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This vintage book contains a detailed guide to archery. It includes a fascinating historical account of archery throughout the ages and contains information on the differences in archery practice in a variety of cultures. It also provides simple instructions on how to use a bow and arrow. This volume is highly recommended for those with a keen interest in archery. Contents include:'The History of Archery','Additional Notes on Arrow Release','Primary Release','Secondary Release','Tertiary Release','Mediterranean Release','Mongolian Release','Additional Equipment','Aiming the Bow','Arrows','Striking your Target', et cetera. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with an introductory essay on History of Archery by Horace A. Ford.

This vintage book contains a detailed guide to archery. It includes a fascinating history of archery throughout the ages and contains information on the differences in archery practice in a variety of cultures. It also provides simple instructions on how to use a bow and arrow. This volume is highly recommended for those with a keen interest in archery. Contents include:'The History of Archery','Additional Notes on Arrow Release','Primary Release','Secondary Release','Tertiary Release','Mediterranean Release','Mongolian Release','Additional Equipment','Aiming the Bow','Arrows','Striking your Target', et cetera. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with an introductory essay on History of Archery by Horace A. Ford.

First Published in 2005. Written by the author of glimpses of China and Chinese homes, this volume details the various indoor and outdoor features of traditional Japanese homes. Fully illustrated by the author, morse describes all aspects of Japanese domestic architecture, from the tiles used on the roofs, to the mats used on the floors; from the layouts of the rooms, to the housewares used to fill them. Then, he moves outside to delight the reader with the splendour of the flowers, trees and water features of the Japanese garden. Finishing with a chapter describing the differences and similarities between Japanese homes and those of the Ainu, Koreans and Chinese, this is one of the most comprehensive books written on the subject and is a must for lovers of all things Japanese.

Within twenty years there has gradually appeared in our country a variety of Japanese objects conspicuous for their novelty and beauty,—lacquers, pottery and porcelain, forms in wood and metal, curious shaped boxes, quaint ivory carvings, fabrics in cloth and paper, and a number of other objects as perplexing in their purpose as the inscriptions which they often bore. Most of these presented technicalities in their work as enigmatical as were their designs, strange caprices in their ornamentation which, though violating our hitherto recognized proprieties of decoration, surprised and yet delighted us. The utility of many of the objects we were at loss to understand; yet somehow they gradually found lodgment in our rooms, even displacing certain other objects which we had been wont to regard as decorative, and our rooms looked all the prettier for their substitution. We found it difficult to formulate the principles upon which such art was based, and yet were compelled to recognize its merit. Violations of perspective, and colors in juxtaposition or coalescing that before we had regarded as inharmonious, were continually reminding us of Japan and her curious people. Slowly our methods of decoration became imbued with these ways so new to us, and yet so many centuries old to the people among whom these arts had originated. Gradually yet surely, these arts, at first so little understood, modified our own methods of ornamentation, until frescos wall-papers, wood-work and carpets, dishes and table-cloth metal work and book-covers, Christmas cards and even railroad advertisements were decorated, modelled, and designed after Japanese style. It was not to be wondered at that many of our best artists,—men like Coleman, Vedder, Lafarge, and others,—had long fore recognized the transcendent merit of Japanese decorative art. It was however somewhat remarkable that the public at large should come so universally to recognize it, and in so short a time.

Inspired by his friend and astronomer Perival Lowell and his visits to the Lowell Observatory in Flagstaff, Arizona, Morse published Mars and Its Mystery in defense of Lowell's controversial speculations regarding the possibility of life on Mars.

This work deals with every aspect of the traditional Japanese home, from its general plan and major structural features to such ceremonial and traditional appointments as the tatami mats (which actually determine the size of the house), lamps, hibachi (braziers), fusuma and shoji screens, candlesticks, pillows, and tokonoma (places where art objects or flowers are displayed). It covers details of both construction and architectural ornamentation, and it points out the many ways in which the traditional Japanese house achieved the almost ideal blend of art and nature, decoration, and stark simplicity that is its hallmark. It shows in detail such things as how natural irregularities (such as in logs) are used to advantage, how partitions change the shape of the interior, and how the garden with its bridges, lanterns, and natural forms (sometimes artfully wrought) complements the severity of the house itself. More than 300 drawings by the author illustrate the text. Morse was one of the first to try to see and understand a dwelling in terms of the culture and tradition of the people who live in it. As a result, this work, which for three generations has remained the most informative and exhaustive discussion in English of the Japanese home, is equally honored for its strikingly modern conception of architecture and, more particularly, of the Japanese home as a place where people live.Since this work was first published, many of the traditional features of the Japanese home have altered under the impact of Western ideas. The work, consequently, should be particularly valuable to contemporary architects, artists, structural engineers, and scholars who want a purer view of the traditional Japanese dwelling. Because of its wealth of suggestion, it will also prove valuable to designers and craftsmen. For laymen, it continues to offer insight into a type of architecture (and a way of life) that is having an increasing impact on Western ideas.

Morse's publication is an idea book par excellence … Japanese Homes and Their Surroundings is likely to continue to be a valued resource for some time to come.'--David and Michiko YoungFirst published in 1886, this classic review of the Japanese house and garden remains an authoritative description of the architecture of the traditional Japanese home. The work of Edward S. Morse, a groundbreaking and imaginative inventor, academic, author and museum curator, this edition of Japanese Homes and Their Surroundings features an introduction by David and Michiko Young placing the book in its historical context and explaining its continued relevance.Containing over 300 detailed illustrations and revealing important historical and cultural sources, Japanese Homes and Their Surroundings is a time-tested resource for architects and landscape designers alike. Chapters include:House ConstructionCarpenters'Tools and AppliancesCity and Country HousesTearoomsPortable ScreensHousehold ShrinesVestibule and HallFlowersBridgesViews of Private GardensHouses of the Aino