Search

Your search keyword '"ikonografija"' showing total 5 results
Start Over Descriptor "ikonografija" Journal ars & humanitas
5 results on '"ikonografija"'

1. Križanje, Cerkev in evharistija v treh arturjanskih rokopisih

Author

Miha Zor

Subjects
Križanja, Cerkev, evharistija, ikonografija, knjižno slikarstvo, Estoire del saint Graal, History of scholarship and learning. The humanities, AZ20-999, Literature (General), PN1-6790
Abstract

Članek obravnava tri miniature z upodobitvijo Križanja iz treh rokopisov romance Estoire del saint Graal. Obravnavani rokopisi so: dva iz British Library (signaturi Royal 14.E.III in Additional 10292) ter eden, ki je danes v zasebni lasti, označuje pa ga nekdanja signatura Amsterdam BPH 1 (ex-Phillips 1045/7, 3630). Vsi trije so nastali na območju Saint-Omerja, Thérouanna, Tournaija in Ghenta med letoma 1315 in 1325. Razlike med tremi miniaturami so v podrobnostih in analiza se jih loteva v treh korakih. Najprej so določeni vsi mogoči pomeni posameznih motivov, nato se posvetimo vprašanju, kateri od teh pomenov so dejansko navzoči na obravnavanih miniaturah; zato so preučena razmerja med posameznimi motivi na sliki. Pomeni, pripisani posameznim motivom in sliki kot celoti, so nato preverjeni še z ozirom na ostale miniature v vsakem od rokopisov, da se razkrije, ali obstajajo tematske ali ideološke zveze in ali se razvija slikovna naracija, ki več posameznih miniatur povezuje v eno zgodbeno nit. Ti kriteriji so upoštevani, da bi lahko opisali pomen slike, tj. ekfrazo podobe, ki jo sugerira slikovni tekst.

Published
2017
Full Text
View/download PDF

2. The Emblems of the Album of the Ljubljana Noble Society of St Dismas: Context, Sources, Originality.

Author

Germ, Tine

Subjects
EMBLEMS
Abstract

Copyright of Ars & Humanitas is the property of Ars & Humanitas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2017
Full Text
View/download PDF

3. Križanje, Cerkev in evharistija v treh arturjanskih rokopisih.

Author

Zor, Miha

Subjects
MINIATURE craft, CRUCIFIXION, MANUSCRIPTS, LORD'S Supper
Abstract

Copyright of Ars & Humanitas is the property of Ars & Humanitas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2017
Full Text
View/download PDF

5. Vagabundske figure v slovenski likovni umetnosti in literaturi na začetku 20. stoletja

Author

Robert Simonišek

Subjects
likovni motivi, media_common.quotation_subject, cesta, lcsh:Literature (General), pot, razmerje slika, tekst, ikonografija, lcsh:AZ20-999, media_common, Literature, Enthusiasm, Painting, Poetry, business.industry, General Arts and Humanities, Oil painting, popotniki, literarni motivi, Art, lcsh:PN1-6790, Romance, Popularity, lcsh:History of scholarship and learning. The humanities, vagabundske figure, The Symbolic, Hermeneutics, business, slovensko slikarstvo na začetku 20. stoletja, likovna hermenevtika
Abstract

The article explores the relationship between visual and literary motifs in Slovenian painting (and illustration, graphics, and drawing) and literature (both prose and poetry) at the beginning of the twentieth century. It uses examples to show the popularity and rich variety of vagabond figures and their transformations and reciprocity at the level of the painting/text. However, a distinctive feature of this article is that it places the subject within the context of hermeneutics, a method that has not been used in Slovenian art history. In addition, it also reveals the symbolic complexity of the vagabond figure in the context of writers, other works, and social-historical circumstances. The emphasis is placed on artists that showed enthusiasm for this figure as a subject during the Belle Epoque and also those that followed the very popular bohemian lifestyle in their everyday lives. The reception of Slovenian folk and traditional motifs from the past produced visual and semantic oscillation in which the phenomena of vagabond figures were systematized and interpreted. Many painters (e.g., Gvidon Birolla, and Maksim Gaspari) and writers (e.g., Oton Župancic, Cvetko Golar, and Ivan Cankar) clung to the Slovenian tradition with romantic overtones and, in line with their artistic atmosphere, integrated vagabond figures into typical Slovenian landscapes or environments. Some of them followed Symbolism and modernized the figures with autobiographical references (e.g., Fran Tratnik). The situation among the youngest generation of artists in particular showed that they managed to “escape” from copying traditional motifs and instead used them in a modern form in the “here and now” (e.g., Ivan Cankar). The discrepancy between the lack of the vagabond theme in oil painting and strong diversification in illustration, drawing, graphics, and literature could be explained by consumers’ perceived difference between “high” and “popular” art.

Published
2011

Catalog

Books, media, physical & digital resources
See catalog results