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"Hansel and Gretel" begins with the parents' decision to abandon their children. The author argues that the differences in how the children survive their exile reflect the changes in how modern societies conceptualized their organization. An early baroque tale speaks of a contracted civil society and legitimizes sovereign power, while later versions represent Enlightened social subjects capable of emerging from their minority. The motif of abandoned children reaches back to Roman antiquity, where it was linked to mimetic rivalry. The author shows in what ways mimetic rivalry appears in modern fairy tales. [ABSTRACT FROM AUTHOR]

The paper analyzes the fairy tale collection Croatian Tales of Long Ago by the Croatian author Ivana Brlić-Mažuranić, interpreting its social functions. Several important social functions are considered in fairy tales: national and supranational (Slavic) imaginary, Christian values, and patriarchal order. These social functions are analyzed in individual fairy tales, considering the thesis of Dutch scientist André Jolles that the primary social function of fairy tales is to express the community's idea of justice and injustice. [ABSTRACT FROM AUTHOR]

The Woman without a Shadow is both the title of an opera resulting from the collaboration between Hugo von Hofmannsthal and the composer Richard Strauss in the three years immediately preceding the outbreak of the First World War, and that of a fairy tale in which the writer, from 1912 to 1919, reworked the subject of the libretto. With a specific focus on the second version, this essay sets out to describe how, beyond the complex symbolism of the formal structure (which initially makes one think of an artistic product finely crafted, but completely unrelated to historical reality), Hofmannsthal's fairy tale is actually intimately connected to the cultural and 'social' project developed by the author during the years of the First World War. It was this project that gave rise to the veritable 'mythology of the social' that lies at the heart of this fairy tale, in which Hofmannsthal revisits the very cornerstones of Romantic aesthetics and gives them a modern twist. [ABSTRACT FROM AUTHOR]

Fairy tales are fascinating fantasies, but they also gave people a better understanding of serious issues such as illness, injury, and even death. The results of the analysis of a large corpus of a total of 1512 published fairy tales, legends, and other documentary prose about Pohorje, most of which date back to the 19th and the first half of 20th centuries, and whose origins were in a time when diseases were ubiquitous and poorly understood, show that the theme of health and disease rarely appear in these sources, however, when they do mention it, they refer specifically to the living conditions of people in the Pohorje Mountains, epidemics, social diseases, mental illnesses, congenital deformities, and ideas about the relationship between disease, the human body, and supernatural forces. One of the reasons for such explanations is the widespread absence of doctors in this hilly area. [ABSTRACT FROM AUTHOR]

In the article the author examines how the matrix of the dragon killer appeared in different social contexts and its formation as a fairy tale matrix. She traces the genealogy of the dragon slayer matrix back to ancient mythologies, paying regard to Babylonian, Greek, Celtic, and Slavic mythologies, as well as to the Christian codes and appearances in (particularly Slovenian) folklore, and discusses the variations that occur with different uses of the matrix, in different historical moments and epistemes. Special attention is devoted to studying the social and political functions the tales about the dragon killer had in the contexts in which they appeared. [ABSTRACT FROM AUTHOR]