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Despite the tremendous success of diffusion generative models in text-to-image generation, replicating this success in the domain of image compression has proven difficult. In this paper, we demonstrate that diffusion can significantly improve perceptual quality at a given bit-rate, outperforming state-of-the-art approaches PO-ELIC and HiFiC as measured by FID score. This is achieved using a simple but theoretically motivated two-stage approach combining an autoencoder targeting MSE followed by a further score-based decoder. However, as we will show, implementation details matter and the optimal design decisions can differ greatly from typical text-to-image models.

By optimizing the rate-distortion-realism trade-off, generative compression approaches produce detailed, realistic images, even at low bit rates, instead of the blurry reconstructions produced by rate-distortion optimized models. However, previous methods do not explicitly control how much detail is synthesized, which results in a common criticism of these methods: users might be worried that a misleading reconstruction far from the input image is generated. In this work, we alleviate these concerns by training a decoder that can bridge the two regimes and navigate the distortion-realism trade-off. From a single compressed representation, the receiver can decide to either reconstruct a low mean squared error reconstruction that is close to the input, a realistic reconstruction with high perceptual quality, or anything in between. With our method, we set a new state-of-the-art in distortion-realism, pushing the frontier of achievable distortion-realism pairs, i.e., our method achieves better distortions at high realism and better realism at low distortion than ever before., CVPR'23 Camera Ready

We consider the attributes of a point cloud as samples of a vector-valued volumetric function at discrete positions. To compress the attributes given the positions, we compress the parameters of the volumetric function. We model the volumetric function by tiling space into blocks, and representing the function over each block by shifts of a coordinate-based, or implicit, neural network. Inputs to the network include both spatial coordinates and a latent vector per block. We represent the latent vectors using coefficients of the region-adaptive hierarchical transform (RAHT) used in the MPEG geometry-based point cloud codec G-PCC. The coefficients, which are highly compressible, are rate-distortion optimized by back-propagation through a rate-distortion Lagrangian loss in an auto-decoder configuration. The result outperforms RAHT by 2--4 dB. This is the first work to compress volumetric functions represented by local coordinate-based neural networks. As such, we expect it to be applicable beyond point clouds, for example to compression of high-resolution neural radiance fields., 30 pages, 29 figures

We show how transformers can be used to vastly simplify neural video compression. Previous methods have been relying on an increasing number of architectural biases and priors, including motion prediction and warping operations, resulting in complex models. Instead, we independently map input frames to representations and use a transformer to model their dependencies, letting it predict the distribution of future representations given the past. The resulting video compression transformer outperforms previous methods on standard video compression data sets. Experiments on synthetic data show that our model learns to handle complex motion patterns such as panning, blurring and fading purely from data. Our approach is easy to implement, and we release code to facilitate future research., NeurIPS'22 Camera Ready Version. Code: https://goo.gle/vct-paper

We present the first neural video compression method based on generative adversarial networks (GANs). Our approach significantly outperforms previous neural and non-neural video compression methods in a user study, setting a new state-of-the-art in visual quality for neural methods. We show that the GAN loss is crucial to obtain this high visual quality. Two components make the GAN loss effective: we i) synthesize detail by conditioning the generator on a latent extracted from the warped previous reconstruction to then ii) propagate this detail with high-quality flow. We find that user studies are required to compare methods, i.e., none of our quantitative metrics were able to predict all studies. We present the network design choices in detail, and ablate them with user studies., Comment: First two authors contributed equally. ECCV Camera ready version

We extensively study how to combine Generative Adversarial Networks and learned compression to obtain a state-of-the-art generative lossy compression system. In particular, we investigate normalization layers, generator and discriminator architectures, training strategies, as well as perceptual losses. In contrast to previous work, i) we obtain visually pleasing reconstructions that are perceptually similar to the input, ii) we operate in a broad range of bitrates, and iii) our approach can be applied to high-resolution images. We bridge the gap between rate-distortion-perception theory and practice by evaluating our approach both quantitatively with various perceptual metrics, and with a user study. The study shows that our method is preferred to previous approaches even if they use more than 2x the bitrate., Comment: This is the Camera Ready version for NeurIPS 2020. Project page: https://hific.github.io

Recent models for learned image compression are based on autoencoders, learning approximately invertible mappings from pixels to a quantized latent representation. These are combined with an entropy model, a prior on the latent representation that can be used with standard arithmetic coding algorithms to yield a compressed bitstream. Recently, hierarchical entropy models have been introduced as a way to exploit more structure in the latents than simple fully factorized priors, improving compression performance while maintaining end-to-end optimization. Inspired by the success of autoregressive priors in probabilistic generative models, we examine autoregressive, hierarchical, as well as combined priors as alternatives, weighing their costs and benefits in the context of image compression. While it is well known that autoregressive models come with a significant computational penalty, we find that in terms of compression performance, autoregressive and hierarchical priors are complementary and, together, exploit the probabilistic structure in the latents better than all previous learned models. The combined model yields state-of-the-art rate--distortion performance, providing a 15.8% average reduction in file size over the previous state-of-the-art method based on deep learning, which corresponds to a 59.8% size reduction over JPEG, more than 35% reduction compared to WebP and JPEG2000, and bitstreams 8.4% smaller than BPG, the current state-of-the-art image codec. To the best of our knowledge, our model is the first learning-based method to outperform BPG on both PSNR and MS-SSIM distortion metrics., Comment: Accepted at the 32nd Conference on Neural Information Processing Systems (NIPS 2018)

