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Abstract Magnitude effects (e.g., heavier or faster is longer) and valence effects (e.g., negative > positive) are widely observed in time perception studies, but not well understood. In four experiments, we explored how different action contexts (e.g., tasting, lifting) affected magnitude and valence effects. In two experiments a valence effect occurred: Tasting a sweet food (watermelon) led to temporal underestimations relative to a neutral stimulus, while sour and bitter foods led to overestimations. However, when the same foods were presented in a lifting context a magnitude effect occurred: Reproduced times for the heavier food (watermelon) were overestimated relative to the lighter foods. In a fourth experiment magnitude and valence interacted: Imagining tasting increasing amounts of lemon or carrying increasing loads of lemon, both negative, yielded magnitude effects; however, imagining carrying lemons to feed malnourished people, which was positive, did not. Results present challenges for several common theoretical approaches (e.g., arousal, attention, common magnitude theory) but provide support for affordance theory and perceptual salience theory. Timing depends on action relevance and is jointly shaped by valence and magnitude. Highlights • Magnitude and valence effects in time perception occurred in three action contexts. • Perceived duration depended on action relevance, valence of action, and magnitude. • Magnitude effects occurred in negative valence contexts but not positive. • Lifting, tasting, and carrying different foods (e.g., lemons) altered relative timing. • Heavier was longer and negative was longer in time perception, but not always. [ABSTRACT FROM AUTHOR]

Abstract Flanks were added to Titchener's (1901) T-illusion figure to test its susceptibility to context stimuli. The addition of a second divided line yielded H-type figures, and the addition of a second undivided line, +-type figures. The lengths of the Ts' undivided lines was expected to be overestimated relative to the lengths of the divided lines, when all lines were about equally long, and the illusion was expected to become smaller when one or two gaps had been introduced between the lines. Results conformed to the predictions. The amount of illusion was larger for the no-gap H than the T, and was almost annihilated with the two-gaps H, with 3 out of 14 observers showing an inverse response bias. The +-type stimuli produced analogous results. Findings are interpreted in terms of the nonequivalence of the endpoints of the stimuli's lines, which are thought to elicit different responses in end-inhibited cortical neurons, thereby affecting length estimates. Highlights • Ts with flanks yield greater overestimation of the undivided line's length than Ts. • The illusion diminishes linearly with one or two gaps between the lines and flanks. • Hubel and Wiesel's two-types-of-cortical-neurons account can explain the findings. • The exhaustive combinatorics of two and three lines is provided. [ABSTRACT FROM AUTHOR]

Using an item-method directed forgetting task, we presented homographic homophonic nouns embedded in sentences. At study, each sentence was followed by an instruction to remember or forget the embedded word. On a subsequent yes-no recognition test, each word was again embedded within a sentence. In Experiments 1, 2, and 4 we varied the embedding sentence at test so that it was identical to that at study, changed but retained the meaning of the studied word, or changed to alter the meaning of the studied word. Repeated context – whether the sentence and/or the word meaning – proved to be as useful a retrieval cue for TBF items as for TBR items. In Experiment 3, we demonstrated that physical repetition was insufficient to produce context effects for either TBR or TBF items. And, in Experiment 4, we determined that participants were equally accurate in reporting context repetition/change following the correct recognition of TBR and TBF items. When considered in light of the existing literature, our results suggest that when context can be dissociated from the study item, it is encoded in “one shot” and not vulnerable to subsequent efforts to limit unwanted encoding. [ABSTRACT FROM AUTHOR]

In the arts emotionally negative objects sometimes can be positively judged. Defining an object as art possibly yields specific changes in how perceivers emotionally experience and aesthetically judge a stimulus. To study how emotional experiences (joy, anger, disgust, fear, sadness, and shame ratings, plus facial EMG) and aesthetic judgements (liking ratings) are modulated by an art context ("This is an artwork") as compared to non-art reality context ("This is a press photograph") participants evaluated IAPS pictures and veridical artworks depicting emotionally positive and negative content. In line with the assumption that emotional distancing is an essential feature of the art experience we found that positive emotional reactions were attenuated (joy, M. zygomaticus activation) in an art compared to non-art context. However, context had little influence on negative emotional reactions (anger, disgust, fear, sadness, shame, and M. corrugator activation) suggesting that these are similar in art and non-art. Importantly, only artworks of emotionally negative content were judged more positively in an art context - thus liked more. This study, in accordance with the assumption of a distanced aesthetic mode, shows that an art context fosters appraisal processes that influence emotional experiences, allowing to judge negative stimuli aesthetically more positively - thus suppressing the immediacy of emotional stimulus content. [ABSTRACT FROM AUTHOR]

Abstract: Context effects have been shown to bias lay people's evaluations of the severity of crimes and punishments. To investigate the cognitive mechanisms behind these effects, we develop and apply a rank-based social norms approach to judgments of perceived crime seriousness and sentence appropriateness. In Study 1, we find that (a) people believe on average that 84% of people illegally download software more than they do themselves and (b) their judged severity of, and concern about, their own illegal software downloading is predicted not by its amount but by how this amount is believed (typically inaccurately) to rank within a social comparison distribution. Studies 2 and 3 find that the judged appropriateness of a given sentence length is highly dependent on the length of other sentences available in the decision-making context: The same objective sentence was judged as approximately four times stricter when it was the second longest sentence being considered than when it was the fifth longest. It is concluded that the same mechanisms that are used to judge the magnitude of psychophysical stimuli bias judgments about legal matters. [Copyright &y& Elsevier]

Abstract: Earlier findings have suggested that esthetic appraisal of product appearances is influenced by perceived typicality. However, prior empirical research on typicality and esthetic appraisal of product appearances has not explicitly taken context effects into account. In this paper, we investigate how a specific context influences perceived typicality and thus the esthetic appraisal of product appearances by manipulating the degree of typicality of a product''s appearance and its context. The findings of two studies demonstrate that the perceived typicality of a product appearance and consequently its esthetic appraisal vary depending on the typicality of the context in which the product is presented. Specifically, contrast effects occur for product appearances that are perceived as typical. Typical product appearances are perceived as more typical and are more esthetically appealing when presented in an atypical context compared to when presented in a typical context. No differences in perceived typicality and esthetic appraisal were found for product appearances that are perceived as atypical. [Copyright &y& Elsevier]

Abstract: Models of attention and context effects in naming performance should be able to account for the time course of color–word Stroop interference revealed by manipulations of the stimulus onset asynchrony (SOA) between color and word. Prominent models of Stroop task performance () fail to account for the fact that response time (RT) and Stroop interference peak at zero SOA and diminish with word preexposure. The models may be saved by assuming that the time course of interference is determined by a strategic orienting of attention to color onsets when SOA is predictable. To test this temporal predictability hypothesis, SOA was blocked or randomly mixed in Experiment 1. In addition, the time interval between color onsets was randomly variable in Experiment 2. Although RTs were affected, none of the randomization manipulations influenced the typical shape of the time course of Stroop effects. These findings provide evidence against the temporal predictability hypothesis and thereby against prominent models of the Stroop task. [Copyright &y& Elsevier]