Search

The article discusses the turmoil at the British Museum due to the theft of ancient items by an employee, identified as Peter Higgs, a senior Greek and Roman curator who had worked at the museum for over 30 years. It highlights that the theft scandal has serious repercussions for the museum, including delays in its ambitious masterplan for building refurbishment and collection redisplay, as well as raising questions about leadership, security, and restitution issues related to artifacts.

An interview with artist Damien Hirst is presented. Topics include his views on artist Pierre Bonnard; his views on Cherry Blossom paintings, and working without a cast of studio assistants; visiting the Bonnard show at theƒTate Gallery; and poignancy to Bonnard painting "The Almond Tree" as he painted a week before he died.

An introduction is presented in which the editor discusses various articles on topics including the Israel-Hamas war and the war in Ukraine, as well as the art world's efforts to recover from the COVID-19 pandemic.

The article provides a timeline of events related to the theft of antiquities from the British Museum, including the discovery of stolen items, warnings to museum authorities, and the subsequent actions taken, leading to the resignation of key personnel and the initiation of an independent inquiry.

The article focuses onthe crisis at the British Museum following the theft of 2,000 antiquities, questioning the roles of museum leadership, trustees, and government oversight, and highlighting concerns about the handling of the situation, including its absence in the museum's annual report.

An introduction is presented in which the editor discusses the unique qualities of London as a vibrant art hub and the upcoming 20th-anniversary celebration of the Frieze Art Fair in the city, highlighting its cultural diversity, museums, and resilience in the face of challenges like Brexit.

The article announces the anniversary of the Salzburg gallery which has been in business since 40 years.

The article highlights that the theft of ancient artifacts from the British Museum, implicating senior curator Peter Higgs, leading to a crisis and the resignation of director Hartwig Fischer, potentially driven by a difference in vision, and leaving the future leadership.

The article focuses on the challenges faced by the visual arts sector in Great Britain and highlights the need for support, and also face government cuts, rising costs, and a decline in arts education.

The article reports that Martin Clayton, the head of prints and drawings for the Royal Collection Trust at Windsor Castle proposed that there have been two original versions of the Salvator Mundi, produced in parallel by Leonardo's studio.

The article reviews the exhibition "Edward Hopper's New York" at the Whitney Museum of American Art in New York City, New York until March 5, 2023.

An introduction is presented in which the editor discusses two articles within the issue on topics including need for the Edo Museum of West African Art in Nigeria; and the exhibition "It's Pablomatic."

The article discusses the rise of South Korea as a crucial arts and cultural hub, highlighting the opening of a major retrospective of Edward Hopper's work in Seoul, the country's impressive museums, and the recognition of the arts as a valuable tool of soft power and diplomacy.

The article on Biennale di Venezia featuring the works by Oman artists such as Hassan Meer.

An introduction is presented in which the editor discusses two articles within the issue on topics including artificial intelligence (AI) in art; and an exhibition of painter Vermeer at the Rijksmuseum in Amsterdam, the Netherlands.

The article reviews the art exhibition "Donatello: Sculpting the Renaissance" at Victoria and Albert Museum in London, England from February 11-June 11, 2023.

An introduction is presented in which the editor discusses various articles within the issue on topics including the impact on Ukraine's own museums and culture through the lens of the denuded Kherson Museum; and British Prime Minister Rishi Sunak's new governmental drive.

An introduction is presented in which the editor discusses various articles within the issue on topics including brandishing of white paper and white artworks; denuded Kherson art museum in Ukraine; and how the arts can be a source for political change.

The article discusses the restoration of 15th-century Italian artist Piero della Francesca's painting "Nativity" by National Gallery in London, England. It refers to the outstanding features of Piero's painting including its rich soft and luminous colors, the refined graceful figures, its spiritual power and harmony. It highlights previous restorations of the paintings which removed the shepherds in the painting.

The article discuses the impact of the government funding deductions by the Arts Council England (ACE) on arts and cultural institutions in England.

An introduction is presented in which author discusses articles on topics including focuses on Gabriele Finaldi, the director of the National Gallery who mastermind the ambitious architectural transformation, NG200 of which several billion entrance is just one element.

An introduction is presented in which the editor discusses several reports within the issue on topics including obituary of Queen Elizabeth II, guidance for the Queen's funeral, and closure of museums of United Kingdom as mark of respect.

The article reports that a campaign "forum" has urged people to join the National Trust so that they can vote in the next annual general meeting (AGM) against the trust's slide, among other things, into "wokeness."

The article offers information related to planned meeting between culture ministers of the Greek and United Kingdom to discuss the return of Parthenon marbles to Greece.

The article informs that the celebration of the Queen Elizabeth II's Platinum Jubile. It mentions party images are pale reflections of the 17th-century pictures by the Dutch Genre artist Jan Steen, who specialised in portraits of boors and scenes of drunken carousing. It also mentions about Jan Steen's picture of "The Dissolute Household."

The article reviews a sculpture exhibition featuring the works of Donatello at Palazzo Strozzi and Museo Nazionale del Bargello, Florence, from 19 March—31 July.

