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Generative AI models for music and the arts in general are increasingly complex and hard to understand. The field of explainable AI (XAI) seeks to make complex and opaque AI models such as neural networks more understandable to people. One approach to making generative AI models more understandable is to impose a small number of semantically meaningful attributes on generative AI models. This paper contributes a systematic examination of the impact that different combinations of variational auto-encoder models (measureVAE and adversarialVAE), configurations of latent space in the AI model (from 4 to 256 latent dimensions), and training datasets (Irish folk, Turkish folk, classical, and pop) have on music generation performance when 2 or 4 meaningful musical attributes are imposed on the generative model. To date, there have been no systematic comparisons of such models at this level of combinatorial detail. Our findings show that measureVAE has better reconstruction performance than adversarialVAE which has better musical attribute independence. Results demonstrate that measureVAE was able to generate music across music genres with interpretable musical dimensions of control, and performs best with low complexity music such as pop and rock. We recommend that a 32 or 64 latent dimensional space is optimal for 4 regularised dimensions when using measureVAE to generate music across genres. Our results are the first detailed comparisons of configurations of state-of-the-art generative AI models for music and can be used to help select and configure AI models, musical features, and datasets for more understandable generation of music.

Generative AI models for music and the arts in general are increasingly complex and hard to understand. The field of explainable AI (XAI) seeks to make complex and opaque AI models such as neural networks more understandable to people. One approach to making generative AI models more understandable is to impose a small number of semantically meaningful attributes on generative AI models. This paper contributes a systematic examination of the impact that different combinations of variational auto-encoder models (measureVAE and adversarialVAE), configurations of latent space in the AI model (from 4 to 256 latent dimensions), and training datasets (Irish folk, Turkish folk, classical, and pop) have on music generation performance when 2 or 4 meaningful musical attributes are imposed on the generative model. To date, there have been no systematic comparisons of such models at this level of combinatorial detail. Our findings show that measureVAE has better reconstruction performance than adversarialVAE which has better musical attribute independence. Results demonstrate that measureVAE was able to generate music across music genres with interpretable musical dimensions of control, and performs best with low complexity music such as pop and rock. We recommend that a 32 or 64 latent dimensional space is optimal for 4 regularised dimensions when using measureVAE to generate music across genres. Our results are the first detailed comparisons of configurations of state-of-the-art generative AI models for music and can be used to help select and configure AI models, musical features, and datasets for more understandable generation of music.

In recent years, the field of talking faces generation has attracted considerable attention, with certain methods adept at generating virtual faces that convincingly imitate human expressions. However, existing methods face challenges related to limited generalization, particularly when dealing with challenging identities. Furthermore, methods for editing expressions are often confined to a singular emotion, failing to adapt to intricate emotions. To overcome these challenges, this paper proposes EmoTalker, an emotionally editable portraits animation approach based on the diffusion model. EmoTalker modifies the denoising process to ensure preservation of the original portrait's identity during inference. To enhance emotion comprehension from text input, Emotion Intensity Block is introduced to analyze fine-grained emotions and strengths derived from prompts. Additionally, a crafted dataset is harnessed to enhance emotion comprehension within prompts. Experiments show the effectiveness of EmoTalker in generating high-quality, emotionally customizable facial expressions., Comment: Accepted by 2024 IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP2024)

Generative AI models for music and the arts in general are increasingly complex and hard to understand. The field of eXplainable AI (XAI) seeks to make complex and opaque AI models such as neural networks more understandable to people. One approach to making generative AI models more understandable is to impose a small number of semantically meaningful attributes on generative AI models. This paper contributes a systematic examination of the impact that different combinations of Variational Auto-Encoder models (MeasureVAE and AdversarialVAE), configurations of latent space in the AI model (from 4 to 256 latent dimensions), and training datasets (Irish folk, Turkish folk, Classical, and pop) have on music generation performance when 2 or 4 meaningful musical attributes are imposed on the generative model. To date there have been no systematic comparisons of such models at this level of combinatorial detail. Our findings show that MeasureVAE has better reconstruction performance than AdversarialVAE which has better musical attribute independence. Results demonstrate that MeasureVAE was able to generate music across music genres with interpretable musical dimensions of control, and performs best with low complexity music such a pop and rock. We recommend that a 32 or 64 latent dimensional space is optimal for 4 regularised dimensions when using MeasureVAE to generate music across genres. Our results are the first detailed comparisons of configurations of state-of-the-art generative AI models for music and can be used to help select and configure AI models, musical features, and datasets for more understandable generation of music., Comment: Preprint. Springer MIR journal submission under review