Search

Despite acceleration in the use of 3D meshes, it is difficult to find effective mesh quality assessment algorithms that can produce predictions highly correlated with human subjective opinions. Defining mesh quality features is challenging due to the irregular topology of meshes, which are defined on vertices and triangles. To address this, we propose a novel 3D projective structural similarity index ( 3D- PSSIM) for meshes that is robust to differences in mesh topology. We address topological differences between meshes by introducing multi-view and multi-layer projections that can densely represent the mesh textures and geometrical shapes irrespective of mesh topology. It also addresses occlusion problems that occur during projection. We propose visual sensitivity weights that capture the perceptual sensitivity to the degree of mesh surface curvature. 3D- PSSIM computes perceptual quality predictions by aggregating quality-aware features that are computed in multiple projective spaces onto the mesh domain, rather than on 2D spaces. This allows 3D- PSSIM to determine which parts of a mesh surface are distorted by geometric or color impairments. Experimental results show that 3D- PSSIM can predict mesh quality with high correlation against human subjective judgments, across the presence of noise, even when there are large topological differences, outperforming existing mesh quality assessment models.

Although it is well-known that the negative effects of VR sickness, and the desirable sense of presence are important determinants of a user's immersive VR experience, there remains a lack of definitive research outcomes to enable the creation of methods to predict and/or optimize the trade-offs between them. Most VR sickness assessment (VRSA) and VR presence assessment (VRPA) studies reported to date have utilized simple image patterns as probes, hence their results are difficult to apply to the highly diverse contents encountered in general, real-world VR environments. To help fill this void, we have constructed a large, dedicated VR sickness/presence (VR-SP) database, which contains 100 VR videos with associated human subjective ratings. Using this new resource, we developed a statistical model of spatio-temporal and rotational frame difference maps to predict VR sickness. We also designed an exceptional motion feature, which is expressed as the correlation between an instantaneous change feature and averaged temporal features. By adding additional features (visual activity, content features) to capture the sense of presence, we use the new data resource to explore the relationship between VRSA and VRPA. We also show the aggregate VR-SP model is able to predict VR sickness with an accuracy of 90% and VR presence with an accuracy of 75% using the new VR-SP dataset.

The topics of visual and audio quality assessment (QA) have been widely researched for decades, yet nearly all of this prior work has focused only on single-mode visual or audio signals. However, visual signals rarely are presented without accompanying audio, including heavy-bandwidth video streaming applications. Moreover, the distortions that may separately (or conjointly) afflict the visual and audio signals collectively shape user-perceived quality of experience (QoE). This motivated us to conduct a subjective study of audio and video (A/V) quality, which we then used to compare and develop A/V quality measurement models and algorithms. The new LIVE-SJTU Audio and Video Quality Assessment (A/V-QA) Database includes 336 A/V sequences that were generated from 14 original source contents by applying 24 different A/V distortion combinations on them. We then conducted a subjective A/V quality perception study on the database towards attaining a better understanding of how humans perceive the overall combined quality of A/V signals. We also designed four different families of objective A/V quality prediction models, using a multimodal fusion strategy. The different types of A/V quality models differ in both the unimodal audio and video quality prediction models comprising the direct signal measurements and in the way that the two perceptual signal modes are combined. The objective models are built using both existing state-of-the-art audio and video quality prediction models and some new prediction models, as well as quality-predictive features delivered by a deep neural network. The methods of fusing audio and video quality predictions that are considered include simple product combinations as well as learned mappings. Using the new subjective A/V database as a tool, we validated and tested all of the objective A/V quality prediction models. We will make the database publicly available to facilitate further research.

Most full-reference image quality assessment (FR-IQA) methods advanced to date have been holistically designed without regard to the type of distortion impairing the image. However, the perception of distortion depends nonlinearly on the distortion type. Here we propose a novel FR-IQA framework that dynamically generates receptive fields responsive to distortion type. Our proposed method-dynamic receptive field generation based image quality assessor (DRF-IQA)-separates the process of FR-IQA into two streams: 1) dynamic error representation and 2) visual sensitivity-based quality pooling. The first stream generates dynamic receptive fields on the input distorted image, implemented by a trained convolutional neural network (CNN), then the generated receptive field profiles are convolved with the distorted and reference images, and differenced to produce spatial error maps. In the second stream, a visual sensitivity map is generated. The visual sensitivity map is used to weight the spatial error map. The experimental results show that the proposed model achieves state-of-the-art prediction accuracy on various open IQA databases.

