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In Imprisoned Minds, Erik Maloney tells the stories of men in prison that few people ever hear. Six gripping, first-person narratives of incarcerated men form his imprisoned mind concept: the men's unimaginable childhood trauma and neglect set them on a pathway for prison or death. Maloney interviews his fellow prisoners with candor and savviness. He can do this because he is in prison alongside them—incarcerated for life at the age of twenty-one. Joined by a correctional scholar, Maloney presents a unique and informed perspective that blends lived experience with academic knowledge. A trauma-informed corrections can empower men to acknowledge and repair the harms of their past to regain control over their minds and their futures. Maloney has broken free from the mindset—and others can, too. Imprisoned Minds reminds us of the humanity of the nearly two million people behind bars in the United States and encourages solutions from within that can break the cycle of intergenerational incarceration.

The first-ever book to tell the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls'an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked.'Library Journal praises the book, saying,'Tepper has fashioned a winning book on the unsung heroines of Broadway musicals that will be appreciated by readers of women's studies and theater lore.'Kirkus Reviews says it's an'encyclopedic reference'and a'long-overdue tribute to female lyricists and composers.'From the composers who pounded the pavement selling their music in Tin Pan Alley at the turn of the twentieth century; to the lyricists who broke new ground writing shows during the Great Depression; to the book writers who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American theatre today, Women Writing Musicals tells the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals.Jennifer Ashley Tepper's definitive book covers prolific and celebrated Broadway writers like Betty Comden and Jeanine Tesori, women who have written musicals but gained fame elsewhere like Dolly Parton and Sara Bareilles, and dramatists you've never heard of—but definitely should have. Among the gems shared here are the stories of Clara Driscoll, who saved the Alamo and also wrote a Broadway musical; Micki Grant, whose mega-hit musical about the Black experience made her the first woman to write book, music, and lyrics for a Broadway show; María Grever, who made her Broadway debut at age 56 and who was the first Mexican female composer to achieve international success; and the first all-female writing team for a Broadway musical, in 1922: Annelu Burns, Anna Wynne O'Ryan, Madelyn Sheppard, and Helen S. Woodruff. This book is a treasure trove for theatre-loving readers that Tony and Emmy Award-winning actor and singer Kristin Chenoweth praises as'a wonderful resource for actors, and an important read for anyone interested in theatre.'

Historically, as bearer and mixer of ancient African and European musical traditions, the banjo is an important musical instrument. A Five-String Banjo Sourcebook will stand beside Banjo Attitudes (Paris, L'Harmattan, 2015), its companion book. Since its importation to the US by African Slaves and the inception of an “American version” by Euro-American musicians during the 19th century, the five-string banjo became « America's instrument » ; and if its controversial history covers all the aspects of the American musical life, it also reflects its social and political context. Anyone interested in playing the banjo, or involved in doing historical or musical research on the instrument, will be confronted by the huge amount of documentation published on the subject. The numerous references listed in A Five-String Banjo Sourcebook, try to cover all facets of the instrument, from the banjo manufacturers and workshops to the stage... We hope that these pages will help the users of this compilation to understand all the subtilties of a fascinating musical instrument.

A singularly powerful and rigorous argument in favor of modern substance dualism In The Substance of Consciousness: A Comprehensive Defense of Contemporary Substance Dualism, two distinguished philosophers deliver a unique and powerful defense of contemporary substance dualism, which makes the claim that the human person is an embodied fundamental, immaterial, and unifying substance. Multidisciplinary in scope, the book explores areas of philosophy, cognitive science, neuroscience, and the sociology of mind-body beliefs. The authors present the most comprehensive, up-to-date, and rigorous non-edited work on substance dualism in the field, as well as a detailed history of how property and substance dualism have been presented and evaluated over the last 150 years. Alongside developing new and updated positive arguments for substance dualism, they also discuss key metaphysical notions and distinctions that inform the examination of substance dualism and its alternatives. Readers will also find: A thorough examination of the recent shift away from standard physicalism and the renaissance of substance dualism Comprehensive explorations of the likely future of substance dualism in the twenty-first century, including an exhaustive list of proposed research projects for substance dualists Practical discussion of new and rigorous critiques of significant physicality alternatives, including emergentism and panpsychism. Extensive treatments of philosophy of mind debates about the roles played by staunch/faint-hearted naturalism and theism in establishing or presuming methodology, epistemic priorities, and prior metaphysical commitments Perfect for professional philosophers, The Substance of Consciousness will also earn a place in the libraries of consciousness researchers, philosophical theologians, and religious studies scholars.

What do Euphoria, Normal People, Atlanta, Ramy, Vida, I May Destroy You, Stranger Things, and Lovecraft Country have in common? In the 2016-2020 time period they were created, these TV shows exemplified one (or more) of four noteworthy trends: authenticity, diversity, sexual candor, and retrospection. This is the first book to examine live action, fictional television shows produced within a five-year period through the lens of the trends that they epitomize. For each show, the following is discussed: the significance of the platform and the format; the intentions of the creators and showrunners; pertinent background information; similar shows and precedents; the storytelling approach; the cinematic form; and finally, how the show is emblematic of that particular trend. Since trends have the possibility of becoming part of the mainstream, they are important to identify as they emerge, especially for viewers who have a keen interest in narrative television shows.

Embodied Nostalgia is a collection of interlocking case studies that focus on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, and asks what social dance is doing performatively, dramaturgically, and critically in musical theatre. The case studies in this volume are all Broadway musicals set during the Jazz Age (1910-1950), however, performed and produced after that time, creating a spectrum of nostalgic impulses that are interrogated for social and political resonance and meaning. All reflect the fractures or changes in the social dance when brought to the stage and expose the complexities of the embodied nostalgia – broadly interpreted as the physicalizing of community memories, longings, and historical meaning – the dances carry with them. Particular attention is focused on the Black ownership of the social dances and the subsequent appropriation, cultural theft, and forgotten legacies.By approaching musical theatre through this lens of social dance––always already deeply connected to notions of class and race––and the politics of choreography therein, a unique and necessary method to describing, discussing, and critically evaluating the body in motion in musical theatre is put forth.

