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In the framework of a broader investigation into the imaginaries of the afterworld in present-day Argentine literature, this paper aims at addressing the ways in which Carlos Ríos’s Cuaderno de Pripyat (2012) narrates the afterworld of an identifiable historical event, the Chernobyl disaster, creating further tension between the crisis itself and the possibility of a post-apocalyptic setting that brings a radical and immeasurable interruption into play. First, we analyze the ways in which this multiplication of temporalities affects the presentation of the testimonies collected in the story. Next, the paper focuses on the collage as a possible explicative key to the fragmentary composition of the story based on the tension between the rationality of that which remains and that of referential oversaturation.

This paper is an attempt to draw distinctive lines between the concepts of cybercrime, cyber-attack, and cyber warfare in the current information age, in which it has become difficult to separate the activities of transnational criminals from acts of belligerents using cyberspace. The paper considers the implications of transnational cyber threats in international humanitarian law (IHL) with a particular focus on cyber-attacks by non-state actors, the principles of state responsibility, and the implications of targeting non-state perpetrators under IHL. It concludes that current international law constructs are inadequate to address the implications of transnational cyber threats; the author recommends consequential amendments to the laws of war in order to address the challenges posed by transnational cyber threats.