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Analyse af sporten i 'spektakelsamfundet', som bl.a. konkluderer, at kommercialiseringen ikke i sig selv medfører et forfald inden for sporten. Sport as spectacleOver the years many pages have been written about the misery of sport, its corruption and imminent demise. It is quite true that sport and the conditions under which it operates change, but this is not synonymous with decay. On the contrary. This article demonstrates that sport has the effect of anchoring us in life and is, in fact, a civilising influence. By means of critical analyses of John J. MacAloon’s account of sport’s dimension as festival and Guy Debord’s analysis of the society of the spectacle, this article paves the way for an understanding of the fact that sport can in its essence be seen as popular culture’s substitute for the formative manifestations of high culture, and that commercialisation, which is often dragged out as the root of sport’s unhappy development, in reality is the motor driving sport forward as a developmental project in popular culture.

Analyse af sporten i 'spektakelsamfundet', som bl.a. konkluderer, at kommercialiseringen ikke i sig selv medfører et forfald inden for sporten. Sport as spectacleOver the years many pages have been written about the misery of sport, its corruption and imminent demise. It is quite true that sport and the conditions under which it operates change, but this is not synonymous with decay. On the contrary. This article demonstrates that sport has the effect of anchoring us in life and is, in fact, a civilising influence. By means of critical analyses of John J. MacAloon’s account of sport’s dimension as festival and Guy Debord’s analysis of the society of the spectacle, this article paves the way for an understanding of the fact that sport can in its essence be seen as popular culture’s substitute for the formative manifestations of high culture, and that commercialisation, which is often dragged out as the root of sport’s unhappy development, in reality is the motor driving sport forward as a developmental project in popular culture.

Analyse af sporten i 'spektakelsamfundet', som bl.a. konkluderer, at kommercialiseringen ikke i sig selv medfører et forfald inden for sporten. Sport as spectacleOver the years many pages have been written about the misery of sport, its corruption and imminent demise. It is quite true that sport and the conditions under which it operates change, but this is not synonymous with decay. On the contrary. This article demonstrates that sport has the effect of anchoring us in life and is, in fact, a civilising influence. By means of critical analyses of John J. MacAloon’s account of sport’s dimension as festival and Guy Debord’s analysis of the society of the spectacle, this article paves the way for an understanding of the fact that sport can in its essence be seen as popular culture’s substitute for the formative manifestations of high culture, and that commercialisation, which is often dragged out as the root of sport’s unhappy development, in reality is the motor driving sport forward as a developmental project in popular culture.

Analyse af sporten i 'spektakelsamfundet', som bl.a. konkluderer, at kommercialiseringen ikke i sig selv medfører et forfald inden for sporten. Sport as spectacleOver the years many pages have been written about the misery of sport, its corruption and imminent demise. It is quite true that sport and the conditions under which it operates change, but this is not synonymous with decay. On the contrary. This article demonstrates that sport has the effect of anchoring us in life and is, in fact, a civilising influence. By means of critical analyses of John J. MacAloon’s account of sport’s dimension as festival and Guy Debord’s analysis of the society of the spectacle, this article paves the way for an understanding of the fact that sport can in its essence be seen as popular culture’s substitute for the formative manifestations of high culture, and that commercialisation, which is often dragged out as the root of sport’s unhappy development, in reality is the motor driving sport forward as a developmental project in popular culture.

Analyse af sporten i 'spektakelsamfundet', som bl.a. konkluderer, at kommercialiseringen ikke i sig selv medfører et forfald inden for sporten. Sport as spectacleOver the years many pages have been written about the misery of sport, its corruption and imminent demise. It is quite true that sport and the conditions under which it operates change, but this is not synonymous with decay. On the contrary. This article demonstrates that sport has the effect of anchoring us in life and is, in fact, a civilising influence. By means of critical analyses of John J. MacAloon’s account of sport’s dimension as festival and Guy Debord’s analysis of the society of the spectacle, this article paves the way for an understanding of the fact that sport can in its essence be seen as popular culture’s substitute for the formative manifestations of high culture, and that commercialisation, which is often dragged out as the root of sport’s unhappy development, in reality is the motor driving sport forward as a developmental project in popular culture.

