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Few studies comparing music and language processing have adequately controlled for low-level acoustical differences, making it unclear whether differences in music and language processing arise from domain-specific knowledge, acoustic characteristics, or both. We controlled acoustic characteristics by using the speech-to-song illusion, which often results in a perceptual transformation to song after several repetitions of an utterance. Participants performed a same-different pitch discrimination task for the initial repetition (heard as speech) and the final repetition (heard as song). Better detection was observed for pitch changes that violated rather than conformed to Western musical scale structure, but only when utterances transformed to song, indicating that music-specific pitch representations were activated and influenced perception. This shows that music-specific processes can be activated when an utterance is heard as song, suggesting that the high-level status of a stimulus as either language or music can be behaviorally dissociated from low-level acoustic factors.

When an amplitude-modulated noise generated from a spoken word is presented simultaneously with the word's printed version, the noise sounds more speechlike. This auditory illusion obtained by Frost, Repp, and Katz (1988) suggests that subjects detect correspondences between speech amplitude envelopes and printed stimuli. The present study investigated whether the speech envelope is assembled from the printed word or whether it is lexically addrressed. In two experiments subjects were presented with speech-plus-noise and with noise-only trials, and were required to detect the speech in the noise. The auditory stimuli were accompanied with matching or non-matching Hebrew print, which was unvoweled in Experiment 1 and voweled in Experiment 2. The stimuli of both experiments consisted of high-frequency words, low-frequency words, and non-words. The results demonstrated that matching print caused a strong bias to detect speech in the noise when the stimuli were either high- or low-frequency words, whereas no bias was found for non-words. The bias effect for words or non-words was not affected by spelling to sound regularity; that is, similar effects were obtained in the voweled and the unvoweled conditions. These results suggest that the amplitude envelope of the word is not assembled from the print. Rather, it is addressed directly from the printed word and retrieved from the mental lexicon. Since amplitude envelopes are contingent on detailed phonetic structures, this outcome suggests that representations of words in the mental lexicon are not only phonological but also phonetic in character.

The auditory perception of distance may be altered by systematically transforming the time and intensity ratios of the auditory cues at a subject's ears. Two auditory ‘illusions’ of depth, opposite in sign, were generated, by attenuating in one case and masking with white noise in the other, the signal in one ear from an ‘auditory pendulum’. The change in perceived depth of the acoustic pendulum with attenuation of one ear was analogous to the Pulfrich phenomenon in vision. These auditory experiments suggested two additional ways of generating visual Pulfrich effects that were then demonstrated.