The definitive, deluxe art book about Edward Gorey's theater work—from the Tony Award-winning Broadway production of Dracula to the wildly creative productions to which he devoted the last decade of his life. Edward Gorey (1925-2000) was a prodigious and original artist who published more than one hundred beloved works, including The Gashlycrumb Tinies, The Doubtful Guest, and Amphigorey, and illustrations that appeared regularly in such publications as The New Yorker and The New York Times and books by authors ranging from Charles Dickens and T.S. Eliot to John Updike and Virginia Woolf, among many others. His animated credits for the PBS Mystery! series introduced him to millions of television viewers. In addition to his intricate pen-and-ink drawings and darkly humorous storybooks, Gorey also nurtured a lifelong passion for the performing arts. This volume is the first to showcase his extensive theatrical work, including his transition from designing major productions to crafting original community theater pieces on Cape Cod.Written by his friend and collaborator Carol Verburg, this handsome hardcover edition is filled with annotated scripts, behind-the-scenes anecdotes, and over two hundred images, including archival photos and previously unpublished artwork. It unveils Gorey at work and play, drawing back the curtain on his enigmatic genius, which continues to inspire artists and collectors today.BELOVED ARTIST: Edward Gorey's art is instantly recognizable. Storytellers such as Tim Burton and Daniel Handler cite him as an inspiration, and his influence is visible in the works of illustrators ranging from Tom Gauld to Stephanie von Reiswitz. With an oeuvre that ranges widely from storybooks to the stage, Gorey is a major artist of the 20th century. RARE AND UNPUBLISHED CONTENT: This is the first book focused on Gorey's theater work and includes previously unpublished and rarely seen archival photos, illustrations, and scripts—some annotated in Gorey's own hand. It is an essential read for collectors and fans.THE INSIDE STORY: Carol Verburg was Gorey's close friend and creative comrade-in-arms all through the last decade of his life, and she writes with insight and a personal touch. She intersperses her own reminiscences with quotes from actors and other collaborators to weave a vivid narrative.EXQUISITE GIFT: With rich visuals, engaging writing, and a luxurious hardcover package featuring a red velvet spine, this is a beautiful volume to display on a coffee table and the perfect gift for Gorey fans and theater buffs.Perfect for:Fans and collectors of Edward Gorey's books and illustrationsLovers of theater, theater history, and theatrical design and productionArt students and collectorsReaders of memoirs and biographies

This rigorously researched deep dive into the history of craft beer in Vancouver makes an exciting addition to books on the city's history, certain to appeal to beer-lovers and history buffs alike. Few would dispute that these days Vancouver is a prime craft beer destination, with over 70 breweries in the greater Vancouver area and 35+ in Vancouver proper. Beer has shaped the city's culture, and in turn, Vancouver's idiosyncratic identity has also shaped its craft beer. But how did it all begin? In this rigorously researched deep dive into the history of craft beer in Vancouver, beer historian and enthusiast Noëlle Phillips follows independent brewing from the city's inception in 1886 to the onset of prohibition in 1917 and, hopping over the “big beer” period of 1920–1980, delves into the explosion of micro, small-batch and craft breweries that dot the city's neighbourhoods today. She traces the smaller, lesser-known breweries, brewers, and owners through archival materials, newspaper accounts, and personal interviews. Along the way she uncovers stories and details that have been largely unknown even to local beer writers and aficionados. Illustrated with photos, original newspaper clippings, and maps, with stops into basement archives and sunlit tap rooms, Brewmasters and Brewery Creek is an inviting and exciting addition to books on the city's history that will appeal to beer-lovers and history buffs alike.

Are you a musical theatre fan who loves TikTok? Or are you curious about how this social media app has changed musical theatre fandom - and even the concept of the musical itself? TikTok Broadway: Musical Theatre Fandom in the Digital Age takes readers inside the world of TikTok Broadway, where fans create, expand, and canonize musical theatre through viral videos. It argues that TikTok democratizes musical theatre fan cultures and spaces, creating a new canon of musical theatre that reflects the preferences and passions of the fans. Readers will also see how TikTok Broadway influences other aspects of U.S. popular culture, from Broadway shows to TV adaptations. From Six and Beetlejuice to Wicked and Ratatouille: The TikTok Musical, this book covers the most popular and innovative musical theatre content on TikTok. Author Trevor Boffone, a musical theatre scholar and a TikTok creator, shows how fans use the app to express their love for musical theatre, and how they collaborate to produce original works, such as Bridgerton: The Musical. TikTok Broadway: Musical Theatre Fandom in the Digital Age shows how the app puts power in the hands of the fans.

The life of our planet has reached a critical stage. Its survival depends on our ability to rethink our relationship with ecology, and create a new economy which does not rely on economic growth, and supports care and sustainability for our planet. This book examines histories of alternative economic theories to advocate for different ways of economic distribution that do not keep producing emissions. It calls into question our philosophy of time, our relationship with ecology, and the original creation of debt, interest, and ways of avoiding exponential economic growth. The author uses ideas from Maori philosophy, Mesopotamian finance and quantum mechanics to set out a new basis for economic theory which is no longer set up on greedy individualism, or a hierarchical trickle-down effect, or even overall economic growth. Instead, this new materialist philosophy emphasises the integration of humanity and the ecosystem, and sets out to create a philosophy of economics built on interconnection and care.

The Irish Repertory Theatre: Celebrating Thirty-Five Years Off-Broadway is the first book-length history of the multi-award winning Off-Broadway Irish Repertory Theatre Company, from its beginning in 1988 to its thirty-fifth season in 2023. The book considers how the Irish Rep's plays and musicals reflect the Irish diaspora, the relationship between Ireland and America, and what it means to be Irish and Irish American, both historically, and in the twenty-first century, including how the Irish Rep is showcasing more diverse voices and experiences, from women, the LGBTQIA+ community, and Irish and Irish American people of color.

This second edition of Assessing Psychosis: A Clinician's Guide offers both a practical guide and rich clinical resource for a broad audience of mental health practitioners seeking to sharpen their understanding of diagnostic issues, clinical concepts, and assessment methods that aid in detecting the presence of psychotic phenomena. Case vignettes deepen clinical understanding, and all chapters include a summary of practical clinical guidelines. This new edition includes two new chapters and updated diagnostic criteria considering the new DSM-5-TR. Practicing psychiatrists, psychologists, social workers, psychiatric nurses and students will find this a valuable resource for clinical practice, training, and teaching purposes.