Tese: Doping i cykelsporten hænger sammen med sportens genuint moderne karakter.Competitive cycling and confidence in progressThis article is a reflection on the fact that studies have demonstrated that doping is more common in competitive cycle racing than in other branches of sport. It attempts to show that this is a difference that is historically determined. The thesis that forms the background for this analysis is that the use of doping in competitive cycling is related to its genuinely modern nature. The author argues that the use of doping mirrors modernity’s confidence in progress and goes on to show that in all probability the crisis in competitive cycling is no chance consequence of police raids in France and Italy, but must be understood fundamentally as a consequence of the crisis of modernity. While competitive cycling in practice mirrors modernity’s confidence in progress by unconcernedly making use of performance enhancing substances produced by modern science, the relatively new anti-doping campaign is an expression of increasing concern and uncertainty regarding the project called modernity. In other words the miserable state of competitive cycling mirrors the fact that modernity has gone out of fashion and anti-modernity is now “in”.

Tese: Doping i cykelsporten hænger sammen med sportens genuint moderne karakter.Competitive cycling and confidence in progressThis article is a reflection on the fact that studies have demonstrated that doping is more common in competitive cycle racing than in other branches of sport. It attempts to show that this is a difference that is historically determined. The thesis that forms the background for this analysis is that the use of doping in competitive cycling is related to its genuinely modern nature. The author argues that the use of doping mirrors modernity’s confidence in progress and goes on to show that in all probability the crisis in competitive cycling is no chance consequence of police raids in France and Italy, but must be understood fundamentally as a consequence of the crisis of modernity. While competitive cycling in practice mirrors modernity’s confidence in progress by unconcernedly making use of performance enhancing substances produced by modern science, the relatively new anti-doping campaign is an expression of increasing concern and uncertainty regarding the project called modernity. In other words the miserable state of competitive cycling mirrors the fact that modernity has gone out of fashion and anti-modernity is now “in”.

Tese: Doping i cykelsporten hænger sammen med sportens genuint moderne karakter.Competitive cycling and confidence in progressThis article is a reflection on the fact that studies have demonstrated that doping is more common in competitive cycle racing than in other branches of sport. It attempts to show that this is a difference that is historically determined. The thesis that forms the background for this analysis is that the use of doping in competitive cycling is related to its genuinely modern nature. The author argues that the use of doping mirrors modernity’s confidence in progress and goes on to show that in all probability the crisis in competitive cycling is no chance consequence of police raids in France and Italy, but must be understood fundamentally as a consequence of the crisis of modernity. While competitive cycling in practice mirrors modernity’s confidence in progress by unconcernedly making use of performance enhancing substances produced by modern science, the relatively new anti-doping campaign is an expression of increasing concern and uncertainty regarding the project called modernity. In other words the miserable state of competitive cycling mirrors the fact that modernity has gone out of fashion and anti-modernity is now “in”.

Tese: Doping i cykelsporten hænger sammen med sportens genuint moderne karakter.Competitive cycling and confidence in progressThis article is a reflection on the fact that studies have demonstrated that doping is more common in competitive cycle racing than in other branches of sport. It attempts to show that this is a difference that is historically determined. The thesis that forms the background for this analysis is that the use of doping in competitive cycling is related to its genuinely modern nature. The author argues that the use of doping mirrors modernity’s confidence in progress and goes on to show that in all probability the crisis in competitive cycling is no chance consequence of police raids in France and Italy, but must be understood fundamentally as a consequence of the crisis of modernity. While competitive cycling in practice mirrors modernity’s confidence in progress by unconcernedly making use of performance enhancing substances produced by modern science, the relatively new anti-doping campaign is an expression of increasing concern and uncertainty regarding the project called modernity. In other words the miserable state of competitive cycling mirrors the fact that modernity has gone out of fashion and anti-modernity is now “in”.

Tese: Doping i cykelsporten hænger sammen med sportens genuint moderne karakter.Competitive cycling and confidence in progressThis article is a reflection on the fact that studies have demonstrated that doping is more common in competitive cycle racing than in other branches of sport. It attempts to show that this is a difference that is historically determined. The thesis that forms the background for this analysis is that the use of doping in competitive cycling is related to its genuinely modern nature. The author argues that the use of doping mirrors modernity’s confidence in progress and goes on to show that in all probability the crisis in competitive cycling is no chance consequence of police raids in France and Italy, but must be understood fundamentally as a consequence of the crisis of modernity. While competitive cycling in practice mirrors modernity’s confidence in progress by unconcernedly making use of performance enhancing substances produced by modern science, the relatively new anti-doping campaign is an expression of increasing concern and uncertainty regarding the project called modernity. In other words the miserable state of competitive cycling mirrors the fact that modernity has gone out of fashion and anti-modernity is now “in”.

