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This article examines Japan's resource diplomacy in the Middle East by focusing on the activities and ideologies of business leaders before the First Oil Crisis in 1973. By analysing the roles played by four prominent leaders in the oil industry (Idemitsu Sazō, Yamashita Tarō, Tanaka Seigen, and Sugimoto Shigeru), the article illustrates how the beliefs of these leaders intersected with those of the political class in Japan's oil diplomacy towards Middle East. The approach they took to oil diplomacy reflected the notion of Kōdōshugi (Imperial Way principles and ethics). This form of nationalism had some continuity with the prewar Greater Asianism insofar as it was infused with the religious ethics and doctrines of the 'Japanese Imperial Way' and the avoidance of dependence on the West. [ABSTRACT FROM AUTHOR]

In the last two decades, against the backdrop of multiple anti-Japanese protests in China, the rise of Chinese nationalism has been much debated. By taking the 2010 and 2012 Sino–Japanese crises over the Diaoyu/Senkaku islands as a case study, the article applies discourse analysis to media articles and interviews to ascertain the Chinese government's propaganda toolbox in shaping the nationalist discourse, as well as to substantiate the defining features of anti-Japanese nationalism. The findings reveal a combination of strategies and techniques that the propaganda apparatus uses, such as the creation of an 'us-versus-them' dichotomy, galvanised inclusiveness, censorship, and 'card-stacking' to mould nationalism. The article substantiates empirically both top-down and bottom-up strains of nationalism, and their interaction through the four key themes of sovereignty, history, mistrust and reactivity. It finds that Japan bridges these strands of Chinese nationalism, but in its absence alternative views of nationalism are articulated. [ABSTRACT FROM AUTHOR]

Scholars tend to overlook the overseas Chinese press as a communicative tool for Chinese nationalism. This paper takes media history as its focal point to demonstrate the contextual influences that shaped the operations of Chinese print media and gave rise to the manifestation of the overseas Chinese (huaqiao) identity in Japan. In particular, it emphasises that the mobilisation of the modern Chinese nationalism movement of the time was not the sole determinant of Chinese identity. It was also influenced by the way in which Chinese ethnic boundaries came to be shaped and reshaped in different historical periods through the dynamics between overseas Chinese communities and Japanese society. I use two overseas Chinese publications from different periods to illustrate the impacts of modern Chinese nationalism and the changing social and political context of Japan on the Chinese press. Finally, I present a synthetic narrative to account for the history of the overseas Chinese press in Japan. [ABSTRACT FROM AUTHOR]

In the 1950s and 1960s, the modern Japanese state employed overseas cultural promotion as a way to maximise its interests and image not only in international contexts but also at home. By juxtaposing the Takarazuka Revue’s performances in the United States and Japan during the postwar period, this paper argues that the overseas promotion of this Japanese theatre troupe both depended upon and reinforced the Japanese populace’s nationalistic pride in its culture. The paper also addresses the ways in which the Japanese government used Takarazuka’s theatrical presentations as a means of pursuing its domestic and diplomatic agendas: improving Japan’s international position by proposing shared aspects of popular culture with the US and increasing its sense of nationalism by propagating cultural pride. In doing so, the paper explicates the ways in which Japanese popular cultural considerations interfaced with political concerns in the shaping of postwar Japan’s national identity. [ABSTRACT FROM PUBLISHER]

The article focuses on the study which examines the ethnic nationalism and political community in Japan and Korea. The study reveals a substantial assymmetry in the sense that both Japanese and South Korean state authorities react to the issue of voting rights. Japan respond to the said challenge by resorting to arguments grounded in the ethnic perspective of political belonging. Despite occasional references to ethno-cultural questions, the reluctance of the state to enfranchise its overseas citizens is greater in South Korea. It is suggested that even in modern democracies characterised, it is noted in the study that there may be an overlap between the manner national and political communities are delineated.

Provides information on the influence of made-in-Japan technological hardware on popular culture. Overview of techno-nationalism developed by Sony and Matsushita; Overview on the cultural status of Japan; Changes in the representation and narrative of the excellence of made-in-Japan consumer technologies.