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This paper analyses the functions of represented speech and thought (RST) in narratives in Umpithamu, a Pama-Nyungan language of Cape York Peninsula (Australia). The paper first surveys the different mechanisms available for marking a shift from the narrator's deictic centre to a narrative participant, including a number of constructions that use perception and motion predicates to signal RST. The analysis then focuses on the narrative functions of RST, showing that it has a macrostructural function beyond the representation of a specific participant's speech and thought, more specifically highlighting the central episodes of a narrative. The evidence comes from an analysis of three genres with a different macrostructure: one (personal history) for which the classic Labovian schema of complication–resolution works well and two others (both dealing with the supernatural world) that rely on different structuring principles. It is shown that RST is systematically associated with central episodes across the three genres, and that the location and nature of RST co-vary with the different location and nature of these episodes in the three genres. In narratives of supernatural encounter, for instance, RST conveys modal negotiation about the interpretation of the central events in terms of the supernatural world. [ABSTRACT FROM AUTHOR]