52 results on '"Harding, James"'
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2. Cover
3. Acknowledgements and Dedication
4. Notes
5. Title Page, Copyright
6. Private Eyes: Chapter 2. Surveillance Operatives: Activists, Undercover Agents, and the “New Theater'
7. Downcast Eyes: Chapter 5. Data Doubles, Pepper’s Ghost, and Zombie Categories: The Specters of Performance in the Bit Parts of Surveillance
8. Index
9. Electronic Eyes: Chapter 4. Outperforming Activism: Surveillance Technologies beyond the Surveillance Camera Players
10. An Eye for an Eye: Chapter 6. Envisioning Performance Postdemocracy: Creative Activism, (a Little Bit of) Damage, and Surveillance’s Inevitable Products
11. Contents
12. Introduction. All Eyes to the Street: Surveillance, Information Technologies, and the Space of Brecht’s “Street Scene'
13. God’s Eyes: Chapter 1. Of Sheep, Shepherds, and Oversight: Defrocking the Cultures of Surveillance
14. Sweating on the Small Stuff: The Materiality of Form in Faulkner’s As I Lay Dying
15. Incendiary Acts and Apocryphal Avant-Gardes: Thích Quảng Đức, Self-Immolation, and Buddhist Spiritual Vanguardism
16. Chapter 2 - From Anti-Culture to Counter-Culture: The Emergence of the American Hybrid Vanguardism
17. Chapter 4 - Brechtian Aesthetics and the Death of the Director in Peter Brook’s The Mahabharata
18. Chapter 3 - Critique of the Artist as (Re)producer: Warhol, The Living Theatre, and Frankenstein
19. Chapter 7 - Victims of History and the Ghosts of the Avant-Gardes: A Plausibly Deniable Conclusion
20. Chapter 1 - Avant-Garde Rhetoric: Show Trials and Collapsing Discourse at the Birth of Surrealism
21. Contents
22. Avant-Garde Pluralities: An Introduction
23. Notes
24. Cover
25. Title Page, Copyright Page, Acknowledgments
26. Index
27. Chapter 6 - Performing the Vanquished Vanguards: Nostalgia, Globalization, and the Possibility of Contemporary Avant-Gardes
28. Chapter 5 - From Cutting Edge to Rough Edges: On the Transnational Foundations of Avant-Garde Performance
29. Missing Persons: Character and Characterization in Modern Drama by William Gruber (review)
30. Dada and Surrealist Performance by Annabelle Henkin Melzer (review)
31. Frontmatter
32. Border Crossings: Three Transnationalisms of Fluxus
33. Index
34. Cover
35. Contributors
36. Angura: Japan's Nostalgic Avant-Garde
37. From Vanguard to Avant-Garde? Questioning the Progressive Bengali Theater of Kolkata
38. Introduction
39. Avant-Garde and Performance Cultures in Africa
40. From Liminality to Ideology: The Politics of Embodiment in Prewar Avant-garde Theater in Japan
41. Made in Mexico: The Theatrical Avant-Garde and the Formation of a Nation
42. The Other Avant-Garde: The Theater of Radical Aesthetics and the Poetics and Politics of Performance in Contemporary Africa
43. The TDR Black Theatre Issue: Refiguring the Avant-Garde
44. Avant-Garde Drama in the Middle East
45. Aesthetics, Politics, and Vanguardias in Twentieth-Century Argentinean Theater
46. From Cutting Edge to Rough Edges: On the Transnational Foundations of Avant-Garde Performance
47. Contents
48. Exiled from Alienation: Brechtian Aesthetics, the Death of the Director, and Peter Brook's The Mahabharata
49. The Simplest Surrealist Act: Valerie Solanas and the (Re)Assertion of Avantgarde Priorities
50. Performance Studies: An Introduction (review)
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