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'Incisive debut treatise... Mohsin brings to the proceedings a reporter's eye for story'— Publisher's WeeklyFrom Bloomberg News reporter Saleha Mohsin, the untold story of how one of America's most invincible institutions—the Treasury—has used the U.S. dollar to define America's role in the world, and our economic future.In 1995, Treasury Secretary Robert Rubin re-defined the next thirty years of currency policy with the mantra, “A strong dollar is in America's interest.” That mantra held, ushering in exceptional prosperity and cheap foreign goods, but the strong dollar policy also played a role in the devastating hollowing out of America's manufacturing sector. Meanwhile, abroad, the United States increasingly turned to the dollar as a weapon of war. In Paper Soldiers, Saleha Mohsin reveals how the Treasury Department has shaped U.S. policy at home and overseas by wielding the American dollar as a weapon—and what that means in a new age of crisis.For decades, America has preferred its currency superpower-strong, the basis of a'strong dollar'policy that attracted foreign investors and pleased consumers. Drawing on Mohsin's unparalleled access to current and former Treasury officials like Robert Rubin, Steven Mnuchin, and Janet Yellen, Paper Soldiers traces that policy's intended and unintended consequences, including the rise of populist sentiment and trade war with China—culminating in an unprecedented attack on the dollar's pristine status during the Trump presidency—and connects the dollar's weaponization from 9/11 to the deployment of crippling financial sanctions against Russia. Ultimately, Mohsin argues that, untethered from many of the economic assumptions of the last generation, the power and influence of the American dollar is now at stake.With first-hand reporting and fresh analysis that illustrates the vast, often unappreciated power that the Treasury Department wields at home and abroad, Paper Soldiers tells the inside story of how we really got here—and the future not only of the almighty dollar, but the nation's teetering role as a democratic superpower.

A 12-year-old girl wins an invitation to train as an apprentice to immortals in the first book of the new must-read magical series destined to take the world by storm—perfect for fans of Amari and the Night Brothers, Skandar and Eragon. Let the competition begin!“A new classic fantasy adventure.” — Eoin Colfer, author of the internationally best-selling Artemis Fowl series An outsider in her village above the cloud sea, 12-year-old orphan Yeung Zhi Ging's only hope of escape is to win the single invitation to train as a Silhouette: an apprentice to the immortals. After her ill-fated attempt to impress the Silhouette scout leads to a dragon attack on the jade mountain, Zhi Ging is sure that her chances, and her life, are over. But the scout spots her potential and offers her protection and a second chance. She's in.In her lessons in Hok Woh, the underwater realm of the immortals, Zhi Ging must face the challenging trials set by her teachers to prove that she's worthy of being a Silhouette—despite her rivals'attempts to sabotage her. But as Zhi Ging's power grows, so do the rumours of the return of the Fui Gwai, an evil spirit that turns people into grey-eyed thralls.When the impossible happens and the Fui Gwai attack the Silhouettes, can Zhi Ging use her newly uncovered talents to save her friends and the world beyond? Or will the grey-eyed spirit consume them all? “A soaring, luminous new world.'—Jessica Townsend, New York Times bestselling author of The Nevermoor series

This prizewinning debut from New Zealand novelist Tom Baragwanath is both a nail-biting thrill-ride and a beautifully written, acutely observed portrait of a community.How far would you go to keep your family safe?Lorraine Henry is generally content to keep her head down and get on with her work as a records clerk at the Masterton police station. But when children start going missing in her small town, Lo can't help but pay attention. After all, she has Bradley, her young nephew, to worry about, and the cops don't seem to be putting much effort into finding the kids. And then the unthinkable happens: Bradley disappears. Distraught but determined, Lorraine vows to bring him home no matter what. And, together with a detective from Wellington, she embarks on a dangerous mission, one that will illuminate all the good and all the bad in Masterton.

In the early and mid-twentieth century, Chinese migrants evaded draconian anti-immigrant laws by entering the US under false papers that identified them as the sons of people who had returned to China to marry. Wayne Hung Wong tells the story of his life after emigrating to Wichita, Kansas, as a thirteen-year-old paper son. After working in his father's restaurant as a teen, Wong served in an all-Chinese Air Force unit stationed in China during World War II. His account traces the impact of race and segregation on his service experience and follows his postwar life from finding a wife in Taishan through his involvement in the government's amnesty program for Chinese immigrants and career in real estate. Throughout, Wong describes the realities of life as part of a small Chinese American community in a midwestern town. Vivid and rich with poignant insights, American Paper Son explores twentieth-century Asian American history through one person's experiences.

