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This is the first in-depth exploration of the extent and significance of Ovidian intertexts in Statius'Thebaid, with particular emphasis on the interplay between poetics, politics, and material culture. Introducing New Historicist, Cultural Materialistic, and Intermedial approaches to Latin literature, it suggests that, despite their Virgilian patina, Statius'depictions of landscapes, heroes, and gods are pervaded by verbal and semantic allusions to Ovid's mythical narratives. This multi-layered allusivity not only prompts alternative readings of the Augustan classics, but also challenges the reader's perceptions of the Augustanising worldview that the urban landscape of Flavian Rome was arguably meant to convey. The poetic and political significance of Statius'Theban saga thereby moves from critically rewriting the Aeneid to reflecting on the new socio-political issues of Flavian Rome. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Women in Martial is the first monograph to treat the portrayals of women in Martial's Epigrams in a systematic way. In this volume, Marchesi proposes a new method of exploring the cultural construction of femininity in the Flavian age, presenting an interplay between close readings of Martial's poems and their contextualization through legal, historiographic, rhetorical, and grammatical discussions. This book discusses the social roles assigned to women in Roman society, where they were at once called to represent their fathers and reproduce their husbands, together with the question of to what extent they are depicted as semiotic signifiers in Martial's corpus. Noting socially aberrant behavior by pointedly using the discourse of grammar and its categories to detect and address the social issues of his time, Martial—a poet who distinctively adopts the role of a surrogate censor for Domitian—constructs the women he depicts in both negative and positive ways as signs of their time. Using a wide range of examples from ancient Roman culture, Women in Martial models a way of using literary sources to address the intersection of social and cultural issues in the study of women in the ancient world, ultimately demonstrating the extent to which the social roles and identities of women were constructed and policed through semiotic categories.

The Ovidian Renaissance seems to have left the Remedia Amoris behind. The poem has remained marginal, read either as a reversal of the Ars Amatoria's teaching that brings the world of Ovidian elegy to a banal end, or as an over-determined supplement to the Ars which ironically fails in its ostensible aim of'curing'the dissatisfied lover. While recent work has explored how the poem functions not just as a palinode to, but also as a continuation of, the Ars, the critical status quo continues to present it as a minor appendage rather than as an important chapter in Ovid's project as a poet of desire. Victoria Rimell's commentary resets critical perspectives by reading the Remedia as distinctive and original, and as a pivotal text within Ovid's oeuvre as a whole. In her immersive, creatively interpretative guide to the poem, the Remedia emerges as an intricate work that interacts with medical texts, works on rhetoric, law, magic and ritual, philosophical thinking about self-discipline, the irrational, consolation and therapy for the soul, as well as with Greco-Roman satire, lyric, epigram, and traditions of didactic and erotodidactic verse. The poem, Rimell argues, is a key node in Ovid's development of a poetics of paradox, reversibility, and auto-immunity.

Gardens are not central in Latin literature, but usually somewhere off to the side, as was often the real garden. They appear, however, in some form in nearly all literary genres of Latin literature--history, satire, epigrams, epics, letters, lyric poetry, elegies, and novels--and often edge their way into larger socio-economic and political discussions about Roman identity, gender, wealth, and land use. Through an analysis of ancient garden studies and close readings of major Latin texts from the first centuries BCE and CE, K. Sara Myers examines the function and representation of garden descriptions in the work of a broad range of Roman authors, such as Cicero, Catullus, Vergil, Varro, Horace, Ovid, Petronius, Columella, Statius, and Pliny the Elder and Younger. While most of the sources in this study are poetic and their gardens fictional, it is still important to situate these works in their cultural and historical contexts. By understanding how to interpret the importance of these spaces in the literature in which they appear, readers will not only better comprehend the aesthetic and ethical values of the work in question, but they will also gain a better insight into ancient Roman attitudes toward gender, art, and human relationships with nature. Myers shows how some Romans constructed the garden as a space under male control: Men are cultivators, while women are cultivated. Literary gardens can symbolize a range of positive masculine ideals and identities for elite men--from the rustic farmer to the philosopher--but can also represent unmanly luxury and leisure. Women in gardens are usually sexualized, depicted as virginal or sexually transgressive, especially when they attempt to express ownership over these spaces. In almost all these texts, the artificial and artistic arrangement of the raw material of nature invites self-reflexivity, which Myers calls'geopoetics,'or a'poetics of the earth.'

This volume brings together eleven chapters on the genre of Latin elegy by leading scholars in the field. Latin elegy is typically thought to have flourished for a brief period at Rome between c. 40 BC and the early decades of the first century AD; it was the pre-eminent vehicle for writing about amatory matters in this period and among its principal exponents were Propertius and Ovid, whose works constitute the focus of this volume. Their poems and poetic collections were, however, by no means restricted to the themes of love, even if amatory concerns often surface at unexpected moments in texts that are not ostensibly concerned with love. Both poets were alive to their precursors'writings in elegiacs, and so aetiological themes and reflection on contemporary political circumstances form an integral part of their poetry. Such concerns are explored in some of the chapters on Propertius, on Ovid's Fasti and exile poetry, and also in a Renaissance elegy that looks closely to its literary heritage as it comments on the concerns of its day. Some contributions to this volume also shed new light on the typically elegiac conceit of separation, notably in amatory and exilic texts, while others look to conceptions of Roman identity and the relationship between the natural world and the cultural, political and literary spheres. All of the chapters share an interest in the close-reading of texts as the basis for drawing broader conclusions about these fascinating authors, their poetry, and their worlds.

