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This article proposes an ethnographic route, based on archeology, around the artisanal replication of a Marajoara urn with great local representation and often reproduced by artisans from Icoaraci (District of Belém) and from Marajó Island. Through the studies of its iconography, its artisanal replication, and the persistence of contemporary resignifications of its image, I propose to reflect further beyond the object, considering the important relationship of this ceramic piece with the people who are affected by it. [ABSTRACT FROM AUTHOR]