This fully updated and expanded new edition continues to provide the most readable, concise, and easy-to-follow introduction to thermal physics.While maintaining the style of the original work, the book now covers statistical mechanics and incorporates worked examples systematically throughout the text. It also covers more problems, and incorporates some essential updates, such as discussions on superconductivity, magnetism, Bose-Einstein condensation, and climate change.Anyone who needs to acquire an intuitive understanding of thermodynamics from the first principles will find this third edition indispensable.Selling Points• Provides the most concise and accessible introduction to thermodynamics starting from first principles, with many more worked examples and problems.• Incorporates statistical mechanics in two brand-new chapters.• Systematically incorporates more worked examples after introducing a new concept to show what the results mean numerically.• Continues to address the subtleties in a way unmatched by any other text, for topics such as the meaning of thermodynamic functions.• Offers a significant update on areas such as superconductivity, magnetism, Bose-Einstein condensation, climate change, and physics of information.Andrew Rex is a professor of physics at the University of Puget Sound in Tacoma, Washington. He earned a BA in physics at Illinois Wesleyan University in 1977 and a PhD in physics at the University of Virginia in 1982. At Virginia he worked under the direction of Bascom S. Deaver Jr on the development of new superconducting materials. After completing requirements for his PhD, he joined the faculty at Puget Sound. Dr Rex's primary research interest is in the foundations of the second law of thermodynamics. He has published research articles and, jointly with Harvey Leff, two comprehensive monographs on the subject of Maxwell's demon (1990, 2003). Dr Rex has coauthored several widely used textbooks—Modern Physics for Scientists and Engineers (1993, 2000, 2006, 2013, 2021), Integrated Physics and Calculus (2000), and Essential College Physics (2010, 2021)—and the popular science book Commonly Asked Questions in Physics, also published by Taylor & Francis/CRC Press.

20 Seasons: Broadway Musicals of the 21st Century catalogues, categorizes, and analyzes the 269 musicals that opened on Broadway from the 2000-2001 season through the 2019-2020 season.This book is the first to comprehensively examine the musicals that premiered on Broadway during this important historical period, which was bookended by the 9/11 terrorist attacks on one end and the Coronavirus pandemic on the other. It begins by exploring the historical context for the first 20 years of the 21st century and how this impacted American culture and theatre. Rather than chronologically, the musicals are then organized into categories based on their source material and whether they were original musicals or revivals, painting a detailed picture of the Broadway musical in first 20 years of the 21st century. Jukebox musicals, screen-to-stage musicals, revivals, and other original musicals are all covered, and each chapter ends with reading guides and discussion prompts. The book not only discusses what was produced, but by whom, uncovering the stark lack of representation for women and artists of color on Broadway musical creative and design teams. Additionally, the last chapter discusses the COVID-19 pandemic, the Broadway shutdown, and what happened to the Broadway musical during the shutdown, including the response to the Black Lives Matter movement in the summer of 2020.20 Seasons: Broadway Musicals of the 21st Century will appeal to fans and scholars of musical theatre, as well as students of Musical Theatre, Musical Theatre History, American Studies, and Pop Culture Studies.

The 7 Initiatory Fires of Modern Manhood is a step-by-step guide for modern men ready to embark on a path of accelerated personal growth across all of life's major pillars.

Lively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend.'Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work.'(Shelf Awareness) Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy. Exploring the unique bond between Sondheim and his audiences, author Stephen M. Silverman further examines the challenging Sondheim works that continue to develop devoted new followings: Anyone Can Whistle, Pacific Overtures, Merrily We Roll Along, Assassins, and Passion. The result is a lavish, highly engrossing documentation of the dynamic force who reshaped twentieth-century American musical history.

Has John Adams been forgotten? He is the only Founding Father without a major memorial in the nation's capital. When he lamented that'monuments will never be erected to me,'he predicted as much. His pessimism was understandable, but it was unjustified: Adams has since been portrayed in numerous biographies, plays, musicals, poems, novels, and television shows. This is the first comprehensive overview of John Adams as he appears in scholarship and in popular culture. The second president is one-dimensional at times, and perhaps best known to the public as'obnoxious and disliked,'but he is always fascinating. The varied ways in which biographers and artists represented Adams provide a glimpse into his character. These portrayals also provide insight into the various ways in which people continue to find meaning in the American Revolution and its aftermath.

Financial Services Canada provides the most comprehensive picture of Canada's financial services sector, with over 20,000 listings. Available in print, as a searchable online database and as an e-book, its 8 chapters include: Banks & Depository Institutions, Non-Depository Institutions, Investment Management Firms, Insurance Companies, Accounting & Law, Major Canadian Companies, Associations, and Financial & Technology Services.

Marie-Louise et Mathieu sont maintenant parents d'un adorable petit garçon qui vient tout juste d'avoir dix huit mois. Le congé de maternité prolongé – résultat d'une course à obstacles dont l'objectif consiste en une place en garderie pour son fils – arrive à son terme et Marie-Louise est plus que prête à retourner au travail. Le nouveau contrat qu'on lui propose enfin n'a rien à voir avec celui qu'elle a décroché avant la naissance de Théo. On la veut cette fois… dans une école secondaire. Effrayée à l'idée de se retrouver sans emploi, elle accepte l'offre, mais la perspective de travailler avec des adolescents s'avère tout aussi terrifiante. En excluant son frère Jacob, elle n'a pratiquement jamais eu de contacts avec des ados. Parviendra-t-elle à faire la discipline à des jeunes qui sont reconnus pour en faire baver à leurs professeurs? Entre Gabrielle, une collègue clairement blasée de son boulot, des élèves récalcitrants, ses responsabilités de maman et Jérémy, un collègue un peu trop attirant, Marie-Louise aura son lot de problèmes… qui n'auront rien de secondaire!

Explores modernism's complex relationship with contemporary theatreIncludes consideration of canonical as well as lesser-known theatre artistsOffers an expansive range of case studies, featuring examples of theatre from around the worldConnects modernist studies with theatre and performance studiesMethodologically varied, including historiography, performance analysis, textual analysis, and practice as researchIncludes essays by leading theatre scholars, modernist specialists, and theatre practitioners, providing an eclectic mix of essay formats and approaches, including creative contributionsThis volume highlights modernism as an impulse that can be carried forward to the present, re-embodied and re-encountered in theatrical performance. It demonstrates how modernist impulses spark contemporary theatre in dynamic ways, continuing the modernist imperative to ‘make it new'and to engage meaningfully with the complicated situation of living in the contemporary world. A diverse set of contributions from scholars and theatre practitioners examines the legacy of modernism on the world stage in acts of remembrance, restaging, transmission and slippage. It investigates both well-known and less familiar aspects of modernist theatre history, engaging topics such as the revival of the first Black American musical, feminist and disability-led reinterpretations of canonical modernist plays, the use of modernist-inspired performance practice in contemporary university arts education and the continually contested meaning and importance of the avant-garde.