The great variations of videographic skills in videography, camera designs, compression and processing protocols, communication and bandwidth environments, and displays leads to an enormous variety of video impairments. Current noreference (NR) video quality models are unable to handle this diversity of distortions. This is true in part because available video quality assessment databases contain very limited content, fixed resolutions, were captured using a small number of camera devices by a few videographers and have been subjected to a modest number of distortions. As such, these databases fail to adequately represent real world videos, which contain very different kinds of content obtained under highly diverse imaging conditions and are subject to authentic, complex and often commingled distortions that are difficult or impossible to simulate. As a result, NR video quality predictors tested on real-world video data often perform poorly. Towards advancing NR video quality prediction, we have constructed a largescale video quality assessment database containing 585 videos of unique content, captured by a large number of users, with wide ranges of levels of complex, authentic distortions. We collected a large number of subjective video quality scores via crowdsourcing. A total of 4776 unique participants took part in the study, yielding more than 205000 opinion scores, resulting in an average of 240 recorded human opinions per video. We demonstrate the value of the new resource, which we call the LIVE Video Quality Challenge Database (LIVE-VQC for short), by conducting a comparison of leading NR video quality predictors on it. This study is the largest video quality assessment study ever conducted along several key dimensions: number of unique contents, capture devices, distortion types and combinations of distortions, study participants, and recorded subjective scores. The database is available for download on this link: http://live.ece.utexas.edu/research/LIVEVQC/index.html.

Most prior approaches to the problem of stereoscopic 3D (S3D) visual discomfort prediction (VDP) have focused on the extraction of perceptually meaningful handcrafted features based on models of visual perception and of natural depth statistics. Towards advancing performance on this problem, we have developed a deep learning based VDP model named Deep Visual Discomfort Predictor (DeepVDP). DeepVDP uses a convolutional neural network (CNN) to learn features that are highly predictive of experienced visual discomfort. Since a large amount of reference data is needed to train a CNN, we develop a systematic way of dividing S3D image into local regions defined as patches, and model a patch-based CNN using two sequential training steps. Since it is very difficult to obtain human opinions on each patch, instead a proxy ground-truth label that is generated by an existing S3D visual discomfort prediction algorithm called 3D-VDP is assigned to each patch. These proxy ground-truth labels are used to conduct the first stage of training the CNN. In the second stage, the automatically learned local abstractions are aggregated into global features via a feature aggregation layer. The learned features are iteratively updated via supervised learning on subjective 3D discomfort scores, which serve as ground-truth labels on each S3D image. The patchbased CNN model that has been pretrained on proxy groundtruth labels is subsequently retrained on true global subjective scores. The global S3D visual discomfort scores predicted by the trained DeepVDP model achieve state-of-the-art performance as compared to previous VDP algorithms.

HTTP adaptive streaming is being increasingly deployed by network content providers, such as Netflix and YouTube. By dividing video content into data chunks encoded at different bitrates, a client is able to request the appropriate bitrate for the segment to be played next based on the estimated network conditions. However, this can introduce a number of impairments, including compression artifacts and rebuffering events, which can severely impact an end-user's quality of experience (QoE). We have recently created a new video quality database, which simulates a typical video streaming application, using long video sequences and interesting Netflix content. Going beyond previous efforts, the new database contains highly diverse and contemporary content, and it includes the subjective opinions of a sizable number of human subjects regarding the effects on QoE of both rebuffering and compression distortions. We observed that rebuffering is always obvious and unpleasant to subjects, while bitrate changes may be less obvious due to content-related dependencies. Transient bitrate drops were preferable over rebuffering only on low complexity video content, while consistently low bitrates were poorly tolerated. We evaluated different objective video quality assessment algorithms on our database and found that objective video quality models are unreliable for QoE prediction on videos suffering from both rebuffering events and bitrate changes. This implies the need for more general QoE models that take into account objective quality models, rebuffering-aware information, and memory. The publicly available video content as well as metadata for all of the videos in the new database can be found at http://live.ece.utexas.edu/research/LIVE_NFLXStudy/nflx_index.html.

