1. Emotional Self-Awareness of the Choreographer as a Basis for the Emotional and Physical Intelligence Formation
- Author
-
Shabalina Olena
- Subjects
life scenario ,tunnel vision ,stage scenario ,locus of control ,emotional-bodily self-awareness ,choreographer ,emotional-bodily intelligence ,attention focus - Abstract
The purpose of the articleis to identify and analyze practical examples of the peculiarities of emotional and bodily awareness of the self, the created image, their mutual influence in the professional practice of a choreographer-creator and their overall impact on the fate of a choreographer-human being of the twenty-first century.Research methodology.The use of historical, comparative, art studies and empirical methods contributed to a scientifically objective study.Scientific novelty.The article is the first to formulate and describe the study of the psychological phenomenon of symbiotic codependence of subconscious minds in the system of actor-spectator interactions and their mutual subconscious (spontaneous) psychotherapeutic effect. The possible psychotherapeutic modelling influence on the formation of emotional-bodily intelligence and personality of the choreographer and his or her fate in the desired direction is revealed through the awareness of automatic emotional reactions and their complexes displaced into the subconscious through the conscious motor activity of the body of the choreographer-creator, performer and feedback emotional connection with the viewer.Conclusions.The study of the fact of suppression of self-awareness by professional choreographers while working on a role and the re-coding of the values of the natural mechanism of emotions into artificial stage ones has revealed the relevance of the conscious use by a modern choreographer-creator, performer, and teacher of the psychological phenomena of “focus of attention”, “tunnel vision”, “emotional and bodily self-awareness” as the basis for the formation of emotional and bodily intelligence of the personality of a choreographer-creator, choreographer-human. The psychotherapeutic effect of awareness of the symbiotic codependence of subconscious minds in the system of actor-viewer relations and the diffusion of stage drama into the actor’s life drama and vice versa can positively influence the departure of the creative part of the choreographer’s personality from the need to artificially dramatize his or her own life. The conscious resolution of psychological plots can become an integral part of the creative process and further the professional and personal development of the creator, performer, teacher and person in general in choreography.
- Published
- 2023