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The article discusses the life, career, and artworks of American sculptor Arlene Shechet. Topics explored include her 2024 sculpture exhibition "Girl Group" at the Storm King Art Center in New York, brief details about her family, education, and initial involvement in the arts, and the recognition earned by the distinct features and themes of her sculptures.

Examines Alex Hay's paintings and sculptures as shown in the exhibition 'Alex Hay: Work From the '60s' in New York City. Offer of works from the pop era; Description of paintings of ordinary things; Hay's integration of pop art and abstract minimalism.

The article profiles American sculptor Charles Ray. It describes the layouts of Ray's figurative works in sculpture exhibit "Charles Ray: Figure Ground," as well as works in the 2022 White Biennial in New York City including "Return to the One," "Unpainted Sculpture" and "Plank Piece I-II." It highlights the performed sculptures created by Ray between 1977 and 1985 including "In Memory of Sadat," "How a Table Works," "Hinoki," "Mime" and "Portrait of the Artist's Mother."

The article reviews the art exhibition "The Vertebrae Oracle," which featured various sculptures and large-scale works on paper by the contemporary American artist Rebecca Horn, held at the Sean Kelly art gallery, located in Manhattan, New York City, in 2014.

The article features sculptor Diana Sofia Lozano. It describes Lozano's floral sculptures and how it challenges the Linnaean system of biological classification. Focus is given on her interest in botany as a discipline tied to Western imperialism. It refers to the cooperation between orchids and bees as the inspiration in "Palingenesis (indeterminate phase) and notes her gendered expressions through floral sculptures in her 2019 exhibit with Alina Perez at the Deli Gallery in New York City.

The article reviews sculpture exhibition "Days, Muses and Stars" held at Pace Gallery in New York in 2019 and featuring works of American artist, Richard Tuttle.

The article reviews the exhibition "Samurai" at JTT, art gallery in New York City, featuring sculptures by artist Diane Simpson.

The article reviews the art exhibition "Multiple Realities: Experimental Art in the eastern Bloc, 1960s-1980s," featuring photographs by Jan Ságl, sculptures by Jan Dobkowski and photographs by Libuse Jarcovjáková, at the Walker Art Center in Minneapolis, Minnesota.

The article reviews an exhibition of sculptures by Ursula von Rydingsvard at the Lelong gallery in New York City.

The article reviews the exhibition "The Sculpture of Ruth Asawa: Contours in the Air," on display November 18, 2006-January 28, 2007 at the de Young Museum in San Francisco, California.

The article presents a review of the traveling exhibition of artist Kiki Smith. The exhibition appeared at the Walker Art Center and the Whitney Museum.

Reviews the art exhibition by Richard Bellamy and Mark di Suvero held at Storm King Art Center in Mountainville, New York from June 8, 2005 to November 13, 2005.

Reviews the exhibition "Andrew Lord: Sculpture and Related Drawings," shown at Paul Kasmin Gallery in New York during September 10-October 9, 2004. Reaction of critics to artist Andrew Lord's exploration of pottery's intersection with issues of painting and sculpture; Characteristics of Lord's clay and objects used in his sculptures; Titles given to pedestal pieces that were presented in pairs or trios in the gallery's main room.

The article reviews an unnamed art exhibition that featured various sculptures and installations by the contemporary artist Franz Erhard Walther, held at the Kow gallery, located in Berlin, Germany, in early 2014.

The article previews a retrospective exhibition featuring the work of the artist Rina Banerjee, titled "Make Me a Summary of the World," at the Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia, Pennsylvania, through March 31, 2018.

The article previews the art exhibition "Power and Pathos: Bronze Sculpture of the Hellenistic World," which will be held at the J. Paul Getty Museum in Los Angeles, California, and at the National Gallery of Art in Washington, D.C., through March 20, 2016.

The article reviews the exhibition "Frankenthaler: Sculpture," on view at the Knoedler & Company Gallery in New York City, November 2, 2006-January 13, 2007.

The article reviews an art exhibition held at the Institute of Contemporary Art in Boston, Massachusetts as of September 1, 2016 featuring sculptures by artist Geoffrey Farmer.

The article reviews the exhibition "Self-Interned, 1942: Noguchi in Poston War Relocation Center" at Naguchi Museum in New York through January 21, 2018, featuring marble sculpture and art installation by artist Isamu Noguchi.

The article reviews an exhibition of sculptures by Judith Scott at the Brooklyn Museum in New York City through March 29, 2015.

The article reviews the art exhibition "Free and Easy Wanderer," which featured various sculptures, photographs and other artworks by the contemporary artist Jason de Haan, held at the Clint Roenisch art gallery, located in Toronto, Ontario, in 2014.

The article reviews the art exhibition "NEVER ODD OR EVEN," which featured various sculptures and site-specific artworks by the contemporary New York City-based American artist Gordon Hall, held at the Foxy Production art gallery in Manhattan, New York City, in 2014.

The article reviews an unnamed art exhibition that featured various paintings, sculptures and other works by the contemporary artist Jeff Carter, including works from the series "The Common Citizenship of Forms," held at the Mission and the DePaul Art Museum in Chicago, Illinois, in 2014.

The article reviews the sculptural installation art exhibition "Dawning: Dust, Seeds, Coplees," featuring works by Mimi Park, at the Lubov art gallery in New York City.

The article features artist and photographer Laurie Kang. It takes a look into Kang's 2021 art installations "Great Shuttle" and "Earth Surge" including her photo-based practice and use of light sensitive materials to create sculptures. It also describes the poetic traces and autobiographical allusions in Kang's works such as her reference to acupuncturist practice by her Korean ancestors during the Joseon Dynasty and her immigrant grandparents in Canada.

The article reviews an unnamed art exhibition that featured various sculptures by the Toronto, Ontario-based contemporary artist Chris Curreri, held at the Daniel Faria art gallery in Toronto, Ontario, in 2014.

The article reviews an unnamed art exhibition that featured various sculptures by the contemporary artist Roni Horn, which was held at the Hauser & Wirth gallery in New York City, in 2013 and 2014.

The article reviews the art exhibition "New Sculptures," which featured various sculptures by the contemporary American artist Richard Serra, held at the Gagosian gallery in New York City, through March 15, 2014.

The article reviews the exhibitions at Tate Modern in London, England, New Museum in New York and Museum of Contemporary Art in Chicago, Illinois till September 2017 featuring sculptures, painting and drawings by artists William T. Williams, Joe Bradley, Annabeth Rosen and Mona Hatoum.

The article reviews U.S. painting and art exhibitions "Martin Luther: Art and the Reformation," "Word and Image: Martin Luther's Reformation" and "The Image of a Fractured Church: Martin Luther and the 95 Theses at 500 Years" till July 7, 2017 by artists Heinrich Füllmaurer and Conrad Meit.

The article reviews the ceramic sculpture installation exhibition "Ceramics in the Expanded Field," featuring works of artists including Linda Sormin, Anina Major and Rose B. Simpson, at the Massachusetts Museum of Contemporary Art in North Adams, Massachusetts.

The article reviews the art exhibition "Ronald Bladen: Sculpture of the 1960s and 1970s" at the Jacobson Howard gallery in New York City.

This article reviews an exhibition of drawings and sculpture entitled "Anatomy of Architecture" by Stephen Talasnik at the Marlborough Gallery.

The article reviews an exhibition of sculpture by Rebecca Smith at the Jeannie Freilich art gallery, New York City, in June 2007.

The article presents a review of Raoul De Keyser's exhibition at David Zwirner in New York.