Crosstalk is one of the most severe factors affecting the perceived quality of stereoscopic 3D images. It arises from a leakage of light intensity between multiple views, as in auto-stereoscopic displays. Well-known determinants of crosstalk include the co-location contrast and disparity of the left and right images, which have been dealt with in prior studies. However, when a natural stereo image that contains complex naturalistic spatial characteristics is viewed on an auto-stereoscopic display, other factors may also play an important role in the perception of crosstalk. Here, we describe a new way of predicting the perceived severity of crosstalk, which we call the Binocular Perceptual Crosstalk Predictor (BPCP). BPCP uses measurements of three complementary 3D image properties (texture, structural duplication, and binocular summation) in combination with two well-known factors (co-location contrast and disparity) to make predictions of crosstalk on two-view auto-stereoscopic displays. The new BPCP model includes two masking algorithms and a binocular pooling method. We explore a new masking phenomenon that we call duplicated structure masking, which arises from structural correlations between the original and distorted objects. We also utilize an advanced binocular summation model to develop a binocular pooling algorithm. Our experimental results indicate that BPCP achieves high correlations against subjective test results, improving upon those delivered by previous crosstalk prediction models.

Conventional stereoscopic 3D (S3D) displays do not provide accommodation depth cues of the 3D image or video contents being viewed. The sense of content depths is thus limited to cues supplied by motion parallax (for 3D video), stereoscopic vergence cues created by presenting left and right views to the respective eyes, and other contextual and perspective depth cues. The absence of accommodation cues can induce two kinds of accommodation vergence mismatches (AVM) at the fixation and peripheral points, which can result in severe visual discomfort. With the aim of alleviating discomfort arising from AVM, we propose a new visual comfort enhancement approach for processing S3D visual signals to deliver a more comfortable 3D viewing experience at the display. This is accomplished via an optimization process whereby a predictive indicator of visual discomfort is minimized, while still aiming to maintain the viewer's sense of 3D presence by performing a suitable parallax shift, and by directed blurring of the signal. Our processing framework is defined on 3D visual coordinates that reflect the nonuniform resolution of retinal sensors and that uses a measure of 3D saliency strength. An appropriate level of blur that corresponds to the degree of parallax shift is found, making it possible to produce synthetic accommodation cues implemented using a perceptively relevant filter. By this method, AVM, the primary contributor to the discomfort felt when viewing S3D images, is reduced. We show via a series of subjective experiments that the proposed approach improves visual comfort while preserving the sense of 3D presence.

The capability to automatically evaluate the quality of long wave infrared (LWIR) and visible light images has the potential to play an important role in determining and controlling the quality of a resulting fused LWIR-visible light image. Extensive work has been conducted on studying the statistics of natural LWIR and visible images. Nonetheless, there has been little work done on analyzing the statistics of fused LWIR and visible images and associated distortions. In this paper, we analyze five multi-resolution-based image fusion methods in regards to several common distortions, including blur, white noise, JPEG compression, and non-uniformity. We study the natural scene statistics of fused images and how they are affected by these kinds of distortions. Furthermore, we conducted a human study on the subjective quality of pristine and degraded fused LWIR-visible images. We used this new database to create an automatic opinion-distortion-unaware fused image quality model and analyzer algorithm. In the human study, 27 subjects evaluated 750 images over five sessions each. We also propose an opinion-aware fused image quality analyzer, whose relative predictions with respect to other state-of-the-art models correlate better with human perceptual evaluations than competing methods. An implementation of the proposed fused image quality measures can be found at https://github.com/ujemd/NSS-of-LWIR-and-Vissible-Images. Also, the new database can be found at http://bit.ly/2noZlbQ.

