall located throughout CABA and the metropolitan area. But this distinction is questioned in several contexts, leading to the articulation between the categories of brand and designer. The present article describes this articulation. Resumo: O objetivo do presente artigo consiste em compreender de que forma se desenvolvem os processos sociais de atribuição na moda, em função de como um grupo de produtores de indumentária (vestimenta, calçado e acessório) intervém em eventos e exibições bianuais de moda. Este artigo baseia-se no meu trabalho de campo etnográfico realizado para a tese de doutorado. Foi durante a elaboração desse trabalho que entendi a relevância de duas categorias: marca e design. Estas categorias se remetem na forma em que os produtores se identificam publicamente entre eles. Constitui em uma identificação relativa ao volume de roupa incluída na produção de temporada, aos espaços sociais onde comercializam a roupa, assim como as imputações morais em relaçãoà presença da chamada cópia. Esta cópia expressa a maior ou menor influência das tendências internacionais da moda num produto próprio ou a carência das características próprias do designer. Aqueles que são reconhecidos como designers, pretendem estar distanciados dessas ten- dências. Por outro lado, suas coleções incluem menos prendas que as marcas, as quais se caracterizam por vender-se em shoppings, centros comerciais localizados em CABA e na área metropolitana. Más esta distinção esta sendo questionada em vários contextos, levando a que as categorias de marca e design se articulem entre si. Neste artigo descrevo a mencionada articulação.
- Published
- 2019
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