An introduction to the journal is presented which discusses topics within the issue including art exhibitions, and climate change in art.

The article informs on Venice Biennale featuring artists such as Pavlo Makov.

In this article, the author talks about the impact of Russian invasion of Ukraine on art and culture. It report on the conflict's impact on heritage, art and culture, which is an integral part of the country, meanwhile the works of art is about individuality and freedom of expression, it is about what it is to be human, it can teach us how to feel.

The article offers information on examination of Leonardo Salvator Mundi enigmatic picture, which sold for several million dollars at Christie New York in 2017 and owned by the Saudi Arabian culture ministry. Topics include considered that results of the Louvre analysis have not been publicly scrutinized as they are the subject of a book produced in the latter part of 2019, whose publication was cancelled when the loan of the picture to the Louvre's Leonardo exhibition was refused.

The article focuses on Botticelli portrait, owned by the real estate billionaire Sheldon Solow including reports that poplar panel, is quintessential visual expression of 15th century Florentine culture and profoundly modern in its high degree of abstraction as the sale catalogue puts it.

The article presents the author's views on England's Secretary of State for Culture, Nadine Dorries, regarding defending Prime Minister Boris Johnson on breaking the rules during the COVID-19 lockdown and the United Kingdom's cultural agreement with Saudi Arabia.

The article reviews a painting exhibition "Carlo Crivelli: Shadows on the Sky" at Ikon Gallery, Birmingham, 23 February-29 May.

The article informs on rise in the trend of non-fungible tokens within art industry. It mentions although Damien Hirst has often been criticised for making the market his medium, he follows the Warhol logic, meanwhile digital art has struggled to receive due attention from the art world and market since the 1960s and so is benefiting for the first time from the increased interest that the non-fungible tokens market has brought it.

An introduction is presented in which author discusses article on topics including reports that the European Fine Art Fair in Maastricht (Tefaf), which for several years in the art world marked the awakening to the impact of Covid-19 that has recently been postponed for the second year running.

The article informs that Louvre Museum has printed a publication in the Leonardo da Vinci's book "Léonard de Vinci: Le Salvator Mundi" and withdrew days before the opening of its Leonardo exhibition in October 2019. It mentions that the book was a project in case the Louvre got the chance to present the painting; and is co-authored by the Louvre curator Vincent Delieuvin, and Myriam Eveno and Elisabeth Ravaud of C2RMF. It also mentions that Dianne Modestini, confirms the book's existence.

The article previews the painting exhibition "Raphael" that to be held at Scuderie del Quirinale, in Rome, Italy on March 5-June 2, 2020, which will showcase Roman art.

The article focuses on the impact of the seismic political, social and economic factors on art. It mentions about the impact of Covid-19, culture wars in the context of the Black Lives Matter human rights movement, contested heritage, China and its Uyghur persecution on artists and cultural organisations.

The article informs that when the Courtauld Gallery reopens on 19 November following a major three-year refurbishment, one of the highlights will be its newly restored Botticelli, The Trinity with Saints Mary Magdalene and John the Baptist.

An introduction to the journal is presented which discusses topics within the issue including climate emergency and the urgent need to tackle global warming; and the arts, heritage and cultural sectors.

An introduction to the journal is presented which discusses topics within the issue including situation in Afghanistan and the desperate plight of the artists left behind following the U.S. and Great Britain's hasty withdrawal; and distressing conversations with many artists on the ground in Kabul.

The article reviews a painting exhibition "Botticelli: Artist and Designer" at Musée Jacquemart-André, Paris from 10 September- 24 January 2022.

An introduction to the journal is presented which discusses topics within the issue including threat to Afghanistan's cultural heritage after Taliban's comeback, and the examination of the deep wounds inflicted on the Western psyche through artists providing their collections of that fateful day.

An introduction is presented in which author discusses articles on topics including explores the latest sculpture parks launched by galleries in rural settings and continue to keep abreast of the most significant international art-world developments and the burning issues of the moment on website.

The article previews the Leonardo da Vinci exhibition, to be held at Louvre Museum in Paris, France from October 24, 2019 to February 24, 2020, marking the 500-year anniversary of the death of Leonardo da Vinci.

An introduction is presented in which the editor discusses articles in the issue on topics including focuses on DC National Gallery of Art diversity and inclusion efforts, and a fully paid internship programme for students to make it more accessible to those from diverse backgrounds.

The article examines whether there is enough art-world news to report on during the Covid-19 pandemic; and also mentions about a painting whose owner, the Crown Prince of Saudi Arabia, Mohammed bin Salman, had acquired it at the Christie's.

In this article author talks about decrease of visitors at the art museums and galleries worldwide including examines that London British Museum (BM) has shed several percentage of its visitors, while New York Guggenheim has seen several percentage drop.

An introduction is presented in which the editor discusses articles in the issue on topics including focuses on period of lockdown looking at the global impact on the art world of Covid-19 against the backdrop of a death toll; and considered that U.S. has recorded the highest number of deaths.