The human visual system perceives 3D depth following sensing via its binocular optical system, a series of massively parallel processing units, and a feedback system that controls the mechanical dynamics of eye movements and the crystalline lens. The process of accommodation (focusing of the crystalline lens) and binocular vergence is controlled simultaneously and symbiotically via cross-coupled communication between the two critical depth computation modalities. The output responses of these two subsystems, which are induced by oculomotor control, are used in the computation of a clear and stable cyclopean 3D image from the input stimuli. These subsystems operate in smooth synchronicity when one is viewing the natural world; however, conflicting responses can occur when viewing stereoscopic 3D (S3D) content on fixed displays, causing physiological discomfort. If such occurrences could be predicted, then they might also be avoided (by modifying the acquisition process) or ameliorated (by changing the relative scene depth). Toward this end, we have developed a dynamic accommodation and vergence interaction (DAVI) model that successfully predicts visual discomfort on S3D images. The DAVI model is based on the phasic and reflex responses of the fast fusional vergence mechanism. Quantitative models of accommodation and vergence mismatches are used to conduct visual discomfort prediction. Other 3D perceptual elements are included in the proposed method, including sharpness limits imposed by the depth of focus and fusion limits implied by Panum's fusional area. The DAVI predictor is created by training a support vector machine on features derived from the proposed model and on recorded subjective assessment results. The experimental results are shown to produce accurate predictions of experienced visual discomfort.

Natural scene statistics (NSSs) provide powerful, perceptually relevant tools that have been successfully used for image quality analysis of visible light images. Since NSS capture statistical regularities that arise from the physical world, they are relevant to long wave infrared (LWIR) images, which differ from visible light images mainly by the wavelengths captured at the imaging sensors. We show that NSS models of bandpass LWIR images are similar to those of visible light images, but with different parameterizations. Using this difference, we exploit the power of NSS to successfully distinguish between LWIR images and visible light images. In addition, we study distortions unique to LWIR and find directional models useful for detecting the halo effect, simple bandpass models useful for detecting hotspots, and combinations of these models useful for measuring the degree of non-uniformity present in many LWIR images. For local distortion identification and measurement, we also describe a method for generating distortion maps using NSS features. To facilitate our evaluation, we analyze the NSS of LWIR images under pristine and distorted conditions, using four databases, each captured with a different IR camera. Predicting human performance for assessing distortion and quality in LWIR images is critical for task efficacy. We find that NSS features improve human targeting task performance prediction. Furthermore, we conducted a human study on the perceptual quality of noise-and blur-distorted LWIR images and create a new blind image quality predictor for IR images.

We propose a referenceless perceptual fog density prediction model based on natural scene statistics (NSS) and fog aware statistical features. The proposed model, called Fog Aware Density Evaluator (FADE), predicts the visibility of a foggy scene from a single image without reference to a corresponding fog-free image, without dependence on salient objects in a scene, without side geographical camera information, without estimating a depth-dependent transmission map, and without training on human-rated judgments. FADE only makes use of measurable deviations from statistical regularities observed in natural foggy and fog-free images. Fog aware statistical features that define the perceptual fog density index derive from a space domain NSS model and the observed characteristics of foggy images. FADE not only predicts perceptual fog density for the entire image, but also provides a local fog density index for each patch. The predicted fog density using FADE correlates well with human judgments of fog density taken in a subjective study on a large foggy image database. As applications, FADE not only accurately assesses the performance of defogging algorithms designed to enhance the visibility of foggy images, but also is well suited for image defogging. A new FADE-based referenceless perceptual image defogging, dubbed DEnsity of Fog Assessment-based DEfogger (DEFADE) achieves better results for darker, denser foggy images as well as on standard foggy images than the state of the art defogging methods. A software release of FADE and DEFADE is available online for public use: http://live.ece.utexas.edu/research/fog/index.html.

When viewing 3D images, a sense of visual comfort (or lack of) is developed in the brain over time as a function of binocular disparity and other 3D factors. We have developed a unique temporal visual discomfort model (TVDM) that we use to automatically predict the degree of discomfort felt when viewing stereoscopic 3D (S3D) images. This model is based on physiological mechanisms. In particular, TVDM is defined as a second-order system capturing relevant neuronal elements of the visual pathway from the eyes and through the brain. The experimental results demonstrate that the TVDM transfer function model produces predictions that correlate highly with the subjective visual discomfort scores contained in the large public databases. The transfer function analysis also yields insights into the perceptual processes that yield a stable S3D image.