Die Herausforderungen an das Wohnen im 21. Jahrhundert sind überwältigend: Bevölkerungswachstum, Entwurzelung und Migration, neue Generationenverträge, unterschiedliche Konzepte von Häuslichkeit und das Aufbrechen von herkömmlichen Geschlechterrollen – für all diese Phänomene spielt die Architektur des Raums, in dem sie stattfinden, eine wesentliche Rolle.The Dream – Play – Challenge Project diskutiert Positionen zum Wohnen der Zukunft, die über den traditionellen akademischen Ansatz hinausgehen. In Anlehnung an die inklusiven Arbeitsweisen des intersektionalen Feminismus, dokumentiert das Buch, wie 40 internationale Forscher•innen Wege zu einem gerechteren und lebendigeren Zusammenleben gemeinsam erdenken, erspielen und erträumen. Mit Beiträgen von Paola Ardizzola, Bahar Avanoğlu, İpek Avanoğlu, Ghita Barkouch, Tine Bernstorff Aagaard, Sigrún Birgisdóttir, Katarina Bonnevier, Shivani Chakraborty, Marianna Charitonidou, Ida Flarup, Simge Gülbahar, Anwyn Hocking, Anna Hope, Camilla Hornemann, Çağdaş Kaya, Theresa, Keilhacker, Duygu Koca, Amy Kulper, Karl Kvaran, Sonja Lakić, Mathilde Lésenecal, Anne Marit Lunde, Maria Mengel, Hilal Menlioğlu, Anne Pind, Ioanna Piniara, Andrea Prins, Jane Rendell, Jenni Reuter, Sarah Rivière, Anne Romme, Tina Saaby, Wiltrud Simbürger und Verena Von Beckerath

This book highlights the relationship between sacred architecture and tourism, specifically focusing on the role of interior design strategies. It explores how the interior design of sacred spaces can influence the tourist experience and shape their perception of these places. The book touches upon elements such as spatial organization, symbolism, material selection, lighting, and acoustics, all of which contribute to creating a meaningful and immersive environment for visitors. It explores the architectural design, ideological motivations, and the historical context surrounding the palace's construction. The book also addresses the eventual abandonment of the project and its transformation of their uses, reflecting on the complexities of realizing utopian visions in architecture. It examines how the sanctuary's architectural design and spatial arrangement interact with the surrounding landscape, including elements such as topography, vegetation, and water features. Moreover, it focuses on the interior design and explores the symbolism, spatial organization, artistic elements, and spiritual experiences associated with the dome interiors of these structures. The book showcases the historical context, cultural influences, and the evolution of design principles that shaped these remarkable spaces. Also, this book investigates the transition of visionary architectural drawings from the realm of professional architects. Furthermore, it explores how architectural drawings serve as a medium for expressing imaginative and utopian ideas, and how this transition occurs in the context of architectural education.

Architectural Exaptation: When Function Follows Form focuses on the significance and the originality of the study of exaptation. It presents exaptation as an opportunity to extend architectural design towards more sustainable approaches aimed at enforcing urban resilience.The use of exaptation's definition in architecture supports the heuristic value of cross-disciplinary studies on biology and architecture, which seem even more relevant in times of global environmental crises. This book aims to make a critique of the pre-existing and extensive paternalistic literature. Exaptation will be described as a functional shift of a structure that already had a prior, but different, function. In architecture, a functional shift of a structure that already had a function may apply to forms of decorative elements embedded in architectural components, and to both change of function of tectonic elements and the change of use of an architectural space. The book is illustrated with examples from around the globe, including China, Italy, Mexico, New Zealand, the USA and the UK, and looks at different civilizations and diverse historical periods, ranging from the urban to the architectural scale. Such examples highlight the potential and latent human creative capacity to change the use and functions, something that cities and buildings could consider when facing disturbances. Exaptation is shown as an alternative narrative to the simplifications of evolutionary puritanism. It also offers an innovative perspective and presents an opportunity to re-think the manner in which we design and redesign our cities.This book will be of interest to architecture, planning, urban design and biology researchers and students.

The Metamorphoses, written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid's Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation—and competition—with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus'six hymns as a self-conscious set—and reading the first five books of the Metamorphoses through Callimachus'hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid's poetic cosmos.

Propertius and the Virgilian Sensibility is an in-depth study of Propertius'final collection of elegies as the earliest concerted response to the poetic career of Virgil in its totality. Seven chapters show how Propertius'fourth book, published three or more years after Virgil's death, enacts the canonical status of Rome's foremost poet through an intimate conversation across a number of themes, from socio-political and historical questions centring on, for example, Rome's evolution from rustic past to'golden age'superpower, gender and patriarchy, and warfare both international and internecine, to literary questions concerning the generic identity of elegy and epic, the appropriation of Callimachus, and the architecture of poetry books. Propertius'totalizing reading reveals an elegiac Virgil as much as it does an epicizing Propertius, with a sometimes obsessive attention to detail that enlarges familiar paradigms of allusion and intertextuality and has implications for how literary and textual criticism are practised.

Latin America has extensive microbial diversity and is endemic for a wide array of infectious agents including dengue, chikungunya, malaria and tuberculosis. In 2014, the WHO cited 93 public health events of potential international concern in the Latin American region where over half (47 events) were caused specifically by chikungunya and other zoonotic pathogens, causing geographically widespread impact affecting 27 countries and territories. Arena, alpha and flaviviruses are RNA viruses, many of which are endemic in South America, are diverse in nature, and can adapt easily to new hosts, creating zoonotic threats. Since more than 70% of emerging diseases are caused by zoonotic agents, it is of great importance to enhance the capacity for detection and diagnosis in the areas where they are most likely to emerge. COVID-19 provided an opportunity to reinforce public health capacities, improve reporting transparency, and enhance regional coordination. Limited but consistent research has been carried out in the region to address the viral threats that account for a significant portion of health concerns. This book describes relevant examples of these achievements and discusses ongoing limitations in the region.

This volume aims at analysing how self-experience of religious communication becomes a reflexive phenomenon reproduced in time and space to constitute a collectively shared narrative. The issues addressed in this volume investigate how individual, creative micro-strategies of communication with the gods became established patterns of behaviour, to what extent individual behaviour was mediated by cultural constraints, or why individual biographies of divine experience became exempla and identity markers. The different chapters of this volume explore human-divine communication through three different study-cases: linguistic communication and, specially, the role and processes of construction of divine epithets; the use of the body as a tool for communication with the supernatural; and the role of objects in the human-divine communicative act.

