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Jahr 802 nDZ: Ein kalter Winter liegt hinter dem Mittenreich von Trefalia und lässt seine Bewohner mit Freuden einem Ereignis entgegenblicken, welches die helle Jahreszeit einläuten soll - der Landesmarkt in Cantur. Doch die Nachwirkungen Während auch die Stadthalterin von Ilmerun mit ihren Kindern Olja und Jay den Festigkeiten beiwohnt, weiß sie noch nicht, wie fern im Osten ein einsamer Pilger Tag für Tag in Zwiesprache mit seinem Herrn und Meister steht. Sein altes Leben verspielt, von der Landbevölkerung verspottet und verjagt, erreicht er mit letzter Kraft die mächtige Stadt Korgonoth. Unterdessen formieren sich im Untergrund des Landes Mächte, die ihre ganz eigenen Pläne verfolgen und die ihre Zeit, die Zeit des Wandels, als gekommen ansehen.

During the Standing Rock Sioux protest against the Dakota Access Pipeline, an activist observed, “Forced removal isn't just in the history books.” Sabine N. Meyer concurs, noting the prominence of Indian Removal, the nineteenth-century policy of expelling Native peoples from their land, in Native American aesthetic and political praxis across the centuries. Removal has functioned both as a specific set of historical events and a synecdoche for settler colonial dispossession of Indigenous communities across hemispheres and generations. It has generated a plethora of Native American writings that negotiate forms of belonging—the identities of Native collectives, their proprietary relationships, and their most intimate relations among one another. By analyzing these writings in light of domestic settler colonial, international, and tribal law, Meyer reveals their coherence as a distinct genre of Native literature that has played a significant role in negotiating Indigenous identity. Critically engaging with Native Removal writings across the centuries, Meyer's work shows how these texts need to be viewed as articulations of Native identity that respond to immediate political concerns and that take up the question of how Native peoples can define and assert their own social, cultural, and legal-political forms of living, being, and belonging within the settler colonial order. Placing novels in conversation with nonfiction writings, Native Removal Writing ranges from texts produced in response to the legal and political struggle over Cherokee Removal in the late 1820s and 1830s, to works written by African-Native writers dealing with the freedmen disenrollment crisis, to contemporary speculative fiction that links the appropriation of Native intangible property (culture) with the earlier dispossession of their real property (land). In close, contextualized readings of John Rollin Ridge, John Milton Oskison, Robert J. Conley, Diane Glancy, Sharon Ewell Foster, Zelda Lockhart, and Gerald Vizenor, as well as politicians and scholars such as John Ross, Elias Boudinot, and Rachel Caroline Eaton, Meyer identifies the links these writers create between historical past, narrated present, and political future. Native Removal Writing thus testifies to both the ongoing power of Native Removal writing and its significance as a critical practice of resistance.

The foundational vision of the U.S. polity as a “political edifice of liberty and equal rights” (Abraham Lincoln) has held immense symbolic power and bred both aspirations and discontent. It has served as the source for various interconnected, yet often also conflicting, narratives and discourses through which the question of human and civil rights in the U.S. has been constantly debated and re-negotiated. This volume investigates the U.S.-American culture of rights as it has evolved and continues to evolve throughout U.S. (legal) history as well as in U.S. literature and in popular culture. It demonstrates that the question of rights has been posed differently by members of the various groups and cultures that have historically constituted the United States, and that the answers to these questions changed significantly over time.

Wo über Jahrhunderte das Land von Krieg und Machtspielen gezeichnet war, schafften Tiranen und Menschen es, im Reich der Mitte ein Leben in friedlicher Koexistenz aufzubauen. 115 Jahre nachdem dieses Bündnis geschlossen wurde, lebt der dreizehnjährige Jay als Sohn eines Stadtoberhauptes das Leben eines Kindes, welches eigentlich wunschlos glücklich sein sollte. Doch das unterkühlte Verhältnis zu seinem Vater sorgt immer wieder für offenen bösen Streit und nur Jays Bruder Olja ist es, der dem eigensinnigen Jüngeren ein Gefühl von Heimat vermitteln kann. Dies ändert sich schlagartig, als Olja eines Nachts gewaltsam entführt wird. Schnell stellt sich heraus, dass er nicht der einzige ist und Jay begibt sich auf eine Reise, die ihn von der Arrestzelle bis zu den Mächtigsten seines Heimatlandes führt.