Being able to predict the degree of visual discomfort that is felt when viewing stereoscopic 3D (S3D) images is an important goal toward ameliorating causative factors, such as excessive horizontal disparity, misalignments or mismatches between the left and right views of stereo pairs, or conflicts between different depth cues. Ideally, such a model should account for such factors as capture and viewing geometries, the distribution of disparities, and the responses of visual neurons. When viewing modern 3D displays, visual discomfort is caused primarily by changes in binocular vergence while accommodation in held fixed at the viewing distance to a flat 3D screen. This results in unnatural mismatches between ocular fixations and ocular focus that does not occur in normal direct 3D viewing. This accommodation vergence conflict can cause adverse effects, such as headaches, fatigue, eye strain, and reduced visual ability. Binocular vision is ultimately realized by means of neural mechanisms that subserve the sensorimotor control of eye movements. Realizing that the neuronal responses are directly implicated in both the control and experience of 3D perception, we have developed a model-based neuronal and statistical framework called the 3D visual discomfort predictor (3D-VDP)that automatically predicts the level of visual discomfort that is experienced when viewing S3D images. 3D-VDP extracts two types of features: 1) coarse features derived from the statistics of binocular disparities and 2) fine features derived by estimating the neural activity associated with the processing of horizontal disparities. In particular, we deploy a model of horizontal disparity processing in the extrastriate middle temporal region of occipital lobe. We compare the performance of 3D-VDP with other recent discomfort prediction algorithms with respect to correlation against recorded subjective visual discomfort scores,and show that 3D-VDP is statistically superior to the other methods.

Natural scene statistics (NSSs) models have been developed that make it possible to impose useful perceptually relevant priors on the luminance, colors, and depth maps of natural scenes. We show that these models can be used to develop 3D content creation algorithms that can convert monocular 2D videos into statistically natural 3D-viewable videos. First, accurate depth information on key frames is obtained via human annotation. Then, both forward and backward motion vectors are estimated and compared to decide the initial depth values, and a compensation process is applied to further improve the depth initialization. Then, the luminance/chrominance and initial depth map are decomposed by a Gabor filter bank. Each subband of depth is modeled to produce a NSS prior term. The statistical color-depth priors are combined with the spatial smoothness constraint in the depth propagation target function as a prior regularizing term. The final depth map associated with each frame of the input 2D video is optimized by minimizing the target function over all subbands. In the end, stereoscopic frames are rendered from the color frames and their associated depth maps. We evaluated the quality of the generated 3D videos using both subjective and objective quality assessment methods. The experimental results obtained on various sequences show that the presented method outperforms several state-of-the-art 2D-to-3D conversion methods.

The tremendous explosion of image-, video-, and audio-enabled mobile devices, such as tablets and smart-phones in recent years, has led to an associated dramatic increase in the volume of captured and distributed multimedia content. In particular, the number of digital photographs being captured annually is approaching 100 billion in just the U.S. These pictures are increasingly being acquired by inexperienced, casual users under highly diverse conditions leading to a plethora of distortions, including blur induced by camera shake. In order to be able to automatically detect, correct, or cull images impaired by shake-induced blur, it is necessary to develop distortion models specific to and suitable for assessing the sharpness of camera-shaken images. Toward this goal, we have developed a no-reference framework for automatically predicting the perceptual quality of camera-shaken images based on their spectral statistics. Two kinds of features are defined that capture blur induced by camera shake. One is a directional feature, which measures the variation of the image spectrum across orientations. The second feature captures the shape, area, and orientation of the spectral contours of camera shaken images. We demonstrate the performance of an algorithm derived from these features on new and existing databases of images distorted by camera shake.

We describe a new 3D saliency prediction model that accounts for diverse low-level luminance, chrominance, motion, and depth attributes of 3D videos as well as high-level classifications of scenes by type. The model also accounts for perceptual factors, such as the nonuniform resolution of the human eye, stereoscopic limits imposed by Panum's fusional area, and the predicted degree of (dis) comfort felt, when viewing the 3D video. The high-level analysis involves classification of each 3D video scene by type with regard to estimated camera motion and the motions of objects in the videos. Decisions regarding the relative saliency of objects or regions are supported by data obtained through a series of eye-tracking experiments. The algorithm developed from the model elements operates by finding and segmenting salient 3D space-time regions in a video, then calculating the saliency strength of each segment using measured attributes of motion, disparity, texture, and the predicted degree of visual discomfort experienced. The saliency energy of both segmented objects and frames are weighted using models of human foveation and Panum's fusional area yielding a single predictor of 3D saliency.

