1. No More Indiana Jones Warehouses
- Author
-
Pannapacker, William
- Abstract
In "Raiders of the Lost Ark," Indiana Jones--perhaps the last heroic professor to appear in a major Hollywood film--survives a series of adventures involving spiders, snakes, treacherous colleagues, and countless Nazis who are determined to recover the ark of the covenant for their "Fuhrer." Apparently the ark has mystical powers. Ultimately, Jones recovers the ark. But the great artifact is not displayed in a museum or used in the war effort; instead it is enclosed in a packing crate and wheeled into a vast government warehouse, never to be seen again. That is what happens to the majority of undergraduate projects in the humanities. Heroic research is undertaken, and the student suffers mightily during the writing process. But after being submitted for a grade, the results of all that work are filed away, never to be read again. Fortunately, people are living at a moment when students can undertake a far wider range of learning experiences than was possible when the traditional research paper was the gold standard of scholarly production. This author has written several columns about what the "digital humanities" movement means for scholars. But as a teacher at a liberal-arts college, what also excites him about the digital humanities is what it offers to undergraduates: Students can "build" as well as "write." The digital humanities encourages scholars and students to use the Internet to present their work to a global audience. There is no guarantee that the world will beat a path to one's online project, but at least it is available, and updatable. It is not a moribund, bound manuscript shelved in a university library's off-site storage warehouse. In what seems to be the worst of times for higher education, the digital-humanities community is cultivating an academic culture that enables new directions in research while it reduces the warehousing of neglected scholarship and the isolation of scholars.
- Published
- 2012