Glamour, power, champagne breakfasts in satin sheets--welcome to television's most dazzling and overlooked genre: women-centric melodrama miniseries of the 1980s and 1990s. Decades before Real Housewives, rags-to-riches fantasies depicting strong women overcoming tragedy to take charge of their destinies were a big hit with TV audiences. Reflecting the'greed is good'ethos of the day and encoded with feminist messaging, these glitzy, often camp stories depicted statuesque superwomen facing off with square-jawed men in boardrooms and bedrooms. This book explores the shows that epitomized the prime-time soap era and gave us such memorable scenes as Stefanie Powers trading lovers with her twin sister, Joan Collins fighting Nazis in haute couture and Phoebe Cates demanding,'Which one of you bitches is my mother?'

NEW YORK TIMES EDITORS'CHOICE • A revelatory biography of the world-famous playwright and actor Sam Shepard, whose work was matched by his equally dramatic life, including collaborations with the Rolling Stones and Bob Dylan as well as tumultuous relationships with Patti Smith, Joni Mitchell, and Jessica Lange“What [True West] achieves in its finest pages is placing the artist in his time.... I was filled with excitement, envy and reverence for the New York City that embraced the young Shepard in the 1960s and early'70s.”—Ethan Hawke, The Washington PostTrue West: Sam Shepard's Life, Work, and Times is the story of an American icon, a lasting portrait of Sam Shepard as he really was, revealed by those who knew him best. This sweeping biography charts Shepard's long and complicated journey from a small town in Southern California to become an internationally known playwright and movie star. The only son of an alcoholic father, Shepard crafted a public persona as an authentic American archetype: the loner, the cowboy, the drifter, the stranger in a strange land. Despite his great critical and financial success, he seemed, like so many of his characters, to remain perpetually dispossessed.Much like Robert Greenfield's biographies of Jerry Garcia and Timothy Leary, this book delves deeply into Shepard's life as well as the ways in which his work illuminates it. True West takes readers through the world of downtown theater in Lower Manhattan in the early sixties; the jazz scene at New York's Village Gate; fringe theater in London in the seventies; Bob Dylan's legendary Rolling Thunder tour; the making of classic films like Zabriskie Point, Days of Heaven, and The Right Stuff; and Broadway productions of Buried Child, True West, and Fool for Love.For this definitive biography, Greenfield interviewed dozens of people who knew Shepard well, many of whom had never before spoken on the record about him. While exploring his relationships with Patti Smith, Bob Dylan, Joni Mitchell, and Jessica Lange across the long arc of his brilliant career, Greenfield makes the case for Shepard as not just a great American writer but a unique figure who first brought the sensibility of rock'n'roll to theater.

Die Studie untersucht die Rolle der Kirchen in der jüngeren Phase der europäischen Einigung. Den Ausgangspunkt bilden die Verfassungs-, Finanz- und Migrationskrisen im 21. Jahrhundert. Unter dem Eindruck dieser Krisen brachten die Kirchen ihre Haltung zu Europa deutlicher als zuvor zum Ausdruck. In neun Fallstudien werden Katholizismus, Protestantismus und Orthodoxie im kontextuellen Verhältnis zur EU untersucht. Die Studie plädiert für eine europäisierte Variante eines öffentlichen Christentums. Leitbegriffe dafür bietet der konziliare Prozess mit der geprägten Begriffstrias »Frieden, Gerechtigkeit und Bewahrung der Schöpfung«. Sie markieren die Relevanz eines öffentlichen Christentums für das gegenwärtige Europa. [Public Christianity in European Crises. A comparison of churches in contemporary Europe from an ethical perspective] This study examines the role of churches in the recent phase of European unification. The starting point are the constitutional, financial and migration crises of the 21st century. Churches were challenged to express their stance on Europe in these crises. In nine case studies, Catholicism, Protestantism and Orthodoxy are examined in their contextual relationship to the EU. The study argues for a Europeanized approach to Public Christianity. The guiding principles of the conciliar process – peace, justice and integrity of creation – are central here. They mark the importance of Public Christianity for contemporary Europe.

Critics and fans alike often mistake theatrical song and dance as evoking a sweeping sense of simplicity, heteronormativity, and traditionalism. Nothing drove home this cultural misunderstanding for Kelly Kessler as when a relative insisted she watch the Clint Eastwood-Lee Marvin cinematic transfer of Paddy Chayefsky's Paint Your Wagon (1969) with a young niece and nephew because it was a ‘sweet movie.'In the relative's memory, good old-fashioned singing and dancing—matched with the power of an assumed hegemonic embrace of social norms—far outweighed the whoremongering, alcoholism, wife-selling, and what appears to be narratively sanctioned polyamory. This collection seeks to trouble such an over-idealized impression of musical theatre. Tackling Rockettes, divas, and chorus boys; hit shows such as Hamilton and Spring Awakening; and lesser-known but ground-breaking gems like Erin Markey's A Ride on The Irish Cream and Kirsten Childs's Bella: An American Tall Tale. Gender, Sex and Sexuality in Musical Theatre: He/She/They Could Have Danced All Night takes a broad look at musical theatre across a range of intersecting lenses such as race, nation, form, dance, casting, marketing, pedagogy, industry, platform-specificity, stardom, politics, and so on. This collection assembles an amazing group of established and emergent musical theatre scholars to wrestle with the complexities of the gendered and sexualized musical theatre form. Gender and desire have long been at the heart of the musical, whether because ‘birds and bees'(and educated fleas') were doing it, a farm girl simply couldn't ‘say no,'or one's ‘tits and ass'were preventing them from landing the part. An exciting and vibrant collection of articles from the archives of Studies in Musical Theatre, with contributions from Ryan Donovan, Michele Dvoskin, Sherrill Gow, Jiyoon Jung, David Haldane Lawrence, Stephanie Lim, Dustyn Martinich, Adrienne Gibbons Oehlers, Deborah Paredez, Alejandro Postigo, George Rodosthenous, Janet Werther, Stacy Wolf, Elizabeth L. Wollman, Bryan Vandevender and Kelly Kessler, brought together with a newly commissioned piece by Jordan Ealey. All set against the backdrop of Kelly Kessler's scene-setting introduction. Excellent potential for classroom and course use on undergraduate and graduate courses in theatre studies, musical studies, women's and gender studies.