One of the most challenging ongoing issues in the field of 3D visual research is how to perceptually quantify object and surface visualizations that are displayed within a virtual 3D space between a human eye and 3D display. To seek an effective method of quantification, it is necessary to measure various elements related to the perception of 3D objects at different depths. We propose a new framework for quantifying 3D visual information that we call 3D visual activity (3DVA), which utilizes natural scene statistics measured over 3D visual coordinates. We account for important aspects of 3D perception by carrying out a 3D coordinate transform reflecting the nonuniform sampling resolution of the eye and the process of stereoscopic fusion. The 3DVA utilizes the empirical distortions of wavelet coefficients to a parametric generalized Gaussian probability distribution model and a set of 3D perceptual weights. We conducted a series of simulations that demonstrate the effectiveness of the 3DVA for quantifying the statistical dynamics of visual 3D space with respect to disparity, motion, texture, and color. A successful example application is also provided, whereby 3DVA is applied to the problem of predicting visual fatigue experienced when viewing 3D displays.

Compressive sensing (CS) makes it possible to more naturally create compact representations of data with respect to a desired data rate. Through wavelet decomposition, smooth and piecewise smooth signals can be represented as sparse and compressible coefficients. These coefficients can then be effectively compressed via the CS. Since a wavelet transform divides image information into layered blockwise wavelet coefficients over spatial and frequency domains, visual improvement can be attained by an appropriate perceptually weighted CS scheme. We introduce such a method in this paper and compare it with the conventional CS. The resulting visual CS model is shown to deliver improved visual reconstructions.

It is generally recognized that severe video distortions that are transient in space and/or time have a large effect on overall perceived video quality. In order to understand this phenomena, we study the distribution of spatio-temporally local quality scores obtained from several video quality assessment (VQA) algorithms on videos suffering from compression and lossy transmission over communication channels. We propose a content adaptive spatial and temporal pooling strategy based on the observed distribution. Our method adaptively emphasizes "worst" scores along both the spatial and temporal dimensions of a video sequence and also considers the perceptual effect of large-area cohesive motion flow such as egomotion. We demonstrate the efficacy of the method by testing it using three different VQA algorithms on the LIVE Video Quality database and the EPFL-PoliMI video quality database.

We propose a natural scene statistic-based distortion-generic blind/no-reference (NR) image quality assessment (IQA) model that operates in the spatial domain. The new model, dubbed blind/referenceless image spatial quality evaluator (BRISQUE) does not compute distortion-specific features, such as ringing, blur, or blocking, but instead uses scene statistics of locally normalized luminance coefficients to quantify possible losses of "naturalness" in the image due to the presence of distortions, thereby leading to a holistic measure of quality. The underlying features used derive from the empirical distribution of locally normalized luminances and products of locally normalized luminances under a spatial natural scene statistic model. No transformation to another coordinate frame (DCT, wavelet, etc.) is required, distinguishing it from prior NR IQA approaches. Despite its simplicity, we are able to show that BRISQUE is statistically better than the full-reference peak signal-to-noise ratio and the structural similarity index, and is highly competitive with respect to all present-day distortion-generic NR IQA algorithms. BRISQUE has very low computational complexity, making it well suited for real time applications. BRISQUE features may be used for distortion-identification as well. To illustrate a new practical application of BRISQUE, we describe how a nonblind image denoising algorithm can be augmented with BRISQUE in order to perform blind image denoising. Results show that BRISQUE augmentation leads to performance improvements over state-of-the-art methods. A software release of BRISQUE is available online: http://live.ece.utexas.edu/research/quality/BRISQUE_release.zip for public use and evaluation.

