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“Plunges the reader into a tour de force across radically divergent artistic responses to Mediterranean migration.” —Bulletin of Francophone Postcolonial StudiesEx-Centric Migrations examines cinematic, literary, and musical representations of migrants and migratory trends in the western Mediterranean. Focusing primarily on clandestine sea-crossings, Hakim Abderrezak shows that despite labor and linguistic ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) no longer systematically target France as a destination, but instead aspire toward other European countries, notably Spain and Italy. In addition, the author investigates other migratory patterns that entail the repatriation of émigrés. His analysis reveals that the films, novels, and songs of Mediterranean artists run contrary to mass media coverage and conservative political discourse, bringing a nuanced vision and expert analysis to the sensationalism and biased reportage of such events as the Mediterranean maritime tragedies.“Ex-Centric Migrations is crucial reading for scholars and students of contemporary Maghrebi, French, and Spanish literatures and cultures. It breaks new ground by encompassing the literature, film, and music of ‘return migration'and examining the trajectories of Maghrebi migration outside France.” —H-France“Hakim Abderrezak convincingly illustrates how politically committed artistic practices serve to humanize the challenges of human migration, and in the process dramatically improves our understanding of the complex cultural, economic, political, and social realities that shape 21st-century existence.” —Dominic Thomas, author of Africa and France: Postcolonial Cultures, Migration, and Racism

North African immigrants, once confined to France's social and cultural margins, have become a strong presence in France's national life. Similarly, descendants of immigrants from Morocco, Algeria, and Tunisia have gained mainstream recognition as filmmakers and as the subject of films. The first collective volume on this topic, Screening Integration offers a sustained critical analysis of this cinema. In particular, contributors evaluate how Maghrebi films have come to participate in, promote, and, at the same time, critique France's integration. In the process, these essays reflect on the conditions that allowed for the burgeoning of this cinema in the first place, as well as on the social changes the films delineate.Screening Integration brings together established scholars in the fields of postcolonial, Francophone, and film studies to address the latest developments in this cinematic production. These authors explore the emergence of various genres that recast the sometimes fossilized idea of ethnic difference. Screening Integration provides a much-needed reference for those interested in comprehending the complex shifts in twenty-first-century French cinema and in the multicultural social formations that have become an integral part of contemporary France in the new millennium.

This book focuses on achieving a better understanding of the implications of international migration for national development from the perspective of the sending countries (with an emphasis on sub-Saharan Africa). More specifically, the purpose of this volume is to explore (1) current perceptions - as seen from the perspective of the countries of origin - of the links between international migration and national development, and (2) current trends in policy making aimed at minimising the negative effects, while optimising the development impact. What are the dominant views and policy initiatives in the different countries of sub-Saharan Africa? It is concerned with the question of how a coherent international migration policy can contribute to the fight against poverty. In the book, update information is given of migration-development nexus in various countries, including Senegal and Burkina Faso, Botswana and Mozambique, Nigeria and Kenya. Attention is additionally paid to Mexico, the Philippines and the People's Republic of China.

L'auteur examine la notion d'intégration à travers l'étude d'histoires et récits littéraires, de cas et événements médiatiques, de films ou documentaires prenant pour sujet ou ayant pour auteur les héritiers d'origine maghrébine de l'histoire conjuguée de la migration et de la colonisation. Cet ouvrage pose les questions récurrentes du comment apprendre à vivre avec et du vivre ensemble.

This book's ambition is to offer the most recent scholarship on North African cultures at a time when the very notion of culture is being re-evaluated in the shifting tides that both associate and divorce the forces of nationalism, globalism and neo-liberalism. Another ambition is to be a readable document about the past and the potential of North African civilizations. Those which have been crystallized into a polysemic voice from centuries of occupations, exchanges and what is now commonly called hybridizations. In this work the collective position of the authors, with their different fields of experience, is that the languages, musics, and the many expressions of common life in North Africa continue to flourish. That they are a bridge between sub-Saharan peoples and Europe. That they are a necessary antidote to the anemic political discourses that have prevailed since decolonization. That they are seminal for the future of the African continent as it begins its true voyage into democracy. It is difficult, at this juncture, to measure the distance that, in the decades to come, will be achieved on that voyage. It is, however, less difficult to evaluate the importance of North Africa on tomorrow's world. If the past is an indicator, it will be an important force in the cross-flow of trade, ideas and of global destinies.

This book is a major contribution to our understanding of the condition of the immigrant and it will transform the reader's understanding of the issues surrounding immigration. Sayad's book will be widely used in courses on race, ethnicity, immigration and identity in sociology, anthropology, cultural studies, politics and geography. an outstanding and original work on the experience of immigration and the kind of suffering involved in living in a society and culture which is not one's own; describes how immigrants are compelled, out of respect for themselves and the group that allowed them to leave their country of origin, to play down the suffering of emigration; Abdelmalek Sayad, was an Algerian scholar and close associate of the French sociologist Pierre Bourdieu - after Sayad's death, Bourdieu undertook to assemble these writings for publication; this book will transform the reader's understanding of the issues surrounding immigration.

Dans ce second volume, qui réunit les communications du colloque international :'Paroles Déplacées', qui eu lieu à Lyon, en mars 2003, l'auteur a choisit de décrire le délocalisation des modèles et des genres littéraires ainsi que les intertextualités et les regards croisés que les problématiques du déplacement impliquent, et porte une attention particulière à l'oralité lorsqu'elle fonctionne hors de son cadre naturel. Cette publication apporte dans le même mouvement, un éclairage nouveau et une réflexion critique sur les études francophones et la théorie postcoloniale en tant que méthodes et discours.

Peut-on parler de cultures transnationales, c'est-à-dire de productions et de modes de vie et d'expression qui traversent les frontières, qui n'obéissent pas aux cloisonnements traditionnels de l'appartenance à un territoire et à une nation, et, en même temps, se référer à un pays particulier, la France en l'occurrence? Doit-on aborder les textes des écrivains, des musiciens, des artistes, des producteurs culturels issus de l'immigration maghrébine, africaine ou autre en France ou ailleurs en faisant l'économie de cette question?