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This paper engages with the notion of ideology, bringing together Laclau's theorisation of the specificity of the ideological, and Rancière's notion of aesthetic regimes. Ideology, I argue, works through what it makes available to the senses and what it makes to make sense. It is in this sense that it is an aesthetic affair. This argument is illustrated with an account of the so-called 'securitarian ideology' in France that characterises the repressive policies of the recent governments. [ABSTRACT FROM AUTHOR]

This paper offers a translation of key texts by the contemporary Mouvement des Indigènes de la République (MIR) and its key intellectuals: Sadri Khiari and Houria Bouteldja. Following Khiari, post-colonial situations are best understood as recompositions: territorially mediated re-articulations of colonial pasts with other social relations. To respond to the complexities of this post-colonial recomposition, MIR propose an ambitious politics of 'autonomy' and 'mixity'. 'Autonomy' (externally in relationship to the state and organized politics and internally for feminist groups) is seen as an indispensable precondition for a socio-politically mixed, and potentially universalizing, political formation politics. More counter-colonial than post-colonial in orientation (Hallward), MIR attempt to give direction to three decades of revolt emanating from France's racialized popular neighbourhoods, including the uprising of 2005. I argue that MIR's interventions take up themes from the analyses by Frantz Fanon, Albert Memmi and Suzanne and Aimé Césaire to make countercolonial critique 'live' in France today. [ABSTRACT FROM AUTHOR]