The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore and ethnography, encompassing the restless dead, blood-drinking lamiae, exotic hybrid animals, the so-called dog-headed men, and many other unexpected creatures and peoples. The third part covers various interpretations of these creatures from multiple perspectives, including psychoanalysis, colonialism, and disability studies, with monster theory itself evident across the entire volume. The final part discusses reception of these ancient monsters across time and space--from the Middle Ages to the Renaissance to modern times, from Persia to Scandinavia, the Caribbean, and Latin America-and concludes with chapters considering the use and adaptation of ancient monsters in children's literature, science fiction, fantasy, and modern scientific disciplines. This Handbook is the first large-scale, inclusive guide to monsters in antiquity, their places in literature and art across the millennia, and their influence on later literature and thought.

This book gathers peer-reviewed papers presented at the 3rd International and Interdisciplinary Conference on Image and Imagination (IMG), held in Milano, Italy, in November 2021. Highlighting interdisciplinary and multi-disciplinary research concerning graphics science and education, the papers address theoretical research as well as applications, including education, in several fields of science, technology and art. Mainly focusing on graphics for communication, visualization, description and storytelling, and for learning and thought construction, the book provides architects, engineers, computer scientists, and designers with the latest advances in the field, particularly in the context of science, arts and education.

As a way to understand the contemporary project in architecture, this book provides an index of ideas, theories, projects, and definitions that string into a methodology for evaluating the contemporary language of architecture described as “contemporism” through a review of topology (form) and typology (system and elements).The contemporary project has been trying to answer the postmodern question of how to move beyond modernism through a thread of architectural styles that tried to respond to deficiencies from the modern promise and contextual changes. Yet, the question remains, should this ongoing struggle to move beyond modernism be a stylistic battle? Has the present architectural practice ever left the modernist tendencies, and is there a structure for a contemporary language in architecture? This book presents a collection of highly illustrated projects that have worked under these parameters to break away from modernism in order to present a holistic integration of topology and typology as a language for “contemporism.” The index is illustrated with individual spreads, which can be read sequentially or independently, and encourages the reader to make their own connections. It also includes interviews and contributions from Toyo Ito, Anthony Vidler, Ben van Berkel, Christian Kerez, and Greg Lynn.This book is essential reading for undergraduate and graduate students in architecture.

Dieser aktuelle Stadtführer ist der ideale Begleiter, um alle Seiten der beiden galicischen Städte selbstständig zu entdecken: - Die wichtigsten Sehenswürdigkeiten und Museen der Städte sowie weniger bekannte Attraktionen und Viertel ausführlich vorgestellt und bewertet - Faszinierende Architektur: prachtvolle Barockkirchen, mittelalterliche Kleinode und wunderschöne Bauten im Stil des Modernismus - Abwechslungsreiche Stadtspaziergänge - Erlebnisvorschläge für einen Kurztrip - Ausflüge in die Cidade da Cultura de Galicia, zu den Stränden an der Atlantikküste und zum Castro de Elviña - Shoppingtipps vom traditionellen Markt bis zu empfehlenswerten Modegeschäften - Die besten Lokale der Stadt und allerlei Wissenswertes über die galicische Küche - Tipps für die Abend- und Nachtgestaltung: von der Blues- und Jazzkneipe bis zur Studentenbar - Alte Tropfen neu entdeckt: galicischer Wein - Ausgewählte Unterkünfte von preiswert bis ausgefallen - Alle praktischen Infos zu Anreise, Preisen, Stadtverkehr, Touren, Events, Hilfe im Notfall... - Hintergrundartikel mit Tiefgang: Geschichte, Mentalität der Bewohner, Leben in den Städten... - Kleine Sprachhilfe Galicisch und Spanisch mit den wichtigsten Vokabeln für den Reisealltag ++++ CityTrip - die aktuellen Stadtführer von Reise Know-How, mit über 160 Städtezielen die weltweit umfangreichste Kollektion. Fundiert, übersichtlich, praktisch. REISE KNOW-HOW - Reiseführer für individuelle Reisen

Vergil: Aeneid 10 is part of a new series of commentaries on the Aeneid. Each volume adapts, with extensive revisions and additions, the commentaries of T. E. Page (1884, 1900) and is edited by a scholar of Roman epic. The present volume offers the Latin text of Book 10 along with extensive notes and commentary designed to meet the needs of intermediate students of Latin.

How did the Greeks and Romans perceive rape? How seriously was it taken, and who were seen as its main victims? These are two central questions that Rape in Antiquity: Sexual Violence in the Greek and Roman Worlds (1997), edited by Susan Deacy and Karen F. Pierce, aimed to approach in twelve chapters. Setting out to understand if the ancients had a concept of rape and how it was understood through different angles – including legal, social, cultural and historiographical – Rape in Antiquity made an invaluable contribution to the scholarship on sexual violence in the ancient world, impacting upon the development of new approaches in the decades that followed its publication. Revisiting Rape in Antiquity: Sexualised Violence in Greek and Roman Worlds maps out the influence of Rape in Antiquity while exploring how far cultural changes since the 1990s have reshaped the scholarly landscape. This collection, comprising chapters by established scholars and early career researchers from many countries, provides a new window into sexual – and sexualized – violence. Covering a long chronology, this book journeys from Homer to Byzantium, to modern receptions, to the analysis of wartime rape, ancient Greek tragedy, classical myth, how stories involving rape are retold for children, ancient law and rhetoric, classical art, Ovid, Late Antiquity, modern literature, comic books and cinema. This book is the culmination of a rich scholarly inheritance, setting out new perspectives that will hopefully inspire researchers for decades to come.