Freak Scenes explores the increased licensing of indie music and representation of indie music cultures within American independent cinema since the 1980s. Indie music has, since the 2000s, become highlighted in some indie films as an attraction, but this book probes how the appeal of indie music stretches back to the late 1970s, when punk music made its impact on filmmaking.Sexton looks at a range of issues where indie music and indie film intersect, including commercial concerns, the growth of niche marketing, the increased employment of popular music in cinema and questions of authenticity, as well as the fraught tensions between commercial and artistic concerns. Case studies include: sonic authorship and indie music, representations of punk and indie scenes on screen, and an exploration of how racial and gender issues inform the representation and reception of indie cultures on film.

USA TODAY BESTSELLER | WALL STREET JOURNAL BESTSELLERDiscover the official story of In-N-Out Burger––how three generations have created a thriving, family-owned company, why its fans are so wildly loyal, and what led to its explosive growth and evolution into an iconic part of American culture––as told by In-N-Out Burger's president, Lynsi Snyder.When Lynsi Snyder's grandparents founded In-N-Out Burger in 1948, they built it with a passion for quality and service that Lynsi embraced at a young age. After starting as a store associate at age seventeen, she then worked in other departments, gaining first-hand experience with almost every aspect of the family business until she became president in 2010. She has led the company through explosive growth––today, there are three-hundred and eighty stores and counting––and is deeply committed to the well-being of the In-N-Out Burger family.In The Ins and Outs of In-N-Out, you'll:Gain key insights into why In-N-Out has maintained its very popular and limited menu for more than seventy-five-years and why it has refused to franchise or go publicHear behind-the-scenes stories from In-N-Out Associates, including from one gentleman who worked in the very first storeLearn about the Snyder family's Christian faith, including her grandmother Esther's belief in the gospel and her uncle's'born-again'experience that shaped his life and leadership at the companyDiscover why Lynsi has been ranked as one of the top presidents in the restaurant industry and how her personal challenges have fortified her faith and shaped her dedication to servant leadership In-N-Out Burger has drawn fiercely loyal fans––from professional chefs and burger aficionados to celebrities and scores of everyday customers––who not only crave the burgers, fries, and milkshakes but also come back again and again for the community.

In the twenty-first century horror television has spread across the digital TV landscape, garnering mainstream appeal. Located within a transmedia matrix, Transmedia Terrors in Post-TV Horror triangulates this boom across screen content, industry practices, and online participatory cultures. Understanding the genre within a post-TV paradigm, the book readdresses what is horror television, analysing not only broadcast TV and streaming platforms but also portals such as YouTube, Twitch.TV, and apps. The book also investigates complex digital media ecologies, blurring distinctions between niche and general audience viewing practices, and fostering new circulation pathways for horror television from around the world. Undertaking netnography, the book further offers an innovative model – abject spectrums – to empirically explore myriad audience responses to TV horror, manifesting in various participatory practices including writing, imagery, and crafts. As such, the book greatly expands what is considered horror television, its formatting and circulation, and the transmedia materiality of audience engagement.

Made-Up Asians traces the history of yellowface, the theatrical convention of non-Asian actors putting on makeup and costume to look East Asian. Using specific case studies from European and U.S. theater, race science, and early film, Esther Kim Lee traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. These caricatured, distorted, and misrepresented versions of Asians took the place of excluded Asians on theatrical stages and cinema screens. The book examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. Made-Up Asians also shows how lingering effects of Asian exclusionary laws can still be seen in yellowface performances, casting practices, and anti-Asian violence into the 21st century.

Tina Sikka explores many of the contradictions and tensions that make up the increasingly fraught debates about sex, consent, feminism, justice, law and gender relations and new movements including #MeToo and #TimesUp. She looks in particular at contemporary understandings of justice, violence, consent, pleasure and desire.

The stunning, full-color, behind-the-scenes look at Shondaland's hit series on Netflix. Inside Bridgerton is the intimate behind-the-scenes story of the hit Shondaland series on Netflix. Shondaland executive producers Shonda Rhimes and Betsy Beers offer exclusive insights, and introduce you to the series writers, producers, directors, cast, crew, and talented creatives who brought Julia Quinn's beloved novels to the screen. Full-color and beautifully designed, Inside Bridgerton is the official book about the show, and includes never-before-seen photographs, firsthand accounts on casting, insight into the decisions behind the costumes and sets, directors'accounts on filming your favorite scenes, and more from the creative minds that launched a cultural phenomenon. From the Introduction to Inside Bridgerton: SHONDA: Shall we take everyone back to the beginning? Not to the 1800s, but to 2017 and that hotel room where I was sick, and needed something to read, and there happened to be a copy of The Duke & I by Julia Quinn, the first of the Bridgerton novels. I'm not someone who was into romance novels—I really didn't even know much about the genre. But I picked it up, couldn't put it down, and then immediately got my hands on the rest of them because they were a fabulous read. And then I passed them to you. BETSY: I thought you might have hit your head in the hotel room when you had the flu. Romance novels? But you insisted that they would be a fabulous show and you have excellent taste. I was deeply skeptical because I hadn't read a romance novel since I was a teen—I'd certainly never read a period romance novel. SHONDA: Totally—you read the ones of the 1980s, when everyone wore huge shoulder pads and diamonds. BETSY: Right. So there's some continuity here because these guys were wearing diamonds, too. SHONDA: Fair—but as far as a period romance, I mean, if it wasn't Jane Austen, I didn't really know about it. I'm not going to diss Jane Austen because I'm not an idiot… BETSY: She might get upset. SHONDA: She might roll over in her grave. But Julia Quinn's novels were just so much juicier than Austen, and they're written by someone who was far less confined and less proper. After all, Julia is a modern woman, not stuck in the constraints of the age. BETSY: Without a doubt. And I never knew that the ton existed: Austen wrote about a pastoral society where everyone is in relatively drab clothes and spent a lot of time in chapels and churches. SHONDA: Totally. And they recycled their dresses more. BETSY: Meanwhile, this was an amazing world of luxury and excess. And she had this crazy device of a gossip columnist, pulling the strings, which was such a cool concept. Julia Quinn created an entirely new, glamorous, bright world that you had actually never seen before.