Our approach to blind image quality assessment (IQA) is based on the hypothesis that natural scenes possess certain statistical properties which are altered in the presence of distortion, rendering them un-natural; and that by characterizing this un-naturalness using scene statistics, one can identify the distortion afflicting the image and perform no-reference (NR) IQA. Based on this theory, we propose an (NR)/blind algorithm-the Distortion Identification-based Image Verity and INtegrity Evaluation (DIIVINE) index-that assesses the quality of a distorted image without need for a reference image. DIIVINE is based on a 2-stage framework involving distortion identification followed by distortion-specific quality assessment. DIIVINE is capable of assessing the quality of a distorted image across multiple distortion categories, as against most NR IQA algorithms that are distortion-specific in nature. DIIVINE is based on natural scene statistics which govern the behavior of natural images. In this paper, we detail the principles underlying DIIVINE, the statistical features extracted and their relevance to perception and thoroughly evaluate the algorithm on the popular LIVE IQA database. Further, we compare the performance of DIIVINE against leading full-reference (FR) IQA algorithms and demonstrate that DIIVINE is statistically superior to the often used measure of peak signal-to-noise ratio (PSNR) and statistically equivalent to the popular structural similarity index (SSIM). A software release of DIIVINE has been made available online: "http://live.ece.utexas.edu/research/quality/DIIVINE_release.zip" xmlns:xlink="http://www.w3.org/1999/xlink">http://live.ece.utexas.edu/research/quality/DIIVINE_release.zip for public use and evaluation., (© 2011 IEEE)

We studied the empirical distributions of luminance, range and disparity wavelet coefficients using a coregistered database of luminance and range images. The marginal distributions of range and disparity are observed to have high peaks and heavy tails, similar to the well-known properties of luminance wavelet coefficients. However, we found that the kurtosis of range and disparity coefficients is significantly larger than that of luminance coefficients. We used generalized Gaussian models to fit the empirical marginal distributions. We found that the marginal distribution of luminance coefficients have a shape parameter p between 0.6 and 0.8, while range and disparity coefficients have much smaller parameters p < 0.32, corresponding to a much higher peak. We also examined the conditional distributions of luminance, range and disparity coefficients. The magnitudes of luminance and range (disparity) coefficients show a clear positive correlation, which means, at a location with larger luminance variation, there is a higher probability of a larger range (disparity) variation. We also used generalized Gaussians to model the conditional distributions of luminance and range (disparity) coefficients. The values of the two shape parameters (p,s) reflect the observed luminance-range (disparity) dependency. As an example of the usefulness of luminance statistics conditioned on range statistics, we modified a well-known Bayesian stereo ranging algorithm using our natural scene statistics models, which improved its performance.

We develop a no-reference image quality assessment (QA) algorithm that deploys a general regression neural network (GRNN). The new algorithm is trained on and successfully assesses image quality, relative to human subjectivity, across a range of distortion types. The features deployed for QA include the mean value of phase congruency image, the entropy of phase congruency image, the entropy of the distorted image, and the gradient of the distorted image. Image quality estimation is accomplished by approximating the functional relationship between these features and subjective mean opinion scores using a GRNN. Our experimental results show that the new method accords closely with human subjective judgment.

We study the efficiency of deblocking algorithms for improving visual signals degraded by blocking artifacts from compression. Rather than using only the perceptually questionable PSNR, we instead propose a block-sensitive index, named PSNR-B, that produces objective judgments that accord with observations. The PSNR-B modifies PSNR by including a blocking effect factor. We also use the perceptually significant SSIM index, which produces results largely in agreement with PSNR-B. Simulation results show that the PSNR-B results in better performance for quality assessment of deblocked images than PSNR and a well-known blockiness-specific index.

We present the results of a recent large-scale subjective study of video quality on a collection of videos distorted by a variety of application-relevant processes. Methods to assess the visual quality of digital videos as perceived by human observers are becoming increasingly important, due to the large number of applications that target humans as the end users of video. Owing to the many approaches to video quality assessment (VQA) that are being developed, there is a need for a diverse independent public database of distorted videos and subjective scores that is freely available. The resulting Laboratory for Image and Video Engineering (LIVE) Video Quality Database contains 150 distorted videos (obtained from ten uncompressed reference videos of natural scenes) that were created using four different commonly encountered distortion types. Each video was assessed by 38 human subjects, and the difference mean opinion scores (DMOS) were recorded. We also evaluated the performance of several state-of-the-art, publicly available full-reference VQA algorithms on the new database. A statistical evaluation of the relative performance of these algorithms is also presented. The database has a dedicated web presence that will be maintained as long as it remains relevant and the data is available online.