For more than fifty years the standard debates about Roman Imperialism were written more or less entirely in terms of male agency, male competition, and male participation. Not only have women been marginalized in these narratives as just so much collateral damage but there has been little engagement with gender history more widely, with the linkages between masculinity and warfare, with the representation of relations of power in terms of gender differentials, with the ways social reproduction entangled the production of gender and the production of empire. This volume explores how we might gender Roman Imperialism.

Elegiac Love and Death in Vergil's'Aeneid'poses new questions about Vergil's pervasive engagement with elegy, both amatory and funerary, throughout his final epic endeavor. A foundational discussion of elegiac experimentation in the Eclogues, Georgics, and Aeneid 1-6 explores the aesthetic and conceptual development of destructive Vergilian amor (passion). The unique emphasis of subsequent chapters on the amatory and funerary elegiac dimensions of crucial episodes in Aeneid 7-12 illuminates the intergeneric character of Vergil's martial maius opus. A detailed examination of the inter- and intratextual strands of pivotal moments in the Aeneid evinces Vergil's intense engagement with literary predecessors and contemporaries, his evolving artistic vision, and his enduring influence on subsequent Roman poets. Each chapter of this volume enhances our understanding of the generic complexity of the Aeneid, presenting revisionary readings of key episodes and transformative interpretations of its main characters.

Virgil's Eclogues are a fundamental text of Western literature that served as a model for the nascent poetry of the Augustan and later of the Imperial Age. Inspired by the bucolic poetry of Theocritus, the work uses the apparent simplicity of rural settings to explore complex elements of poetic, literary, philosophical, and even figurative culture, and to express the drama of civil war and expropriations. In this commentary, accompanied by a detailed introduction, Andrea Cucchiarelli analyses the Eclogues in depth, establishing comparisons with both Greek and Roman poetic models, with philosophical texts, and with significant later texts from the Roman poetic tradition. The commentary is the first to offer a systematic account of the poem in its historical context, between the end of the Republic and the Age of Augustus: particular attention is also paid to the language of the figurative arts, which for Roman readers constituted an important complement to literary knowledge of myths and stories. The volume offers the reader a reliable and concise interpretation of the text, which is systematically lemmatized and annotated throughout; each eclogue is additionally accompanied by an introductory overview and a detailed bibliography to direct further reading.

No comic author from the ancient world features the gods as often as Lucian of Samosata, yet the meaning of his works remain contested. He is either seen as undermining the gods and criticizing religion through his humor, or as not engaging with religion at all, featuring the gods as literary characters. His humor was traditionally viewed as a symptom of decreased religiosity, but that model of religious decline in the second century CE has been invalidated by ancient historians. Understanding these works now requires understanding what it means to imagine as laughing and laughable gods who are worshipped in everyday cult. In Lucian's Laughing Gods, author Inger N. I. Kuin argues that in ancient Greek thought, comedic depictions of divinities were not necessarily desacralizing. In religion, laughter was accommodated to such an extent as to actually be constituent of some ritual practices, and the gods were imagined either to reciprocate or push back against human laughter—they were never deflated by it. Lucian uses the gods as comic characters, but in doing so, he does not automatically negate their power. Instead, with his depiction of the gods and of how they relate to humans—frivolous, insecure, callous—Lucian challenges the dominant theologies of his day as he refuses to interpret the gods as ethical models. This book contextualizes Lucian's comedic performances in the intellectual life of the second century CE Roman East broadly, including philosophy, early Christian thought, and popular culture (dance, fables, standard jokes, etc.). His texts are analyzed as providing a window onto non-elite attitudes and experiences, and methodologies from religious studies and the sociology of religion are used to conceptualize Lucian's engagement with the religiosity of his contemporaries.

​This volume provides comprehensive overviews of each European bat species'biology including palaeontology, physiology, genetics, reproduction and development, ecology, habitat, diet, mortality and age determination. Their economic significance and management, as well as future challenges for research and conservation are also addressed. Each chapter includes a distribution map, a photograph of the animal and key literature. This authoritative volume of the Handbook of the Mammals of Europe is a timely and detailed compilation of all European bats and will appeal to academics, students and professionals in mammal research.

This book explores how Virgil in his Aeneid incorporates the ancient Stoics'thinking about how humans can exercise moral responsibility and how this can affect providential world fate. The third-century BC philosopher Chrysippus of Soli located this freedom in the way we can assent to courses of action, and Graham Zanker innovatively demonstrates how Virgil appropriates this concept in the way that Jupiter and Aeneas can assent to the world fate in which they have discovered they must play a part, or Juno and Dido can withhold their assent to it. Indeed, Virgil even offers the model to no-one less than Augustus: the emperor is invited to give his assent to ruling what was believed to be his'world-wide'empire justly. The book is accessible to both students and professional scholars of the Aeneid, with all Greek and Latin translated into idiomatic English.

Der in englischer Sprache verfasste Forschungsbericht zu Ovids Metamorphosen wurde von einem Forscher:innenteam der Universität Huelva unter Leitung von Antonio Ramírez de Verger und Luis Rivero García erstellt und arbeitet die schier unüberschaubare Literatur zu diesem gegenwärtig wohl meistgelesenen und meisterforschten Werk der römischen Dichtung kritisch auf. Im Zentrum des zweiten Teils stehen Arbeiten zu Sprache und Stil der Metamorphosen, außerdem Arbeiten zu Quellen und Vorbildern sowie zur Rezeptionsgeschichte.

During the last decades material modelling has become a field of central scientific importance. With this conference we intend to continue a forum for discussions on a wide spectrum of aspects in the field of material modelling as initiated in 2009 in Dortmund with ICMM1. Although there exist many workshops, meetings and colloquia on particular aspects, specific materials and particular applications, a coherent conference series dedicated to material modelling in all its various facets was called for. To this end, the aim of the conference series is to bring together researchers from various fields of material modelling to foster bridges between different disciplines including materials science, mechanics, physics, chemistry,... This provides an excellent opportunity for interaction between scientists working in different subareas of material mechanics.