Now in a second edition, this textbook surveys the channels, platforms, and programming through which television distribution operates, with a diverse selection of contributors providing thorough explorations of global media industries in flux.Even as legacy media industries experience significant disruption in the face of streaming and online delivery, the power of the television channel persists. Far from disappearing, television channels have multiplied and adapted to meet the needs of old and new industry players alike. Television viewers now navigate complex choices among broadcast, cable, and streaming services across a host of different devices. From Networks to Netflix guides students, instructors, and scholars through that complex and transformed channel landscape to reveal how these industry changes unfold and why they matter. This second edition features new players like Disney+, HBO Max, Crunchyroll, Hotstar, and more, increasing attention to TV services across the world.An ideal resource for students and scholars of media criticism, media theory, and media industries, this book continues to offer a concrete, tangible way to grasp the foundations of television—and television studies—even as they continue to be rewritten.

Brittany Murphy (1977-2009) was an American film, television, and stage actress, singer, voice artist, and film producer. Beginning her career, 1995's Clueless proved to be her breakthrough film; notable roles followed in Girl, Interrupted (1999), Don't Say a Word (2001), 8 Mile (2002), and Just Married (2003). Despite the lead in Uptown Girls (2003), the production of The Ramen Girl (2008), and a long-running voice role on the animated television series King of the Hill (1997-2010), subsequent leading roles were less successful. Her later acting years were plagued by scandal and bad press, and the once critically acclaimed actress died of pneumonia at the young age of 32, shrouded by mystery. The first to span her life and career, this biography surveys Murphy's films, television appearances, stage shows, music videos, and public appearances in the order in which they were made. Critical reactions to and awards earned for her works are featured as is a selection of portraits, film stills and posters.

Consent of the People: Human Dignity through Freedom and Equality 1966-2022 explores how Australia's founding Enlightenment ideals were shaped into a unique national liberalism, embodied in liberal democratic institutions, political parties and shared values. Despite intense partisan loyalties, conservative and radical resistance, and a politics of unequal power and influence, inequality was addressed and personal freedom strengthened. This final book in the landmark, five-volume Australian Liberalism series examines the place of liberal ideas in governments from Harold Holt to Scott Morrison. It shows how reform urgency led to the nation's greatest political crisis in 1975, how prime ministers Fraser and Hawke struggled to manage an economy dominated by powerful union, business and global interests, how during twenty-four crucial years Hawke, Keating and Howard led one of the nation's greatest reform eras, and how social reform continued despite the leadership instability of the post-Howard era. David Kemp assesses political parties as the instruments of reform, and the difficulties of achieving reform in the public interest, highlighting the dangers of factionalism and loss of purpose. He examines how an international revival of liberal thought and rising levels of education revolutionised Australian society and politics, creating a moral-and moralistic-ruling class. In a remarkable half-century Australians strove, with growing success, to achieve their dreams.

Warum digitale Medien und Populismus unser Steinzeithirn triggern und wie wir dieser Falle entkommen können. Unsere Gehirne sind darauf geprägt, schwarz und weiß zu denken, zu sortieren und zu kategorisieren. Bedingt ist das evolutionär. Flucht oder Kampf, Leben oder Tod: Die meisten Entscheidungen unserer Urahnen waren binär geprägt. Entwicklungspychologisch ist das längst überholt. Doch in der Welt von Social Media hat binäres Denken Konjunktur: Daumen rauf und Daumen runter. Der Oxforder Forschungspsychologe Kevin Dutton legt die evolutionären und kognitionspsychologischen Grundlagen unseres Denkens dar und zeigt, wie wir den Grautönen wieder zu ihrem Recht verhelfen können. Dieses Buch ist ein Weckruf in Zeiten zunehmender Intoleranz und zeigt zugleich den Weg aus der Krise. Kevin Dutton ist sich sicher: Wir können unsere evolutionäre Programmierung überwinden, wenn wir uns unserer Anlagen bewusst werden und sie verstehen. Und dann können wir künftig auch weit nuanciertere und viel bessere Entscheidungen treffen. Smart Thinking, unterhaltsam dargeboten: mit zahlreichen Beispielen aus dem Alltag und Experimenten, anschaulich und appellativ, eine beeindruckende Synthese aus Kognitionswissenschaften, Evolutionswissenschaft und der Psychologie des Überzeugens.

Working Backstage illuminates the work of New York City's theater technicians, shining a light on the essential contributions of unionized stagehands, carpenters, electricians, sound engineers, properties artisans, wardrobe crews, makeup artists, and child guardians. Too-often dismissed or misunderstood as mere functionaries, these technicians are deeply engaged in creative problem-solving and perform collaborative, intricate choreographed work that parallels the performances of actors, singers, and dancers onstage. Although their contributions have fueled the Broadway machine, their contributions have been left out of most theater histories. Theater historian Christin Essin offers clear and evocative descriptions of this invaluable labor, based on her archival research and interviews with more than 100 backstage technicians, members of the New York local of the International Alliance of Theatrical Stage Employees. A former theater technician herself, Essin provides readers with an insider's view of the Broadway stage, from the suspended lighting bridge of electricians operating followspots for A Chorus Line; the automation deck where carpenters move the massive scenic towers for Newsies; the makeup process in the dressing room for The Lion King; the offstage wings of Matilda the Musical, where guardians guide child actors to entrances and exits. Working Backstage makes an significant contribution to theater studies and also to labor studies, exploring the politics of the unions that serve backstage professionals, protecting their rights and insuring safe working conditions. Illuminating the history of this typically hidden workforce, the book provides uncommon insights into the business of Broadway and its backstage working relationships among cast and crew members.

Thought and Knowledge applies theory and research from the learning sciences to teach students the critical thinking skills that they need to succeed in today's world. The text identifies, defines, discusses, and deconstructs contemporary challenges to critical thinking, from fake news, alternative facts, and deep fakes, to misinformation, disinformation, post-truth, and more. It guides students through the explosion of content on the internet and social media and enables them to become careful and critical evaluators as well as consumers.The text is grounded in psychological science, especially the cognitive sciences, and brought to life through humorous and engaging language and numerous practical and real-world examples and anecdotes. This edition has been streamlined with thoughtful consideration over what content to keep, what to cut, and how much new and current research to add. Critical thinking skills are presented in every chapter, empowering students to learn more efficiently, research more productively, and present logical, critical, and informed arguments. The skills are reviewed at the end of the chapter, and a complete list of skills with definitions and examples are included in the appendix. The text is supported by a companion website that features a robust set of instructor and student resources: www.routledge.com/cw/halpern.Thought and Knowledge can be used as a core text in critical thinking courses offered in departments of psychology, philosophy, English, or across the humanities and social sciences, or as a supplement in any course where critical thinking is emphasized.

