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A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology.Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters?whether the BBC, the German ARD, or the Canadian Broadcasting Corporation?are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age.Contributors includeTess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson

A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology.Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters?whether the BBC, the German ARD, or the Canadian Broadcasting Corporation?are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age.Contributors includeTess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson

A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology.Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters?whether the BBC, the German ARD, or the Canadian Broadcasting Corporation?are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age.Contributors includeTess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson

A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology.Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters?whether the BBC, the German ARD, or the Canadian Broadcasting Corporation?are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age.Contributors includeTess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson

A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology.Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters?whether the BBC, the German ARD, or the Canadian Broadcasting Corporation?are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age.Contributors includeTess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson

A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology.Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters?whether the BBC, the German ARD, or the Canadian Broadcasting Corporation?are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age.Contributors includeTess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson

A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology.Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters?whether the BBC, the German ARD, or the Canadian Broadcasting Corporation?are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age.Contributors includeTess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson

Media and democracy, like Cagney and Lacey or Starsky and Hutch, are inseparable. You just cannot have one without the other. The free exchange of ideas, information, and symbols that nourish citizens and replenish the system as a whole has long been seen as a central foundation of democratic societies. Indeed, a complex normative paraphernalia has emerged to describe the key responsibilities placed on media in the emergence and sustenance of democracy: as an independent watchdog and monitor of unchecked power, a tribune of the people, a defender of minorities, a fourth estate, and a public sphere. The free media is said to provide the oxygen, the lubrication or indeed the sinews of a fully functioning and robust democracy., A mídia e a democracia, assim como Cagney e Lacey ou Starsky e Hutch, são inseparáveis. Não se pode ter um sem ter o outro. A livre troca de ideias, informações e símbolos que alimentam os cidadãos e reconstitui o sistema como um todo tem sido há muito vista como uma das bases de sociedades democráticas. De fato, uma parafernália normativa complexa emergiu para descrever as principais responsabilidades dadas à mídia no surgimento e manutenção da democracia: como um vigilante de poderes desconhecidos, uma tribuna para a população, um defensor das minorias, um quarto poder e uma esfera pública. Diz-se que a mídia livre fornece o oxigênio, a lubrificação ou, mesmo, que é os tendões de uma democracia funcional e robusta.

Media and democracy, like Cagney and Lacey or Starsky and Hutch, are inseparable. You just cannot have one without the other. The free exchange of ideas, information, and symbols that nourish citizens and replenish the system as a whole has long been seen as a central foundation of democratic societies. Indeed, a complex normative paraphernalia has emerged to describe the key responsibilities placed on media in the emergence and sustenance of democracy: as an independent watchdog and monitor of unchecked power, a tribune of the people, a defender of minorities, a fourth estate, and a public sphere. The free media is said to provide the oxygen, the lubrication or indeed the sinews of a fully functioning and robust democracy., A mídia e a democracia, assim como Cagney e Lacey ou Starsky e Hutch, são inseparáveis. Não se pode ter um sem ter o outro. A livre troca de ideias, informações e símbolos que alimentam os cidadãos e reconstitui o sistema como um todo tem sido há muito vista como uma das bases de sociedades democráticas. De fato, uma parafernália normativa complexa emergiu para descrever as principais responsabilidades dadas à mídia no surgimento e manutenção da democracia: como um vigilante de poderes desconhecidos, uma tribuna para a população, um defensor das minorias, um quarto poder e uma esfera pública. Diz-se que a mídia livre fornece o oxigênio, a lubrificação ou, mesmo, que é os tendões de uma democracia funcional e robusta.

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An exploration of the theories, histories, practices, and contradictions of liberalism today. What does it mean to be a liberal in neoliberal times? This collection of short essays attempts to show how liberals and the wider concept of liberalism remain relevant in what many perceive to be a highly illiberal age. Liberalism in the broader sense revolves around tolerance, progress, humanitarianism, objectivity, reason, democracy, and human rights. Liberalism's emphasis on individual rights opened a theoretical pathway to neoliberalism, through private property, a classically minimal liberal state, and the efficiency of “free markets.” In practice, neoliberalism is associated less with the economic deregulation championed by its advocates than the re-regulation of the economy to protect financial capital. Liberalism in Neoliberal Times engages with the theories, histories, practices, and contradictions of liberalism, viewing it in relation to four central areas of public life: human rights, ethnicity and gender, education, and the media. The contributors explore the transformations in as well as the transformative aspects of liberalism and highlight both its liberating and limiting capacities.

An exploration of the theories, histories, practices, and contradictions of liberalism today. What does it mean to be a liberal in neoliberal times? This collection of short essays attempts to show how liberals and the wider concept of liberalism remain relevant in what many perceive to be a highly illiberal age. Liberalism in the broader sense revolves around tolerance, progress, humanitarianism, objectivity, reason, democracy, and human rights. Liberalism's emphasis on individual rights opened a theoretical pathway to neoliberalism, through private property, a classically minimal liberal state, and the efficiency of “free markets.” In practice, neoliberalism is associated less with the economic deregulation championed by its advocates than the re-regulation of the economy to protect financial capital. Liberalism in Neoliberal Times engages with the theories, histories, practices, and contradictions of liberalism, viewing it in relation to four central areas of public life: human rights, ethnicity and gender, education, and the media. The contributors explore the transformations in as well as the transformative aspects of liberalism and highlight both its liberating and limiting capacities.

