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Roman‐period mummy portraits are considered to be ancient antecedents of modern portraiture. However, the techniques and materials used in their manufacture are not thoroughly understood. Analytical study of the pigments as well as the binding materials helps to address questions on what aspects of the painting practices originate from Pharaonic and/or Graeco‐Roman traditions, and can aid in determining the provenance of the raw materials from potential locations across the ancient Mediterranean and European worlds. Here, one of the largest assemblages of mummy portraits to remain intact since their excavation from the site of Tebtunis in Egypt was examined using multiple analytical techniques to address how they were made. The archaeological evidence suggests that these portraits were products of a single workshop and, correspondingly, they are found to be made using similar techniques and materials: wax‐based and lead white–rich paint combined with a variety of iron‐based pigments (including hematite, goethite and jarosite), as well as Egyptian blue, minium, indigo and madder lake to create subtle variations and tones. [ABSTRACT FROM AUTHOR]

In this study, we have evaluated the applicability of Nd isotopic analysis for the provenancing of Roman glass and we present a database of Nd isotopic compositions of possible sand raw materials from the western Mediterranean, as a means of comparison for the growing number of isotopic studies on ancient glass. The 143Nd/144Nd isotope ratio of sands is a good indicator for their geological (and sometimes geographical) provenance. The use of the isotopic signature of Nd as a proxy for the source of silica in glass is, however, not always straightforward because of the possible overlap of signatures from different suppliers. [ABSTRACT FROM AUTHOR]

The provenancing of Roman natron glass is one of the most challenging problems in the field of archaeometry. Although the use of Sr and Nd isotope ratios and trace element signatures as an indication of provenance has proven promising, there are still many unknowns. In this study, the influence of the different raw materials on the final Sr isotopic composition of Roman natron glass is examined. It is shown that the 87Sr/86Sr ratio in natron glass is significantly influenced by the silicate fraction of the sand used and does not always provide a clear indication of the lime source used. [ABSTRACT FROM AUTHOR]