Winner of the 2022 Open Publication Prize by the International Association for the Study of Popular Music (IASPM-ANZ)A Women's History of the Beatles is the first book to offer a detailed presentation of the band's social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group's history. Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women's lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.

Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.

How does an economist meet Borat in London and Tony Blair in Kazakhstan? Or meet Sachin Tendulkar in the morning and Miss Universe in the afternoon in Mumbai? Or ride camels in Abu Dhabi and Alpaca in Peru? The Airport Economist Tim Harcourt has done all this and many more in his travels and discoveries on what makes the global economy tick. With a clever turn of phrase, witty observations and links to a wealth of supporting data, The Airport Economist Flies Again! proves that there is an export dimension to everything and that not all economics writing has to leave you high and dry!This book demystifies the global economy to make economics and international trade both accessible and entertaining to the general reader. In addition to providing some general lessons and insights on economics and international trade, it offers practical business tips for travellers doing business from Mongolia to Mexico and South Korea to Kazakhstan.

In the late 1950s, Ted Geisel took on the challenge of creating a book using only 250 unique first-grade words, something that aspiring readers would have both the ability and the desire to read. The result was an unlikely children's classic, The Cat in the Hat. But Geisel didn't stop there. Using The Cat in the Hat as a template, he teamed with Helen Geisel and Phyllis Cerf to create Beginner Books, a whole new category of readers that combined research-based literacy practices with the logical insanity of Dr. Seuss. The books were an enormous success, giving the world such authors and illustrators as P. D. Eastman, Roy McKie, and Stan and Jan Berenstain, and beloved bestsellers such as Are You My Mother?; Go, Dog. Go!; Put Me in the Zoo; and Green Eggs and Ham. The story of Beginner Books—and Ted Geisel's role as “president, policymaker, and editor” of the line for thirty years—has been told briefly in various biographies of Dr. Seuss, but I Can Read It All by Myself: The Beginner Books Story presents it in full detail for the first time. Drawn from archival research and dozens of brand-new interviews, I Can Read It All by Myself explores the origins, philosophies, and operations of Beginner Books from The Cat in the Hat in 1957 to 2019's A Skunk in My Bunk, and reveals the often-fascinating lives of the writers and illustrators who created them.

Financial Services Canada is the only master file of current contacts and information that serves the needs of the entire financial services industry in Canada. With over 18,000 organizations and hard-to-find business information, Financial Services Canada is the most up-to-date source for names and contact information of industry professionals, senior executives, portfolio managers, financial advisors, agency bureaucrats and elected representatives.

American Musicals in Context: From the American Revolution to the 21st Century gives students a fresh look at history-based musicals, helping readers to understand the American story through one of the country's most celebrated art forms: the musical.With the hit musical Hamilton (2015) captivating audiences and reshaping the way early U.S. history is taught and written about, this book offers insight into an array of musicals that explore U.S. history. The work provides a synopsis, overview of critical and audience reception, and historical context and analysis for each of 20 musicals selected for the unique and illuminating way they present the American story on the stage.Specifically, this volume explores musicals that have centered their themes, characters, and plots on some aspect of America's complex and ever-changing history. Each in its own way helps us rediscover pivotal national crises, key political decisions, defining moral choices, unspeakable and unresolved injustices, important and untold stories, defeats suffered, victories won in the face of monumental adversity, and the sacrifices borne publicly and privately in the process of creating the American narrative, one story at a time. Students will come away from the volume armed with the critical thinking skills necessary to discern fact from fiction in U.S. history.

Improve your knowledge of the ways global trends shape activism with this insightful volume that will supercharge your impact on communities and organizations Undercurrents: Channeling Outrage to Spark Practical Activism brings the perspective of experienced global social innovation leader, scholar and speaker, Steve Davis, to bear on some of the most powerful and helpful macrotrends rippling through society today. The book teaches readers how to harness their outrage and capitalize on global trends to instigate and encourage change across the world. The author identifies five global undercurrents with outsized importance that are shaping our world: Global economies are moving away from the old pyramid model into a diamond, bringing powerful new possibilities for human well-being; Communities are becoming the customer – rather than passive beneficiaries - as social change is increasingly led by local voices and activists; Equity is leveling and reshaping the field of social change and activism; Digital disruption, through the power of data and digital tools, impacts almost everything; and The middle of the journey to social change is becoming surprisingly sexy, as we focus on adapting innovation for widespread impact at scale. The book's lessons are supported throughout by stories, experiences, data and observations from across the globe. Undercurrents is perfect for activists and leaders of all kinds who aim to increase their impact on their organizations and the world at large, as well as the intellectually curious who hope to increase their understanding of the changing world around them.

Christopher Bigsby's masterful two-volume biography of Arthur Miller sheds new light on one of the twentieth century's most acclaimed literary figures. Plays such as Death of a Salesman, A View from the Bridge, and The Crucible brought Miller an international following, and events such as his refusal to provide information to the House Un-American Activities Committee and his marriage to Marilyn Monroe kept him in the public eye. The second half of his life, the focus of this volume, proved no less fascinating. In 1962, Monroe died, and he married photographer Inge Morath, a relationship that transformed him as a writer and as a person. His activism in support of political and social causes only increased during the period, including criticism of U.S. foreign policy in Vietnam and contemporary conflicts in the Middle East. In this period of his life, he also became renowned for his work in support of dissident writers in Russia, Czechoslovakia, China, and elsewhere. The second volume of this magisterial biography offers a compelling narrative of a singular American life, a life story enriched by the biographer's uncommon access to Miller and his unpublished papers while researching this book. The result is an authoritative biography that provides illuminating detail and invaluable insights into the Miller the artist and Miller the man.

Now in its sixth edition, Merryl Goldberg's popular volume Arts Integration presents a comprehensive guide to integrating the arts throughout the K-12 curriculum, blending contemporary theory with classroom practice.Beyond teaching about arts education as a subject in and of itself, the text explains how teachers may integrate the arts—literary, media, visual, and performing—throughout the subject curriculum, offering a wealth of strategies, techniques, and examples. Promoting ways to develop children's creativity and critical thinking while also developing communications skills and fostering collaboration and community activism, Arts Integration explores assessment and the arts, engaging English Language Learners, and using the arts to teach academic skills in science, math, history, and more. This text is ideal as a primer on arts integration and a foundational support for teaching, learning, and assessment, especially within the context of multicultural and multilingual classrooms. In-depth discussions of the role of arts integration in meeting the goals of Title I programs, including academic achievement, student engagement, school climate, and parental involvement, are woven throughout the text, as is the role of the arts in nurturing Creative Youth Development work and its importance to the community.This revised and updated sixth edition combines a social justice emphasis with templates for developing lesson plans and units, updated coverage on STEAM education, along with brand new examples, case studies, and research. An expanded range of eResources is also available for this edition, including links to further resources readings, additional imagery and videos, and sample lesson plans.