We introduce a stop-code tolerant (SCT) approach to training recurrent convolutional neural networks for lossy image compression. Our methods introduce a multi-pass training method to combine the training goals of high-quality reconstructions in areas around stop-code masking as well as in highly-detailed areas. These methods lead to lower true bitrates for a given recursion count, both pre- and post-entropy coding, even using unstructured LZ77 code compression. The pre-LZ77 gains are achieved by trimming stop codes. The post-LZ77 gains are due to the highly unequal distributions of 0/1 codes from the SCT architectures. With these code compressions, the SCT architecture maintains or exceeds the image quality at all compression rates compared to JPEG and to RNN auto-encoders across the Kodak dataset. In addition, the SCT coding results in lower variance in image quality across the extent of the image, a characteristic that has been shown to be important in human ratings of image quality

Many recent advancements in Computer Vision are attributed to large datasets. Open-source software packages for Machine Learning and inexpensive commodity hardware have reduced the barrier of entry for exploring novel approaches at scale. It is possible to train models over millions of examples within a few days. Although large-scale datasets exist for image understanding, such as ImageNet, there are no comparable size video classification datasets. In this paper, we introduce YouTube-8M, the largest multi-label video classification dataset, composed of ~8 million videos (500K hours of video), annotated with a vocabulary of 4800 visual entities. To get the videos and their labels, we used a YouTube video annotation system, which labels videos with their main topics. While the labels are machine-generated, they have high-precision and are derived from a variety of human-based signals including metadata and query click signals. We filtered the video labels (Knowledge Graph entities) using both automated and manual curation strategies, including asking human raters if the labels are visually recognizable. Then, we decoded each video at one-frame-per-second, and used a Deep CNN pre-trained on ImageNet to extract the hidden representation immediately prior to the classification layer. Finally, we compressed the frame features and make both the features and video-level labels available for download. We trained various (modest) classification models on the dataset, evaluated them using popular evaluation metrics, and report them as baselines. Despite the size of the dataset, some of our models train to convergence in less than a day on a single machine using TensorFlow. We plan to release code for training a TensorFlow model and for computing metrics., 10 pages

We present a method for learning an embedding that places images of humans in similar poses nearby. This embedding can be used as a direct method of comparing images based on human pose, avoiding potential challenges of estimating body joint positions. Pose embedding learning is formulated under a triplet-based distance criterion. A deep architecture is used to allow learning of a representation capable of making distinctions between different poses. Experiments on human pose matching and retrieval from video data demonstrate the potential of the method.

Video classification has advanced tremendously over the recent years. A large part of the improvements in video classification had to do with the work done by the image classification community and the use of deep convolutional networks (CNNs) which produce competitive results with hand- crafted motion features. These networks were adapted to use video frames in various ways and have yielded state of the art classification results. We present two methods that build on this work, and scale it up to work with millions of videos and hundreds of thousands of classes while maintaining a low computational cost. In the context of large scale video processing, training CNNs on video frames is extremely time consuming, due to the large number of frames involved. We propose to avoid this problem by training CNNs on either YouTube thumbnails or Flickr images, and then using these networks' outputs as features for other higher level classifiers. We discuss the challenges of achieving this and propose two models for frame-level and video-level classification. The first is a highly efficient mixture of experts while the latter is based on long short term memory neural networks. We present results on the Sports-1M video dataset (1 million videos, 487 classes) and on a new dataset which has 12 million videos and 150,000 labels.

A large fraction of Internet traffic is now driven by requests from mobile devices with relatively small screens and often stringent bandwidth requirements. Due to these factors, it has become the norm for modern graphics-heavy websites to transmit low-resolution, low-bytecount image previews (thumbnails) as part of the initial page load process to improve apparent page responsiveness. Increasing thumbnail compression beyond the capabilities of existing codecs is therefore a current research focus, as any byte savings will significantly enhance the experience of mobile device users. Toward this end, we propose a general framework for variable-rate image compression and a novel architecture based on convolutional and deconvolutional LSTM recurrent networks. Our models address the main issues that have prevented autoencoder neural networks from competing with existing image compression algorithms: (1) our networks only need to be trained once (not per-image), regardless of input image dimensions and the desired compression rate; (2) our networks are progressive, meaning that the more bits are sent, the more accurate the image reconstruction; and (3) the proposed architecture is at least as efficient as a standard purpose-trained autoencoder for a given number of bits. On a large-scale benchmark of 32$\times$32 thumbnails, our LSTM-based approaches provide better visual quality than (headerless) JPEG, JPEG2000 and WebP, with a storage size that is reduced by 10% or more., Comment: Under review as a conference paper at ICLR 2016

In this paper, we present a novel method for human face modeling and its application to face relighting and recognition. An annotated face model is fitted onto the raw 3D data using a subdivision-based deformable model framework. The fitted face model is subsequently converted to a geometry image representation. This results in regularly sampled, registered and annotated geometry data. The albedo of the skin is retrieved by using an analytical skin reflectance model that removes the lighting (shadows, diffuse and specular) from the texture. Additional provisions are made such that if the input contains over-saturated specular highlights, an inpainting method with texture synthesis is used as a post-processing step in order to estimate the texture. The method is fully automatic and uses as input only the 3D geometry and texture data of the face, as acquired by commercial 3D scanners. No measurement or calibration of the lighting environment is required. The method's fully automatic nature and its minimum input requirements make it applicable to both computer vision applications (e.g., face recognition) and computer graphics applications (i.e., relighting, face synthesis and facial expressions transfer). Moreover, it allows the utilization of existing 3D facial databases. We present very encouraging results on a challenging dataset .