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With advances in mobile computing and virtual/augmented reality technologies, communicating through touch using wearable haptic devices is poised to enrich and augment current information delivery channels that typically rely on sight and hearing. To realize a wearable haptic device capable of effective data communication, both ergonomics and haptic performance (i.e., array size, bandwidth, and perception accuracy) are essential considerations. However, these goals often involve challenging and conflicting requirements. We present an integrated approach to address these conflicts, which includes incorporating multilayered dielectric elastomer actuators, a lumped-parameter model of the skin, and a wearable frame in the design loop. An antagonistic arrangement-consisting of an actuator deforming the skin-was used to achieve effective force transmission while maintaining a low profile, and the effect of the wearable frame and structure was investigated through lumped-model analysis and human perception studies.

The Neogene and Quaternary are characterized by enormous changes in global climate and environments, including global cooling and the establishment of northern high-latitude glaciers. These changes reshaped global ecosystems, including the emergence of tropical dry forests and savannahs that are found in Africa today, which in turn may have influenced the evolution of humans and their ancestors. However, despite decades of research we lack long, continuous, well-resolved records of tropical climate, ecosystem changes, and surface processes necessary to understand their interactions and influences on evolutionary processes. Lake Tanganyika, Africa, contains the most continuous, long continental climate record from the mid-Miocene (∼ 10 Ma) to the present anywhere in the tropics and has long been recognized as a top-priority site for scientific drilling. The lake is surrounded by the Miombo woodlands, part of the largest dry tropical biome on Earth. Lake Tanganyika also harbors incredibly diverse endemic biota and an entirely unexplored deep microbial biosphere, and it provides textbook examples of rift segmentation, fault behavior, and associated surface processes. To evaluate the interdisciplinary scientific opportunities that an ICDP drilling program at Lake Tanganyika could offer, more than 70 scientists representing 12 countries and a variety of scientific disciplines met in Dar es Salaam, Tanzania, in June 2019. The team developed key research objectives in basin evolution, source-to-sink sedimentology, organismal evolution, geomicrobiology, paleoclimatology, paleolimnology, terrestrial paleoecology, paleoanthropology, and geochronology to be addressed through scientific drilling on Lake Tanganyika. They also identified drilling targets and strategies, logistical challenges, and education and capacity building programs to be carried out through the project. Participants concluded that a drilling program at Lake Tanganyika would produce the first continuous Mioce

Group Exhibition curated by Andy Cohen in which I included 2 paintings. Siena Barnes, Amanda Benson, Anna Boggon, Andy Cohen, Ann Course, Marnie Clark Course, Emily Glass, Keran James, Max Mason, Gill Ord, Kay Walsh, Rosie West, Mandy Worster Places exist as talismanic for the artist – the studio of course, the retreat, the mountain, the street, the cave… the interface between the artist and artifice. Where is the subject found,where the ‘elsewhere’ that haunts us? The context changes whatever it includes; inelegant Moses, stumbling after the words he lacks, falls prey to suave Aaron who can betray the truth in making it more comprehensible. Secondary shadows can falsify the ideal… There are slogans, defiant stands are taken, or comfort in the (un)familiar. Always a dialogue with oneself hoping someone is listening in – the cave echoes with voices.

Group Exhibition curated by Andy Cohen in which I included 2 paintings. Siena Barnes, Amanda Benson, Anna Boggon, Andy Cohen, Ann Course, Marnie Clark Course, Emily Glass, Keran James, Max Mason, Gill Ord, Kay Walsh, Rosie West, Mandy Worster Places exist as talismanic for the artist – the studio of course, the retreat, the mountain, the street, the cave… the interface between the artist and artifice. Where is the subject found,where the ‘elsewhere’ that haunts us? The context changes whatever it includes; inelegant Moses, stumbling after the words he lacks, falls prey to suave Aaron who can betray the truth in making it more comprehensible. Secondary shadows can falsify the ideal… There are slogans, defiant stands are taken, or comfort in the (un)familiar. Always a dialogue with oneself hoping someone is listening in – the cave echoes with voices.

Group Exhibition curated by Andy Cohen in which I included 2 paintings. Siena Barnes, Amanda Benson, Anna Boggon, Andy Cohen, Ann Course, Marnie Clark Course, Emily Glass, Keran James, Max Mason, Gill Ord, Kay Walsh, Rosie West, Mandy Worster Places exist as talismanic for the artist – the studio of course, the retreat, the mountain, the street, the cave… the interface between the artist and artifice. Where is the subject found,where the ‘elsewhere’ that haunts us? The context changes whatever it includes; inelegant Moses, stumbling after the words he lacks, falls prey to suave Aaron who can betray the truth in making it more comprehensible. Secondary shadows can falsify the ideal… There are slogans, defiant stands are taken, or comfort in the (un)familiar. Always a dialogue with oneself hoping someone is listening in – the cave echoes with voices.

Group Exhibition curated by Andy Cohen in which I included 2 paintings. Siena Barnes, Amanda Benson, Anna Boggon, Andy Cohen, Ann Course, Marnie Clark Course, Emily Glass, Keran James, Max Mason, Gill Ord, Kay Walsh, Rosie West, Mandy Worster Places exist as talismanic for the artist – the studio of course, the retreat, the mountain, the street, the cave… the interface between the artist and artifice. Where is the subject found,where the ‘elsewhere’ that haunts us? The context changes whatever it includes; inelegant Moses, stumbling after the words he lacks, falls prey to suave Aaron who can betray the truth in making it more comprehensible. Secondary shadows can falsify the ideal… There are slogans, defiant stands are taken, or comfort in the (un)familiar. Always a dialogue with oneself hoping someone is listening in – the cave echoes with voices.

Group Exhibition curated by Andy Cohen in which I included 2 paintings. Siena Barnes, Amanda Benson, Anna Boggon, Andy Cohen, Ann Course, Marnie Clark Course, Emily Glass, Keran James, Max Mason, Gill Ord, Kay Walsh, Rosie West, Mandy Worster Places exist as talismanic for the artist – the studio of course, the retreat, the mountain, the street, the cave… the interface between the artist and artifice. Where is the subject found,where the ‘elsewhere’ that haunts us? The context changes whatever it includes; inelegant Moses, stumbling after the words he lacks, falls prey to suave Aaron who can betray the truth in making it more comprehensible. Secondary shadows can falsify the ideal… There are slogans, defiant stands are taken, or comfort in the (un)familiar. Always a dialogue with oneself hoping someone is listening in – the cave echoes with voices.