Environmental contamination of heavy metals is a major problem, threatening sustainable agricultural production and health of millions of people. The extensive distribution of heavy metals in soil and water makes it necessary to employ environment-friendly low-cost and sustainable approaches for the remediation of contaminated sites. Phytoremediation has been considered a viable approach to meet these demands; however, it must provide some economic gains too. The use of economically important medicinal and aromatic plants is helpful in restoration of metal-contaminated sites and also may provide economic gains to the farmers. The book brings about a critical overview of the prospects of utilizing medicinal and aromatic plants in phytoremediation, including their utility, economic benefits and human safety issues. The book will be a timely addition to the field and would act as landmark. This book is of interest to teachers, researchers, doctoral and graduate students working in the area of environmental pollution and cleanup technologies. The students working in the field of metal(loid) stress and crop biofortification will also find this to be a useful read. The content of the book is presented in simple language and represented through beautiful and scientifically informative figures and tables.

This book examines the textual representations of emotions, fear in particular, through the lens of Stoic thought and their impact on depictions of power, gender, and agency. It first draws attention to the role and significance of fear, and cognate emotions, in the tyrant's psyche, and then goes on to explore how these emotions, in turn, shape the wider narratives. The focus is on the lengthy epics of Valerius Flaccus'Argonautica, Statius'Thebaid, and Silius Italicus'Punica. All three poems are obsessed with men in power with no power over themselves, a marked concern that carries a strong Senecan fingerprint. Seneca's influence on post-Neronian epic can be felt beyond his plays. His Epistles and other prose works prove particularly illuminating for each of the poet's gendered treatment of the relationship between power and emotion. By adopting a Roman Stoic perspective, both philosophical and cultural, this study brings together a cluster of major ideas to draw meaningful connections and unlock new readings.

This volume offers a long overdue appraisal of the dynamic interactions between Roman law and Latin literature. Despite there being periods of massive tectonic shifts in the legal and literary landscapes, the Republic and Empire of Rome have not until now been the focus of interdisciplinary study in this field. This volume brings vital new material to the attention of the law and literature movement. An interdisciplinary approach is at the heart of this volume: specialists in Roman law rarely engage in constructive dialogue with specialists in Latin literature and vice versa but this volume bridges that divide. It shows how literary scholars are eager to examine the importance of law in literature or the juridical nature of Latin literature, while Romanists are ready to embrace the interactions between literary and legal discourse. This collection capitalizes on the opportunity to open a fruitful dialogue between scholars of Latin literature and Roman law and thus makes a major, much-needed contribution to the growing field of law and literature.

This multidisciplinary book discusses the manifold challenges arctic marine and terrestrial wildlife, ecosystems and people face these times. Major health threats caused by the consequences of climate change, environmental pollution and increasing tourism in northern regions around the globe are explored. The most common infectious diseases in wild and domesticated arctic animals are reviewed and the impact they could have on circumpolar ecosystems as well as on the lives of arctic people are profoundly discussed. Moreover, the book reviews arctic hunting, herding and food conservation strategies and introduces veterinary medicine in remote indigenous communities.'Arctic One Health'is authored by experts based in arctic regions spanning from North America over Europe to Asia to cover a broad range of topics and perspectives. The book addresses researchers in Veterinary Medicine, Ecology, Microbiology and Anthropology. The book contributes towards achieving the UN Sustainable Developmental Goals, in particular SDG 15, Life on Land.

This book introduces Mechanistic Data Science (MDS) as a structured methodology for combining data science tools with mathematical scientific principles (i.e., “mechanistic” principles) to solve intractable problems. Traditional data science methodologies require copious quantities of data to show a reliable pattern, but the amount of required data can be greatly reduced by considering the mathematical science principles. MDS is presented here in six easy-to-follow modules: 1) Multimodal data generation and collection, 2) extraction of mechanistic features, 3) knowledge-driven dimension reduction, 4) reduced order surrogate models, 5) deep learning for regression and classification, and 6) system and design. These data science and mechanistic analysis steps are presented in an intuitive manner that emphasizes practical concepts for solving engineering problems as well as real-life problems. This book is written in a spectral style and is ideal as an entry leveltextbook for engineering and data science undergraduate and graduate students, practicing scientists and engineers, as well as STEM (Science, Technology, Engineering, Mathematics) high school students and teachers.

How did the ancient Greeks and Romans envision the end of the world?What is the long-term future of the human race? Will the world always remain as it is or will it undergo a catastrophic change? What role do the gods, human morality, and the forces of nature play in bringing about the end of the world? In Apocalypse and Golden Age, Christopher Star reveals the answers that Greek and Roman authors gave to these questions. The first large-scale investigation of the various scenarios for the end of the world in classical texts, this book demonstrates that key thinkers often viewed their world as shaped by catastrophe. Star focuses on how this theme was explored over the centuries in the works of poets, such as Hesiod, Vergil, Ovid, and Lucan, and by philosophers, including the Presocratics, Plato, Epicurus, Lucretius, Cicero, and Seneca. With possibilities ranging from periodic terrestrial catastrophes to the total dissolution of the world, these scenarios address the ultimate limits that define human life and institutions, and place humanity in the long perspective of cosmic and natural history. These texts also explore various options for the rebirth of society after world catastrophe, such as a return of the Golden Age or the redevelopment of culture and political institutions. Greek and Roman visions of the end, Star argues, are not calls to renounce this world and prepare for a future kingdom. Rather, they are set within larger investigations that examine and seek to improve personal and political life in the present. Contextualizing classical thought about the apocalypse with biblical studies, Star shows that the seeds of our contemporary anxieties about globalization, politics, and technology were sown during the Roman period. Even the prevalent link between an earthly leader and the beginning of the end times can be traced back to Greek and Roman rulers, the emperor Nero in particular. Apocalypse and Golden Age enriches our understanding of apocalyptic thought.