An examination of the importance of paper in the work of Soviet artist, designer, and architect El Lissitzky. Russian artist El Lissitzky's work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists'collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin regime. With such a varied history and body of work, scholars have often struggled to identify the core principles that tied his diverse oeuvre together. In El Lissitzky on Paper, Samuel Johnson argues that Lissitzky's commitment to creating works on paper is a constant that unites his endeavors. Paper played a key role in the utopian projects that informed Lissitzky's work, and the artist held a commitment to print as the premier medium of immediate public exchange. Johnson analyzes and contextualizes this idea against the USSR's strict management of this essential resource and the growth of new media communications, including the telephone, telegraph, and film. With this book, Johnson presents a significant contribution to scholarship on this major artist, revealing new connections between Lissitzky's work in architecture and visual art and bringing to light sources from largely unstudied Russian archives.

Kate Quinn's The Rose Code meets Mr. and Mrs. Smith in this intrigue-filled debut, as two former spies who shared more than just missions during WWII reunite in 1948 Los Angeles. Can they let go of heartbreak long enough to team up for one last operation in this tightly-plotted, emotionally rich postwar mystery? It's 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war's end brings with it an act of deep betrayal. Six years later, Evelyn is back home in Los Angeles, working as a private investigator. The war was supposed to change everything, yet Evelyn, contemplating marriage to her childhood sweetheart, feels stifled by convention. Then the suspected cheating husband she's tailing is murdered, and suddenly Evelyn is back in Nick's orbit again. Teaming up for a final mission, Evelyn and Nick begin to uncover the true nature of her case— and realize that the war has followed them home. For beyond the public horrors waged by nations there are countless secret, desperate acts that still reverberate on both continents, and threaten everything Evelyn holds dear...

Read about the journey of this white paper plane. See the sights and follow the plane as it looks down on the world below, passing over fields and rivers and observing life in all its beauty. Then witness the kindness of human nature as the plane is rescued from trouble, mended and sent back out into the world to enjoy more sights of wonder.

The ubiquity of waste paper in early modern England has long been misunderstood. Though insults and modesty tropes that refer to waste paper are widespread, these have often been dismissed as nothing more than rhetorical flourishes. Paired with the common misconception that paper would have been too valuable to'waste'in the sixteenth and seventeenth centuries, these tropes have been read as scatological flights of fancy. Waste Paper in Early Modern England argues that such commonplaces are in fact indicative of everyday, material experience - of an author's, reader's, housewife's, or city-dweller's immersion in an environment brimming with repurposed scraps and sheets. It demonstrates that waste paper makes visible a radically different understanding of waste matter in the early modern period than in our own. More than a rhetorical aside, repurposed pages were both materially and figuratively useful. Drawing on a range of literary, pictorial, and bibliographical sources, Waste Paper in Early Modern England reveals how layers of meaning accreted around paper fragments in the sixteenth and seventeenth centuries, and how, because of the widespread sensitivity to the life cycle of paper and books, wasted pages prompted meaningful imaginative work. The book's five chapters recount how, in this period, the biography of waste paper provided a thing to think with concerning matter and temporality - a potent and flexible emblem for the troublesome passage of books and all other sorts of bodies through time.

This book provides complete coverage of the logical thinking, the performance of experiments, and the data analysis that is involved in the writing of a paper, as well as the actual writing of it. More specifically, it includes details about improving writing and a step-by-step guide illustrating the process of thinking, writing, and polishing the paper regardless of major. Simple examples are given to help understand the complexity of writing and pinpoint what aspects journals look for in papers. The last few chapters include common mistakes and frequently occurring problems in data analysis and writing and how to rectify them. For students from undergraduate to PhD levels and those new to publishing a paper in international journals or struggling to write one, the contents of this book are invaluable. It is also beneficial to those aiming to write and publish in English if it is not their first language.

This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more).With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists'work on paper to demonstrate that the material and formal analysis of paper in the avant-garde's artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde's attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly.The book will be of interest to scholars working in art history, modernism, and design.