Search

Scholars tend to overlook the overseas Chinese press as a communicative tool for Chinese nationalism. This paper takes media history as its focal point to demonstrate the contextual influences that shaped the operations of Chinese print media and gave rise to the manifestation of the overseas Chinese (huaqiao) identity in Japan. In particular, it emphasises that the mobilisation of the modern Chinese nationalism movement of the time was not the sole determinant of Chinese identity. It was also influenced by the way in which Chinese ethnic boundaries came to be shaped and reshaped in different historical periods through the dynamics between overseas Chinese communities and Japanese society. I use two overseas Chinese publications from different periods to illustrate the impacts of modern Chinese nationalism and the changing social and political context of Japan on the Chinese press. Finally, I present a synthetic narrative to account for the history of the overseas Chinese press in Japan. [ABSTRACT FROM AUTHOR]

This paper critically assesses the issues surrounding nineteenth-century Chinese migration to British colonies, especially Australia. The issues discussed in the paper include the origin of the term “sojourner” and its relationship to Western colonialism, and the origin of the termhuaqiao(overseas Chinese) and its relationship to Chinese nationalism. By being critical of the narrative of the “sojourner” for its cultural essentialist approach to Chinese migration, the paper highlights two important aspects of Chinese migration patterns and behaviour that are often neglected by the sojourner narrative: socioeconomic circumstances at the origin of migration and Western colonialism at the destination of migration. The paper argues that the Chinese publications by the migrants and what happened in Hong Kong at that time demonstrate the consequences of the combination of these two aspects of history. The paper finally observes that the little understood behaviour of the Chinese peasantry migrants appears to be post-modern and transnational. [ABSTRACT FROM PUBLISHER]