This book is about using “collage” among Iranian students in architecture studio, and in order to introduce the way these students use the technique to the English reader, we (Ali Yaser Jafari and Reihaneh Khorramrouei) have chosen this valuable book by AliAsghar Adibi to translate from Farsi to English. It provides a representative example of design through collage and culture. This book originally collected and published in three chapters: Collage history in different arts; Objectives and steps to make collage images; Two experienced examples.

This volume explains the national and regional border modifications that took place in Europe from 1870 to 2020. It provides insights that allow us to understand boundary changes for several different levels of territorial organization. The text describes the state formation process related to the regional-administrative structures in each European country, and offers insight into the degree of centralization historically by describing the extent of legislative autonomy at different administrative levels and the competences reserved for each of them. The book sheds light on the complex regional organization of Europe and the difficulties its reform has faced. The main audience will be academics and PhD/Masters students working in a variety of geography fields, and the maps included in each chapter will also be of interest to a broader audience including undergraduate and secondary-school students wishing to better understand the political history of Europe.

The legacy of the Roman emperor Augustus and the culture of his age was profound and immediately evident after his death in 14 CE. His first four successors based their claims to rule on kinship with him, thus establishing the Julio-Claudian dynasty (14–68 CE), and plied an evolving form of the Principate, the political arrangement Augustus carved out for himself. His building and restoration programs gave the city an “Augustan” appearance that remained relatively unchanged throughout subsequent reigns. And, among literary luminaries of his age, figures such as Horace and Ovid left an indelible mark on the poetic practices of future generations while Virgil insinuated himself still more deeply into the Roman psyche. But it was after the reigns of Augustus'own descendants, oddly enough, that we witness the most spirited and thoroughgoing engagement with the Augustan past; during the reign of the emperor Domitian, the third and last ruler of the subsequent Flavian dynasty (81–96 CE), there was a veritable Augustan renaissance. This volume represents the first book-length treatment of the reception of Augustus and his age during the reign of Domitian. Its thirteen chapters, authored by an international group of scholars, offer readers a glimpse into the fascinating history and culture of Domitian's Rome and its multifaceted engagement with the Augustan past. Combining material and literary cultural approaches and covering a diverse range of topics—art, architecture, literature, history, law—the studies in this volume capture the rich complexity of the Augustan legacy in Domitian's Rome while also revising our understanding of Domitian's own legacy. Far from being the cruel tyrant history has made him out to be, Domitian emerges as a studious, thoughtful cultivator of the Augustan past who helped shape an age that not only took inspiration from that past, but managed to rival it.

Going beyond exclusively national perspectives, this volume considers the reception of the ancient Greek poet Sappho and her first Latin translator, Catullus, as a literary pair who transmit poetic culture across the world from the early 20th century to the present. Sappho's and Catullus'reception has shaped a transnational network of poets and intellectuals, helping to define ideas of origins, gender, sexuality and national identities. This book shows that across time and cultures translations and rewritings of Sappho and Catullus articulate modernist poetics of myth and fragmentation, forms of confessionalism and post-modern pastiche. The inquiry focuses on Italian and North American poetry as two central yet understudied hubs of Sappho's and Catullus'modern reception, also linked by a rich mutual intellectual exchange: key case-studies include Giovanni Pascoli, Ezra Pound, H.D., Salvatore Quasimodo, Robert Lowell, Rosita Copioli and Anne Carson, and cover a wide range of unpublished archival material. Texts are analysed and compared through reception and translation theories and inserted within the current debate on the Classics as World Literature, demonstrating how sustained transnational poetic discourse employs the ancient pair to expand notions of literary origins and redefine poetry's relationship to human existence.

Walter Kißel untersucht zwei bisher nur unzureichend geprüfte Axiome der aktuellen Martialphilologie: Erstens sollen die Personen in Martials spöttischen Epigrammen unter beliebig austauschbaren Decknamen auftreten oder gar überhaupt nur erfunden sein. Aber verwendet Martial nicht vielleicht doch Klarnamen, die jeweils auf einen ganz bestimmten Zeitgenossen verweisen und letztlich dessen Identifikation durch den Leser erlauben? Zweitens sollen seine Ichaussagen einer persona zuzurechnen, die einschlägigen Epigramme somit als Rollengedichte aufzufassen sein. Oder will der Dichter mit seinen autobiographischen Aussagen (auch als Ehemann oder Anwalt) nicht möglicherweise doch ernst genommen und als Individuum eigenen Rechtes anerkannt werden? Hinsichtlich dieser Fragen untersucht Kißel das Epigrammcorpus im Ganzen wie auch Martials programmatische Aussagen im Besonderen – und findet begründete und interpretationsrelevante Antworten, die auch zu einer Neubewertung einzelner Gedichte führen.

Political Conversations in Ciceronian Rome offers for the first time a perspective of Roman politics through the proxy of conversations and meetings. In Rome oral was the default mode of communication in politics: oratory before the people in assemblies, addresses and discussions in the Senate, speeches in the law courts, rumours, and public opinion. We are familiar with the notion that the Roman political world of the Late Republic included lofty speeches and sessions of the Senate, but an important aspect of Late-Republican politics revolved around senators talking among themselves, chatting off in the corner. Only when they could not reach each other in person, Roman senators and their peers resorted to letters. This book intends to analyse political conversations and illuminate the oral dimension of Roman politics. It posits that the study of politics should not be restricted to the senatorial group, but that other persons should be considered as important political actors with their own agency (albeit in different degrees), such as freedmen and elite women. It argues that Roman senators and their entourages met in person to have conversations in which they discussed politics, circulated political information and negotiated strategies; this extra-institutional sphere had a relevant impact both on politics and institutions as well as determined how the Roman Republic functioned.

Gilbert Highet (1906-1978) was one of Columbia University's greatest teachers and in his day the most celebrated classical scholar in America. One may regard his life and career as both extraordinary and controversial. Now, over forty years after his death, a fresh retrospect seems appropriate, as a way of presenting new information about him and evaluating his enduring classical legacy for the twenty-first century reader. This fully documented biographical appreciation of Highet's life and work, capped by fully updated bibliographies of publications by him and about him, offers a long-overdue'official life'of this unique and towering figure.