Mainstream brings thirty authors in from the margins to occupy centre-page. Queer storytellers. Working class wordsmiths. Chroniclers of colour. Writers whose life experiences give unique perspectives on universal challenges, whose voices must be heard. And read: Aisha Phoenix, Alex Hopkins, Bidisha, Chris Simpson, DJ Connell, Elizabeth Baines, Gaylene Gould, Giselle Leeb, Golnoosh Nour, Hedy Hume, Iqbal Hussain, Jonathan Kemp, Julia Bell, Juliet Jacques, Justin David, Kathy Hoyle, Keith Jarrett, Kerry Hudson, Kit de Waal, Lisa Goldman, Lui Sit, Nathan Evans, Neil Bartlett, Neil Lawrence, Neil McKenna, Ollie Charles, Padrika Tarrant, Paul McVeigh, Philip Ridley, Polis Loizou. The anthology is edited by Justin David and Nathan Evans. Justin says,'In publishing, it's often only the voices of a privileged minority that get heard and those of'minority'groups—specifically the working classes, ethnic minorities and the LGBTQ+ community—don't get the amplification they deserve. We wanted to bring all those underrepresented groups together in one volume in order to pump up the volume''a wonderful collection of fascinating and unique stories by unique voices'KATHY BURKE

The Theater of Tony Kushner is a comprehensive portrait of the forty-year long career of dramatist Tony Kushner as playwright, screenwriter, essayist, and public intellectual and political activist.Following an introduction examining the influences of Kushner's development as an artist, this updated second edition features individual chapters on his major plays, including A Bright Room Called Day, Hydriotaphia, or The Death of Dr. Browne, Angels in America, Slavs! Thinking About the Longstanding Problems of Virtue and Happiness, Homebody/Kabul, Caroline, or Change, and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, along with chapters on Kushner's adaptations, one-act plays, and screenplays, including his two Academy Award-nominated screenplays, Munich and Lincoln.A book for anyone interested in theater, film, literature, and the ways in which the past informs the present, this second edition of The Theater of Tony Kushner explores how his writings reflect key elements of American society, from politics and economics to race, gender, and spirituality, all with the hope of inspiring America to live up to its ideals.

#1 NEW YORK TIMES BESTSELLER • The critically acclaimed singer-songwriter, producer, and six-time Grammy winner opens up about faith, sexuality, parenthood, and a life shaped by music in “one of the great memoirs of our time” (Glennon Doyle, author of Untamed).NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND AUTOSTRADDLE • “The best-written, most engaging rock autobiography since her childhood hero, Elton John, published Me.”—VarietyBrandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, fourteen times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood.As an openly gay teenager, Brandi grappled with the tension between her sexuality and her faith when her pastor publicly refused to baptize her on the day of the ceremony. Shockingly, her small town rallied around Brandi in support and set her on a path to salvation where the rest of the misfits and rejects find it: through twisted, joyful, weird, and wonderful music. In Broken Horses, Brandi Carlile takes readers through the events of her life that shaped her very raw art—from her start at a local singing competition where she performed Elton John's “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over fifteen years and six studio albums, all while raising two children with her wife, Catherine Shepherd. This hard-won success led her to collaborations with personal heroes like Elton John, Dolly Parton, Mavis Staples, Pearl Jam, Tanya Tucker, and Joni Mitchell, as well as her peers in the supergroup The Highwomen, and ultimately to the Grammy stage, where she converted millions of viewers into instant fans.Evocative and piercingly honest, Broken Horses is at once an examination of faith through the eyes of a person rejected by the church's basic tenets and a meditation on the moments and lyrics that have shaped the life of a creative mind, a brilliant artist, and a genuine empath on a mission to give back.

Writing the notes for the exhibition catalogue, Becoming Tennessee Williams, a centenary exhibit at the Harry Ransom Humanities Research Center at the University of Texas (1 February–31 July 2011), Professor and Exhibition Curator Charlotte Cannin noted of Williams's work that he “reinvented the American theater,” and that “There is no more influential 20th-century American playwright than Tennessee Williams.” “He inspired future generations of writers,” she continues, “as diverse as Suzan-Lori Parks, Tony Kushner, David Mamet and John Waters, and his plays remain among the most produced in the world.” Of A Streetcar Named Desire in particular, critic Philip C. Kolin has said that it is, “One of the most influential plays in the twentieth century.” Kolin's comment is not restricted to the United States or even to the English-speaking world. A Streetcar Named Desire made an immediate and profound impact on a Europe devastated by World War II, as much of it emerged from beneath the heavy boots of fascism. For Europe, A Streetcar Named Desire was of a piece with liberation, with political liberation, with literary liberation into new forms of expression, and with sexual emancipation. A Streetcar Named Desire suggested for many a new and more open way to live, and offered for writers a set of new possibilities for their art. And while the more sensational Williams may have helped attract large theater and finally film audiences, his endurance as arguably the greatest and most enduring of American dramatists will rest on his language, on his poetic theater, for, after all, as Williams himself has said of his work “Treatment is everything in a play of this type.” Tennessee Williams, T-shirt Modernism and the Refashionings of Theater refocuses the work of Tennessee Williams against the larger fabric of cultural change in the post–World War II era in which he came to prominence, an era in which the rate of cultural change accelerated unprecedentedly as the late 40s became the 50s, the 50s the 60s, the 60s the 70s, etc. into periods of fragmentation and dislocation, a cultural unmooring we now generally (if too loosely) call postmodern, or, more accurately, perhaps, late modern. The study engages the Williams we thought we knew, as he grew, developed, reconfigured himself into a playwright we didn't, in his attempts to refashion himself amid the vortices of changing sexual mores, including the performance of masculinities and the queering of theater, the struggle for a literate, literary theater, and the place of the theatrical experience in his contemporary culture.

Financial Services Canada is the only master file of current contacts and information that serves the needs of the entire financial services industry in Canada. With over 18,000 organizations and hard-to-find business information, Financial Services Canada is the most up-to-date source for names and contact information of industry professionals, senior executives, portfolio managers, financial advisors, agency bureaucrats and elected representatives.