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Explores the complex history and legacy of elite wives, concubines, and daughters of warlords in twentieth-century China. In Women and Their Warlords, historian Kate Merkel-Hess examines the lives and personalities of the female relatives of the military rulers who governed regions of China from 1916 to 1949. Posing for candid photographs and sitting for interviews, these women did not merely advance male rulers'agendas. They advocated for social and political changes, gave voice to feminist ideas, and shaped how the public perceived them. As the first publicly political partners in modern China, the wives and concubines of Republican-era warlords changed how people viewed elite women's engagement in politics. Drawing on popular media sources, including magazine profiles and gossip column items, Merkel-Hess draws unexpected connections between militarism, domestic life, and state power in this insightful new account of gender and authority in twentieth-century China.

This book explores the rise of Shanghai-based popular magazines produced by the “Mandarin Ducks and Butterflies School” in early twentieth-century China. It examines the national, gender, family, and social imaginaries constructed and negotiated through a complex network of relationships between popular writers, magazine editors, and their intended readers, which were represented in various forms of popular narratives, including patriotic stories, war/military stories, family narratives, domestic fiction, utopian writings, and industrial-business stories. The author argues that the national imagination, social ideals, and the notions of ideal womanhood and the new family, were intrinsically linked and integral to the search for cultural identity of the emerging Chinese “middle society” and an expression of their collective sensibilities, experiences, and aspirations. This book suggests that the cultural imaginaries configurated in these magazine stories articulated a shared quest for modernity, one that emphasized sentiment, quotidian experience, the pursuit of the modern family and individual success, strengthening of the nation, and the reinvention of cultural tradition. Popular magazines and fiction, therefore, became uniquely instrumental in catalyzing the process of Chinese modernity, which emerged and developed along the symbiotic interrelations between the private and the public, the traditional and the modern, and the real and the imaginary.

An argument that we have a moral duty to explore other planets and solar systems—because human life on Earth has an expiration date.Inevitably, life on Earth will come to an end, whether by climate disaster, cataclysmic war, or the death of the sun in a few billion years. To avoid extinction, we will have to find a new home planet, perhaps even a new solar system, to inhabit. In this provocative and fascinating book, Christopher Mason argues that we have a moral duty to do just that. As the only species aware that life on Earth has an expiration date, we have a responsibility to act as the shepherd of life-forms—not only for our species but for all species on which we depend and for those still to come (by accidental or designed evolution). Mason argues that the same capacity for ingenuity that has enabled us to build rockets and land on other planets can be applied to redesigning biology so that we can sustainably inhabit those planets. And he lays out a 500-year plan for undertaking the massively ambitious project of reengineering human genetics for life on other worlds. As they are today, our frail human bodies could never survive travel to another habitable planet. Mason describes the toll that long-term space travel took on astronaut Scott Kelly, who returned from a year on the International Space Station with changes to his blood, bones, and genes. Mason proposes a ten-phase, 500-year program that would engineer the genome so that humans can tolerate the extreme environments of outer space—with the ultimate goal of achieving human settlement of new solar systems. He lays out a roadmap of which solar systems to visit first, and merges biotechnology, philosophy, and genetics to offer an unparalleled vision of the universe to come.

This respected resource is a biographical dictionary of the significant players in the physical, biological and related sciences. Each edition includes biographical entries on nearly 135,000 living scientists, providing birthdate; birthplace; field of spe

The Biography and Genealogy Master Index is designed to help you easily determine which publication to consult for biographical information. Indexed sources cover both living and deceased persons from every field of activity and from every country in the world. Typically current, readily available, standard reference works are indexed. Look for supplement volume updates to this valuable biographical research tool twice a year. These volumes are cumulated every five years. More than 15 million citations compiled from more than 5,000 editions and volumes of approximately 1,700 current and retrospective biographical sources are included in the Biography and Genealogy Master Index base set and its supplements. In total, Biography and Genealogy Master Index provides coverage of nearly 5 million contemporary and historical figures from authors to scientists, from boxers to fashion designers, from Adam and Eve to Frank Zappa.

On October 26, 1909, the Korean patriot An Chunggŭn assassinated the Japanese statesman Itō Hirobumi in Harbin, China. More than a century later, the ramifications of An's daring act continue to reverberate across East Asia and beyond. This volume explores the abiding significance of An, his life, and his written work, most notably On Peace in the East (Tongyang p'yŏnghwaron), from a variety of perspectives, especially historical, legal, literary, philosophical, and political. The ways in which An has been understood and interpreted by contemporaries, by later generations, and by scholars and thinkers even today shed light on a range of significant issues including the intellectual and philosophical underpinnings for both imperial expansion and resistance to it; the ongoing debate concerning whether violence, or even terrorism, is ever justified; and the possibilities for international cooperation in today's East Asia as a regional collective. Students and scholars of East Asia will find much to engage with and learn from in this volume.

The Age of Irreverence tells the story of why China's entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called'histories of laughter.'In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor).Christopher Rea argues that this period—from the 1890s to the 1930s—transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter—jokes, play, mockery, farce, and humor—he reveals the textures of comedy that were a part of everyday life during modern China's first'age of irreverence.'This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.

Profiles living persons in the physical and biological fields, as well as public health scientists, engineers, mathematicians, statisticians, and computer scientists.

After a 3-year editorial effort, Enrich Professional Publishing is proud to offer the first comprehensive English language overview of journalism in China, The History of Journalism in China (10-Volume Set). Over the course of 10 volumes, and more than 2,000 pages, the series spans 200 BC to 1991, and covers all aspects of journalism in China's history, including newspapers, periodicals, news agencies, broadcast television, photography, documentary film, and journals. The History of Journalism presents the development of journalism in China against the backdrop of the major events in China's history (the first and second Sino-Japanese Wars, the Chinese Civil War, and the Cultural Revolution). The 10 volumes of The History of Journalism offer unique insights into all aspects of journalism in the entire Chinese-speaking world, from the Mainland to Taiwan to Hong Kong to Macau and to the larger Chinese diaspora. The author of this series, Fang Hanqi, Professor Emeritus in Journalism, has been called the “Father of China's Modern Journalism.”

This series provides a comprehensive history of journalism in China. It chronicles two millennia of journalistic history from the 2nd century BC to the 1990s, and includes coverage of newspapers, periodicals, news agencies, broadcast television, photography, documentary film, journal cartoons, journal education, as well as information about reporters, journalists, and other aspects of journalism. Volume 3 discusses the development of Chinese journalism from the late Qing Dynasty leading up to the 1911 Revolution, focusing on the media feud between the revolutionaries and the reformists. The book also follows the development of journalism in the early period of the Republic of China, and explains the role of newspaper in political power struggles. This period also sees the first appearance of newspapers in the modern sense, as well as video journalism, in China.