Med afsæt i dopingmisbruget i cykelsporten og Festina-krisen diskuteres sportens grundlæggende værdier, sundhedsmæssige problemstillinger og illusionen om den rene sport.

Med afsæt i dopingmisbruget i cykelsporten og Festina-krisen diskuteres sportens grundlæggende værdier, sundhedsmæssige problemstillinger og illusionen om den rene sport.

Med afsæt i dopingmisbruget i cykelsporten og Festina-krisen diskuteres sportens grundlæggende værdier, sundhedsmæssige problemstillinger og illusionen om den rene sport.

Med afsæt i dopingmisbruget i cykelsporten og Festina-krisen diskuteres sportens grundlæggende værdier, sundhedsmæssige problemstillinger og illusionen om den rene sport.

Med afsæt i dopingmisbruget i cykelsporten og Festina-krisen diskuteres sportens grundlæggende værdier, sundhedsmæssige problemstillinger og illusionen om den rene sport.

Analyse af idrættens oplevelsesrum set i relation til idrætsfaciliteter med bl.a. DGI Byen som eksempel.

Analyse af idrættens oplevelsesrum set i relation til idrætsfaciliteter med bl.a. DGI Byen som eksempel.

Anmeldelse af Henning Eichberg og Claus Bøje: Idrætspsykologien mellem krop og kultur.

Anmeldelse af Henning Eichberg og Claus Bøje: Idrætspsykologien mellem krop og kultur.

Anmeldelse af Henning Eichberg og Claus Bøje: Idrætspsykologien mellem krop og kultur.

Analyse af idrættens oplevelsesrum set i relation til idrætsfaciliteter med bl.a. DGI Byen som eksempel.

Analyse af idrættens oplevelsesrum set i relation til idrætsfaciliteter med bl.a. DGI Byen som eksempel.

Anmeldelse af Henning Eichberg og Claus Bøje: Idrætspsykologien mellem krop og kultur.

Diskussion af 'den ekspressive idræt' som idrætslig praksis, og hvilken betydning den har for den menneskelige meningsskaben.

Diskussion af 'den ekspressive idræt' som idrætslig praksis, og hvilken betydning den har for den menneskelige meningsskaben.

Diskussion af 'den ekspressive idræt' som idrætslig praksis, og hvilken betydning den har for den menneskelige meningsskaben.

Diskussion af 'den ekspressive idræt' som idrætslig praksis, og hvilken betydning den har for den menneskelige meningsskaben.

En kritisk analyse af nye, modsætningsfyldte tendenser i idrætskulturen i en postmoderne tid, hvor dopingskandaler og narcissisme i følge forfatteren præger en stor del af idrætsbilledet.

En kritisk analyse af nye, modsætningsfyldte tendenser i idrætskulturen i en postmoderne tid, hvor dopingskandaler og narcissisme i følge forfatteren præger en stor del af idrætsbilledet.

En kritisk analyse af nye, modsætningsfyldte tendenser i idrætskulturen i en postmoderne tid, hvor dopingskandaler og narcissisme i følge forfatteren præger en stor del af idrætsbilledet.

En kritisk analyse af nye, modsætningsfyldte tendenser i idrætskulturen i en postmoderne tid, hvor dopingskandaler og narcissisme i følge forfatteren præger en stor del af idrætsbilledet.

En kritisk analyse af nye, modsætningsfyldte tendenser i idrætskulturen i en postmoderne tid, hvor dopingskandaler og narcissisme i følge forfatteren præger en stor del af idrætsbilledet.

På baggrund af kulturteoretiske værker tematiserer artiklen legens kulturgenerende rolle og analysere legens vilkår som kulturel dynamo i relation til idrættens trialektik.

På baggrund af kulturteoretiske værker tematiserer artiklen legens kulturgenerende rolle og analysere legens vilkår som kulturel dynamo i relation til idrættens trialektik.

På baggrund af kulturteoretiske værker tematiserer artiklen legens kulturgenerende rolle og analysere legens vilkår som kulturel dynamo i relation til idrættens trialektik.

På baggrund af kulturteoretiske værker tematiserer artiklen legens kulturgenerende rolle og analysere legens vilkår som kulturel dynamo i relation til idrættens trialektik.

På baggrund af kulturteoretiske værker tematiserer artiklen legens kulturgenerende rolle og analysere legens vilkår som kulturel dynamo i relation til idrættens trialektik.