Vergil: Aeneid 7 is part of a new series of commentaries on the Aeneid. Each volume adapts, with extensive revisions and additions, the commentaries of T. E. Page (1884, 1900) and is edited by a scholar of Roman epic. The present volume offers the Latin text of Book 7 along with maps, extensive notes, and commentary designed to meet the needs of intermediate students of Latin. A two-volume edition of the entire Aeneid designed to meet the needs of advanced students will be derived from the series.

Der vorliegende Band bietet eine anregende Einführung in über eintausend Jahre Geschichte der Frauen in griechischer und römischer Zeit. Das Themenspektrum reicht von Kindheit und Erziehung der Mädchen in der Antike über die Stellung der Frau als Gattin und Bürgerin, als Hetäre und Priesterin bis hin zu ihrer Rolle als Herrscherin und Märtyrerin. Die Autorin beschreibt zum einen, wie die Zeitgenossen über die Stellung der Frau dachten, zum anderen, wo die Frauen real ihren Platz in Haus, Gesellschaft, Wirtschaft, Religion, Philosophie, aber auch in der Politik fanden, und schließlich, welche Aktivitäten und Erfahrungen von Frauen in diesen Zusammenhängen vorstellbar sind. Anhand zahlreicher Einzelbeispiele aus Mythos und Geschichte – etwa Penelope, Sappho, Medea, Messalina und Theodora – wird die allgemeine Darstellung stets mit konkreten Lebensgeschichten bzw. Lebensentwürfen kontrastiert. So ist ein lebendiges, facettenreiches Buch entstanden, das gerade vor dem Hintergrund der aktuellen Diskussion über die Stellung der Frauen in der Gegenwart eine reizvolle Lektüre verspricht.

In classical scholarship, the presence of legal language in love poetry is commonly interpreted as absurd and incongruous. Ovid's legalisms have been described as frivolous, humorous, and ornamental. Law and Love in Ovid challenges this wide-spread, but ill-informed view. Legal discourse in Latin love poetry is not incidental, but fundamental. Inspired by recent work in the interdisciplinary field of law and literature, Ioannis Ziogas argues that the Roman elegiac poets point to love as the site of law's emergence. The Latin elegiac poets may say'make love, not law', but in order to make love, they have to make law. Drawing on Agamben, Foucault, and Butler, Law and Love in Ovid explores the juridico-discursive nature of Ovid's love poetry, constructions of sovereignty, imperialism, authority, biopolitics, and the ways in which poetic diction has the force of law. The book is methodologically ambitious, combining legal theory with historically informed closed readings of numerous primary sources. Ziogas aims to restore Ovid to his rightful position in the history of legal humanism. The Roman poet draws on a long tradition that goes back to Hesiod and Solon, in which poetic justice is pitted against corrupt rulers. Ovid's amatory jurisprudence is examined vis-à-vis Paul's letter to the Romans. The juridical nature of Ovid's poetry lies at the heart of his reception in the Middle Ages, from Boccaccio's Decameron to Forcadel's Cupido iurisperitus. The current trend to simultaneously study and marginalize legal discourse in Ovid is a modern construction that Law and Love in Ovid aims to demolish.

Are there always good reasons to get out of bed in the morning? This book argues that there are, citing the line of poetry from Virgil's Aeneid that is inscribed at the World Trade Center memorial: ‘No day shall erase you from the memory of time'. It traces fascinating parallels between the role played in the Aeneid by deceitful gods and the role played in the Bible by a deceitful Devil, and explains how Jesus, respecting our free will, offers us eternal happiness, but refuses to convert us by force.

While most studies on the history of architectural theory have been concerned with what has been said and written, this book is concerned with how architecture theory has been created and transmitted.Architecture Thinking across Boundaries looks at architectural theory through the lens of intellectual history. Eleven original essays explore a variety of themes and contexts, each examining how architectural knowledge has been transferred across social, spatial and disciplinary boundaries - whether through the international circulation of ideas, transdisciplinary exchanges, or transfers from design practice to theory and back again. Dissecting the frictions, transformations and resistances that mark these journeys, the essays in this book reflect upon the myriad routes that architectural knowledge has taken while developing into architectural theory. They critically enquire the interstices – geographical, temporal and epistemological – that lie beyond fixed narratives. They show how unstable, vital and eminently mobile the processes of thinking about architecture have been.

Do you believe in love at first sight? The Greeks and the Romans certainly did. But far from enjoying this romantic moment carefree, they saw it as a cruel experience and an infection. Then what are the symptoms of falling in love? Are there any remedies? Any form of immunity? This book explores the conception of love (erôs) as a physical, emotional, and mental disease, a social-ethical disorder, and a literary unorthodoxy in Greek and Latin literature. Through illustrative case studies, the contributors to this volume examine two distinct, yet historically and poetically interrelated traditions of ‘pathological love': lovesickness as/similar to disease and deviant sexuality described in nosologic terms. The chapters represent a wide range of genres (lyric poetry, philosophy, oratory, comedy, tragedy, elegy, satire, novel, and of course medical literature) and a fascinating synthesis of methodologies and approaches, including textual criticism, comparative philology, narratology, performance theory, and social history. The book closes with an anthology of Greek and Latin passages on pathological erôs. While primarily aimed at an academic readership, the book is accessible to anyone interested in Classics and/or the theme of love.

