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Copyright of Relaciones: Estudios de Historia y Sociedad is the property of El Colegio de Michoacan, A.C. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Espanola de Antropologia Americana is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

From 6 November 2018 until 10 February 2019, the National Széchényi Library organized an exhibition of surviving items from the Bibliotheca Corviniana under the title The Corvina Library and the Buda Workshop. The exhibition, as its title suggests, focused on a single scholarly issue, the book production workshop established at the royal court. It showed how the purposeful process of library building (including the commissioning of books from Italy) was directed from Buda and which methods were used for the systematic development of the library. The exhibition had a monographic character and can be regarded the first survey of the subject. Therefore, the intention was to present not only the results of the research involved but also the process of reasoning and reaching the conclusions presented in the narrative. As a result, at the time of the exhibition and during its preparation, information transfer was happening at both cognitive and emotional levels. The nature of this information transfer was determined by the role certain pieces of information played in the story, depending on whether these were of primary or secondary character, explicitly communicated and centrally positioned, or used as a 'supporting act', making peripheral statements, acting as an emotionally charged but figurative account. Information was communicated explicitly through the detailed texts (object labels and summaries) and audiovisual displays accessible on screens, which demonstrated the process of research that went into the exhibition. The accompanying publications transmitted the main message on three levels. The exhibition, displaying 62 renaissance luxury codices, showed the power of homogeneity in a special way. The cultural and artistic aspect of the exhibition was exceptionally intensive, which enriched the visitors' reception of it, creating a sense of completeness. [ABSTRACT FROM AUTHOR]

Copyright of Anuario Musical is the property of Consejo Superior de Investigaciones Cientificas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The casting of maize seeds is a tool used by contemporary daykeepers in the Ayöök (Mixe) area of Oaxaca, Mexico, which along with the prognostications and prescriptions of the 260-day calendar, helps to cure illnesses and afflictions. This divinatory practice was also employed by precolonial tonalpouhque, who were experts of reading the tonalamatl, the pictographic manuscripts with calendrical, ritual and oracular content, such as the now called Borgia Group codices. In this article maize divination will be described and analyzed, arguing that maize divination results in images that can be read in a similar way to these codices. The reading of maize is approached here by employing the concepts of signs and symbols as described by Carl Jung and the notions of chronotope and dialogical narratives by Mikhail Bakhtin. The Jungian understanding of divinatory practices as a means of gaining consciousness of oneself is also applied to argue in favor of the therapeutic capacity of reading maize, as it offers relief and triggers action. [ABSTRACT FROM AUTHOR]

Copyright of Revista Espanola de Antropologia Americana is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal de la Société des Américanistes is the property of Societe des Americanistes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)