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The paradox is inherent in many works of art of the twentieth century. Particularly clear, the paradox in art showed its essence in the beginning of the 21st century, when distorted reality, problems of meaning, unusual attitude to reality broke down the stereotypes of life established by centuries and could express their essence through an enigma. The paradox always attracted to itself with its non-standard and protest nature. The protest in each era manifested itself in different axonometric projections of human being. Art is a shadow of reality that the artist throws at the object of description according to the angle of his talent. Interest in paradox in works of art testifies to the corresponding psycho-emotional state of society, it reflects reality in its artistic colors, as well as clearly demonstrates the specificity of perception of reality, the way of demonstrating the spiritual world and the level of comprehension of being. The purpose of this study is to trace the influence of art as a manipulative factor in the presentation of reality and the influence of the subjective creative view of an artist on the change of aesthetic categories that have formed in society as classical. The thesis that architecture reflects the general function of culture in soothing and restoring spiritual peace for modern post-industrial society is not sufficient to satisfy the emotional perception of space. To achieve the multidimensionality of the viewer's interpretations required of contemporary art, architecture resorts to a manipulative method of reflecting the reality of the spatial environment. [ABSTRACT FROM AUTHOR]