Snakes of the World: A Catalogue of Living and Extinct Species, published in 2014, was the first catalogue of its kind and covered all living and fossil snakes described between 1758 and 2012. This new volume will be a supplement to this important herpetological reference and will include new published data on snakes named and recognized since 2012.Key Features Supplements and updates Wallach et al. – Snakes of the World – the only work to cover all living snakes in the world. Includes updates for fossil snakes named since the publication of Wallach et al. Summarizes the systematic snake literature published since the appearance of Wallach et al. Genera and species are listed alphabetically for ease of reference. Related TitlesWallach, V., K. L. Williams, and J. Boundy. Snakes of the World: A Catalogue of Living and Extinct Species (ISBN 978-1-138-03400-6)Aldridge, R. D. and D. M. Sever, eds. Reproductive Biology and Phylogeny of Snakes (ISBN 978-1-57808-701-3)Caldwell, M. W. The Origin of Snakes: Morphology and the Fossil Record (ISBN 978-1-4822-5134-0)

Die Studie zeichnet ein überraschend neues Bild der griechisch-römischen Lesekultur. Sie untersucht anhand der Leseterminologie, wie Menschen in der Antike ihr eigenes'Lesen'verstanden haben, und bezieht diese Ergebnisse auf die materiellen und sozialgeschichtlichen Zeugnisse über Leseverhalten und -bedingungen. Es werden verbreitete Annahmen widerlegt, z. B. über das grundsätzlich'laute'Lesen, über die Verbreitung einer performativen Vorlesekultur oder über den Gottesdienst als Ort der Erstrezeption neutestamentlicher Schriften. Ein differenziertes Modell zur Beschreibung von Lesepraktiken eröffnet neue Wege für die (historische) Leseforschung auch in anderen Bereichen. Vor allem wird deutlich, dass sich die neutestamentlichen Schriften im Rahmen dieser Lesekultur verstehen lassen und z. T. für die individuell-direkte Lektüre konzipiert wurden. Damit werden auch elaborierte Lektürekonzepte plausibel, wie sie etwa das Markusevangelium voraussetzt.

The goal of this Handbook is to become an authoritative source with chapters that show the origins, unification, and points of similarity between different disciplines and mathematics. Some chapters will also show bifurcations and the development of disciplines which grow to take on a life of their own. Science and Art are used as umbrella terms to encompass the physical, natural and geological sciences, as well as the visual and performing arts. As arts imagine possibilities, science attempts to generate models to test possibilities, mathematics serves as the tool. This handbook is an indispensable collection to understand todays effort to build bridges between disciplines. It answers questions such as: What are the origins of interdisciplinarity in mathematics? What are cross-cultural components of interdisciplinarity linked to mathematics? What are contemporary interdisciplinary trends? Section Editors:Michael J. Ostwald, University of Newcastle (Australia)Kyeong-Hwa Lee, Seoul National University (South Korea)Torsten Lindström, Linnaeus University (Sweden)Gizem Karaali, Pomona College (USA)Ken Valente, Colgate University, (USA) Consulting Editors:Alexandre Borovik, Manchester University (UK)Daina Taimina, Independent Scholar, Cornell University (USA)Nathalie Sinclair, Simon Fraser University (Canada)What do figure skating, invasive species, medieval cathedrals, ropes, poems, wines, metaphors, rhythms, climate change, and origami have in common? Mathematics! The Handbook of the Mathematics of the Arts and Sciences is a stunning compendium of essays on these and scores of other unlikely subjects to which the mathematical imagination has been brought. It is at once a dazzlingly contemporary tour of human success at bringing order to the world, and a throwback to a time before the “unity of knowledge” became a mereslogan. It is a breathtaking work, for its ambitious scope and for its endless stimulation of the reader's curiosity.- Harry R. Lewis, Gordon McKay Research Professor of Computer Science at Harvard University, editor of Ideas That Created the Future: Classic Papers of Computer ScienceMathematics has always enjoyed deep connections with the arts, science, the humanities, philosophy, history, and society in general. However, these links are often overlooked or undervalued. This Handbook makes a massive statement about the extent and importance of the interdisciplinary nature of mathematics, and its relevance to all aspects of human culture. Its articles are scholarly and authoritative, but also highly readable and accessible to non-specialists. A triumph! -Ian Stewart FRS, Emeritus Professor - University of WarwickThis handbook will delight anyone who loves the richness of mathematics and its interplay with the arts and humanities.Bharath Sriraman has given us a great gift, a treasure chest of connections to art and architecture, language and literature, philosophy, history, society, you name it. The book is authoritative and charming and instantly establishes itself as a landmark reference for interdisciplinary mathematics. Steven Strogatz - Jacob Gould Schurman Professor of Applied Mathematics at Cornell University.

While Rome Burned attends to the intersection of fire, city, and emperor in ancient Rome, tracing the critical role that urban conflagration played as both reality and metaphor in the politics and literature of the early imperial period. Urban fires presented a consistent problem for emperors from Augustus to Hadrian, especially given the expectation that the princeps be both a protector and provider for Rome's population. The problem manifested itself differently for each leader, and each sought to address it in distinctive ways. This history can be traced most precisely in Roman literature, as authors addressed successive moments of political crisis through dialectical engagement with prior incendiary catastrophes in Rome's historical past and cultural repertoire. Working in the increasingly repressive environment of the early principate, Roman authors frequently employed “figured” speech and mythopoetic narratives to address politically risky topics. In response to shifting political and social realities, the literature of the early imperial period reimagines and reanimates not just historical fires, but also archetypal and mythic representations of conflagration. Throughout, the author engages critically with the growing subfield of disaster studies, as well as with theoretical approaches to language, allusion, and cultural memory.

This book offers a distinctive approach to the use of visual methodologies for qualitative architectural research. It presents a diverse selection of ways for the architect or architectural researcher to use their gaze as part of their research practice for the purpose of visual literacy. Its contributors explore and use ‘critical visualizations', which employ observation and sociocultural critique through visual creations – texts, drawings, diagrams, paintings, visual texts, photography, film and their hybrid forms – in order to research architecture, landscape design and interior architecture. The visual methods intersect with those used in ethnography, anthropology, visual culture and media studies. In presenting a range of interdisciplinary approaches, Visual Methodologies in Architectural Research opens up territory for new forms of visual architectural scholarship.