An exploration of the theories, histories, practices, and contradictions of liberalism today. What does it mean to be a liberal in neoliberal times? This collection of short essays attempts to show how liberals and the wider concept of liberalism remain relevant in what many perceive to be a highly illiberal age. Liberalism in the broader sense revolves around tolerance, progress, humanitarianism, objectivity, reason, democracy, and human rights. Liberalism's emphasis on individual rights opened a theoretical pathway to neoliberalism, through private property, a classically minimal liberal state, and the efficiency of “free markets.” In practice, neoliberalism is associated less with the economic deregulation championed by its advocates than the re-regulation of the economy to protect financial capital. Liberalism in Neoliberal Times engages with the theories, histories, practices, and contradictions of liberalism, viewing it in relation to four central areas of public life: human rights, ethnicity and gender, education, and the media. The contributors explore the transformations in as well as the transformative aspects of liberalism and highlight both its liberating and limiting capacities.

"This is an excellent source which puts students in the heart of the contemporary discussion and encourages them to form opinions. It is a great resource for seminars as well as gateways to research." - Paul Matthews, University College Birmingham "An excellent text that covers not only how the media cover acts of terrorism but also how terror groups can manipulate the media." - David Lowe, Liverpool John Moores University Have the media contributed to exacerbating the political, cultural and religious divides within Western societies and the world at large? How can media be deployed to enrich, not inhibit, dialogue? To what extent has the media, in all its forms, questioned, celebrated or simply accepted the unleashing of a 'war on terror'? Media and Terrorism: Global Perspectives brings together leading scholars to explore how the world's media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is an essential handbook on the dynamics of war and the media in a global context.

"This is an excellent source which puts students in the heart of the contemporary discussion and encourages them to form opinions. It is a great resource for seminars as well as gateways to research." - Paul Matthews, University College Birmingham "An excellent text that covers not only how the media cover acts of terrorism but also how terror groups can manipulate the media." - David Lowe, Liverpool John Moores University Have the media contributed to exacerbating the political, cultural and religious divides within Western societies and the world at large? How can media be deployed to enrich, not inhibit, dialogue? To what extent has the media, in all its forms, questioned, celebrated or simply accepted the unleashing of a 'war on terror'? Media and Terrorism: Global Perspectives brings together leading scholars to explore how the world's media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is an essential handbook on the dynamics of war and the media in a global context.

"This is an excellent source which puts students in the heart of the contemporary discussion and encourages them to form opinions. It is a great resource for seminars as well as gateways to research." - Paul Matthews, University College Birmingham "An excellent text that covers not only how the media cover acts of terrorism but also how terror groups can manipulate the media." - David Lowe, Liverpool John Moores University Have the media contributed to exacerbating the political, cultural and religious divides within Western societies and the world at large? How can media be deployed to enrich, not inhibit, dialogue? To what extent has the media, in all its forms, questioned, celebrated or simply accepted the unleashing of a 'war on terror'? Media and Terrorism: Global Perspectives brings together leading scholars to explore how the world's media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is an essential handbook on the dynamics of war and the media in a global context.

"This is an excellent source which puts students in the heart of the contemporary discussion and encourages them to form opinions. It is a great resource for seminars as well as gateways to research." - Paul Matthews, University College Birmingham "An excellent text that covers not only how the media cover acts of terrorism but also how terror groups can manipulate the media." - David Lowe, Liverpool John Moores University Have the media contributed to exacerbating the political, cultural and religious divides within Western societies and the world at large? How can media be deployed to enrich, not inhibit, dialogue? To what extent has the media, in all its forms, questioned, celebrated or simply accepted the unleashing of a 'war on terror'? Media and Terrorism: Global Perspectives brings together leading scholars to explore how the world's media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is an essential handbook on the dynamics of war and the media in a global context.

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By Des Freedman, Department of Media and Communications, Goldsmiths, University of London

Public service media across Europe are facing new commercial and political challenges. Des Freedman, who is speaking today at the event ‘The Future of Public Service Media in Europe’ here at the LSE, writes about challenges for public service broadcasters in the UK. Des is project lead for the Inquiry into the Future of Public Service Television. He writes here in a personal capacity.

David Puttnam and Des Freedman, who led the Inquiry into the Future of Public Service Television, respond to the draft BBC Charter published last week.

Des Freedman is a Professor of Media and Communication Studies at Goldsmiths, University of London, and current chair of the Media Reform Coalition. In this article he looks into decision-making behind Google’s Digital News Initiative, the potential pitfalls, and why it is not an outline for long-term media funding.

The Leveson Report recommended Parliament review existing law on media ownership and media plurality. Today the House of Lords Communications Committee published its Report on Media Plurality proposing policy to address concentrations that might evolve in the market as well as in instances of transactions such as mergers. LSE Media Policy Project’s Sally Broughton Micova spoke with the Committee Chairman Lord Inglewood about the report.

Des Freedman of Goldsmiths, University of London responds to the Media Plurality Report published today by the House of Lords Communications Committee warning that the current situation in the UK does not reflect adequate plurality and arguing that the under the Report’s proposals these would not be addressed for another four years.

Des Freedman from Goldsmiths, University of London, responds to DCMS’ Comms Review seminar arguing that the consultation runs the risk of cementing deregulation as the preferred policy approach.