Search

Governments and road safety agencies around the world have either introduced or are considering'safe system'strategies, a long overdue acknowledgement that different elements of the road system contribute to road safety outcomes. Human factors approaches have a leading role here in both conceptualising the road system as a complex sociotechnical system and in providing practical approaches to support true systems-based countermeasures. This book illustrates the potential for integrating contemporary systems-based human factors methods with modern day driving-assessment methods, such as vehicle instrumentation and driving simulation, to understand and enhance performance in modern day road-transport systems. The book outlines why a fundamental paradigm shift is needed in the way these systems are designed and operated, and illustrates how a wide range of accepted human-factors approaches can be applied successfully to road transport to revolutionise the countermeasure design process. The practical illustrations of these human factors methods are applied to a long-standing road and rail safety issue: rail level crossings, where the road and rail systems intersect. The final chapter of the book highlights the utility of the human factors approach to reducing road trauma and discusses future applications of the approach.

This handbook incisively explores challenges and opportunities that exist in efforts aimed at addressing inequities in mental health provision across the globe. Drawing on various disciplines across the humanities, psychology, and social sciences it charts the emergence of Global Mental Health as a field of study. It critically reflects on efforts and interventions being made to globalize mental health policies, and discusses key themes relevant for understanding and supporting the mental health needs of people living in diverse socio-economical and cultural environments. Over three rich sections, the handbook critically engages with Global Mental Health discourses. To help guide future efforts to support mental health and wellbeing in different parts of the world, the third section of the handbook consists of case studies of innovative mental health policy and practice, which are presented from a variety of different perspectives. This seminal handbook will appeal to a transnational community of post-graduate students, academics and practitioners, from global health to transcultural psychiatry and medical anthropology. It will be also of interest to researchers and clinical practitioners, policy makers and non-governmental organisations involved in cross-cultural mental health work.

Based on meticulous archival research, Dennis M. Read's study offers the most accurate and thorough account to date of the engraver, editor, and arts enthusiast R. H. Cromek. Though he is best known today as William Blake's nemesis, Cromek made significant contributions to the vitality of the arts in nineteenth-century Britain. Read traces Cromek's early years as an accomplished engraver, his collaborations and falling out with Blake, and his editing and publishing ventures, showing him to be a pioneer who recognized the opportunities of the emerging market economy. Read's descriptions of Cromek's disastrous associations with the Chalcographic Society, his publication of Robert Burns's unpublished works, and his duping by the perpetrator of a literary hoax make for fascinating reading and tell us much about the commercial art and publishing scenes in England and Scotland. Perhaps most important, Read salvages Cromek's reputation as an unscrupulous exploiter of Blake and others. A fuller and more balanced portrait emerges that shows Cromek's efforts to bring the arts to emerging cities of the midlands and beyond, describes his friendships and associations with luminaries of the fine arts and literature such as Leigh Hunt and Benjamin West, and challenges more biased reports of his successes and failures as an entrepreneur.

For decades, Newark and its environs have been lit up by the bright neon lights of grand movie palaces and theaters. In the early 20th century, stages that were originally built for vaudeville acts were turned over to silver screens and the flickering images from motion-picture projectors. This new technology ushered Hollywood movies to the East Coast and made cinema accessible for locals to enjoy. Movie houses and palaces provided moviegoers a new type of viewing experience. With ornate interiors and rich architecture, these institutions offered their patrons a beautiful setting to watch classic films. Over time, these establishments evolved and began hosting burlesque shows and rock concerts. Today, many of these downtown landmarks have been demolished, replaced, or adaptively renovated into the modern multiplexes of today. Images of the Paramount and the Mosque Theater help Movie Houses of Greater Newark tell the story of an era when going to the movies was an event.