In recent years, the interdisciplinary fields of Native North American and Indigenous Studies have reflected, at times even foreshadowed and initiated, many of the influential theoretical discussions in the humanities after the'transnational turn.'Global trends of identity politics, performativity, cultural performance and ethics, comparative and revisionist historiography, ecological responsibility and education, as well as issues of social justice have shaped and been shaped by discussions in Native American and Indigenous Studies. This volume brings together distinguished perspectives on these topics by the Native scholars and writers Gerald Vizenor (Anishinaabe), Diane Glancy (Cherokee), and Tomson Highway (Cree), as well as non-Native authorities, such as Chadwick Allen, Hartmut Lutz, and Helmbrecht Breinig. Contributions look at various moments in the cultural history of Native North America—from earthmounds via the Catholic appropriation of a Mohawk saint to the debates about Makah whaling rights—as well as at a diverse spectrum of literary, performative, and visual works of art by John Ross, John Ridge, Elias Boudinot, Emily Pauline Johnson, Leslie Marmon Silko, Emma Lee Warrior, Louise Erdrich, N. Scott Momaday, Stephen Graham Jones, and Gerald Vizenor, among others. In doing so, the selected contributions identify new and recurrent methodological challenges, outline future paths for scholarly inquiry, and explore the intersections between Indigenous Studies and contemporary Literary and Cultural Studies at large.

Sabine N. Meyer eschews the generalities of other temperance histories to provide a close-grained story about the connections between alcohol consumption and identity in the upper Midwest. Meyer examines the ever-shifting ways that ethnicity, gender, class, religion, and place interacted with each other during the long temperance battle in Minnesota. Her deconstruction of Irish and German ethnic positioning with respect to temperance activism provides a rare interethnic history of the movement. At the same time, she shows how women engaged in temperance work as a way to form public identities and reforges the largely neglected, yet vital link between female temperance and suffrage activism. Relatedly, Meyer reflects on the continuities and changes between how the movement functioned to construct identity in the heartland versus the movement's more often studied roles in the East. She also gives a nuanced portrait of the culture clash between a comparatively reform-minded Minneapolis and dynamic anti-temperance forces in whiskey-soaked St. Paul--forces supported by government, community, and business institutions heavily invested in keeping the city wet.

The first narrative biography of the Bee Gees, the phenomenally popular vocal group that has sold more than 200 million records worldwide -- sales in the company of the Beatles and Michael Jackson. The Bee Gees is the epic family saga of brothers Barry, Robin, and Maurice Gibb, and it's riddled with astonishing highs—especially as they became the definitive band of the disco era, fueled by Saturday Night Fever and crashing lows, including the tragic drug-fueled downfall of youngest brother, Andy. In recent years, a whole new generation of fans has rediscovered the undeniable grooves and harmonies that made the Bee Gees and songs like Stayin'Alive, How Deep is Your Love, To Love Somebody, and I Started a Joke timeless.

Clarinetist Kenny Davern ranked among the best jazz musicians for over 50 years. The unique and instantly recognizable sound of his clarinet, coupled with a wide ranging intellect and quick sense of humor drew praise and applause and endeared him to his fans and friends. The Life and Music of Kenny Davern tells the story of this fascinating musician who had a vision of how he wanted his music to sound and who persisted in the face of adversity until he achieved that vision.Edward N. Meyer conducted interviews with friends, family, colleagues, and critics of Kenny Davern, as well as the man himself, to gain a comprehensive and personal narrative of the artist's life. Beginning with the tragic events that shaped his early life, Meyer traces Davern's growth from a young boy raised in an atmosphere of conflict into an acclaimed, self-assured musician and a warm and loving husband and father. Meyer describes the state of the jazz music business in the last half of the 20th century and fully establishes Davern's status within that scene. Meyer also explores a side of Davern that the public never saw: Davern's hunger for reading made him a knowledgeable and well-respected person with experts outside the world of jazz. With more than 30 photos, a comprehensive discography, bibliography, and index, this volume will fascinate jazz students, fans, and scholars.

Advocacy skills must be taught because they are essential to life success. Learn from people with autism on how to teach these skills! Edited by Stephen Shore, Ask and Tell: Self-Advocacy and Disclosure for People on the Autism Spectrum helps people with autism effectively self-advocate in their pursuit of independent, productive, and fulfilling lives. Ask and Tell is unique in that it's the first book to speak to the twin issues of self-advocacy and disclosure for people with autism. This book also discusses how advocacy begins in preschool and extends throughout the lifespan, with meaningful examples such as showing how people with autism have great value to society. It is written and illustrated entirely by individuals with autism, including a preface by Dr. Temple Grandin. Overall, successful self-advocacy involves a degree of disclosure about oneself that often carries some degree of risk in an effort to reach the goal of better mutual understanding. Ask and Tell offers countless practical ideas and advice adjusted for different personalities and personal preferences, and always backed by the real life experiences