With the introduction of multiple transmit and receive antennas in next generation wireless systems, real-time image and video communication are expected to become quite common, since very high data rates will become available along with improved data reliability. New joint transmission and coding schemes that explore advantages of multiple antenna systems matched with source statistics are expected to be developed. Based on this idea, we present an unequal power allocation scheme for transmission of JPEG compressed images over multiple-input multiple-output systems employing spatial multiplexing. The JPEG-compressed image is divided into different quality layers, and different layers are transmitted simultaneously from different transmit antennas using unequal transmit power, with a constraint on the total transmit power during any symbol period. Results show that our unequal power allocation scheme provides significant image quality improvement as compared to different equal power allocations schemes, with the peak-signal-to-noise-ratio gain as high as 14 dB at low signal-to-noise-ratios.

There has recently been a great deal of interest in the development of algorithms that objectively measure the integrity of video signals. Since video signals are being delivered to human end users in an increasingly wide array of applications and products, it is important that automatic methods of video quality assessment (VQA) be available that can assist in controlling the quality of video being delivered to this critical audience. Naturally, the quality of motion representation in videos plays an important role in the perception of video quality, yet existing VQA algorithms make little direct use of motion information, thus limiting their effectiveness. We seek to ameliorate this by developing a general, spatio-spectrally localized multiscale framework for evaluating dynamic video fidelity that integrates both spatial and temporal (and spatio-temporal) aspects of distortion assessment. Video quality is evaluated not only in space and time, but also in space-time, by evaluating motion quality along computed motion trajectories. Using this framework, we develop a full reference VQA algorithm for which we coin the term the MOtion-based Video Integrity Evaluation index, or MOVIE index. It is found that the MOVIE index delivers VQA scores that correlate quite closely with human subjective judgment, using the Video Quality Expert Group (VQEG) FRTV Phase 1 database as a test bed. Indeed, the MOVIE index is found to be quite competitive with, and even outperform, algorithms developed and submitted to the VQEG FRTV Phase 1 study, as well as more recent VQA algorithms tested on this database.

We present an efficient method that computes dense stereo correspondences by stochastically sampling match quality values. Nonexhaustive sampling facilitates the use of quality metrics that take unique values at noninteger disparities. Depth estimates are iteratively refined with a stochastic cooperative search by perturbing the estimates, sampling match quality, and reweighting and aggregating the perturbations. The approach gains significant efficiencies when applied to video, where initial estimates are seeded using information from the previous pair in a novel application of the Z-buffering algorithm. This significantly reduces the number of search iterations required. We present a quantitative accuracy evaluation wherein the proposed method outperforms a microcanonical annealing approach by Barnard and a cooperative approach by Zitnick and Kanade , while using fewer match quality evaluations than either. The approach is shown to have more attractive memory usage and scaling than alternatives based on exhaustive sampling.

We introduce a new measure of image similarity called the complex wavelet structural similarity (CW-SSIM) index and show its applicability as a general purpose image similarity index. The key idea behind CW-SSIM is that certain image distortions lead to consistent phase changes in the local wavelet coefficients, and that a consistent phase shift of the coefficients does not change the structural content of the image. By conducting four case studies, we have demonstrated the superiority of the CW-SSIM index against other indices (e.g., Dice, Hausdorff distance) commonly used for assessing the similarity of a given pair of images. In addition, we show that the CW-SSIM index has a number of advantages. It is robust to small rotations and translations. It provides useful comparisons even without a preprocessing image registration step, which is essential for other indices. Moreover, it is computationally less expensive.

Multimedia communication has become one of the main applications in commercial wireless systems. Multimedia sources, mainly consisting of digital images and videos, have high bandwidth requirements. Since bandwidth is a valuable resource, it is important that its use should be optimized for image and video communication. Therefore, interest in developing new joint source-channel coding (JSCC) methods for image and video communication is increasing. Design of any JSCC scheme requires an estimate of the distortion at different source coding rates and under different channel conditions. The common approach to obtain this estimate is via simulations or operational rate-distortion curves. These approaches, however, are computationally intensive and, hence, not feasible for real-time coding and transmission applications. A more feasible approach to estimate distortion is to develop models that predict distortion at different source coding rates and under different channel conditions. Based on this idea, we present a distortion model for estimating the distortion due to quantization and channel errors in MPEG-4 compressed video streams at different source coding rates and channel bit error rates. This model takes into account important aspects of video compression such as transform coding, motion compensation, and variable length coding. Results show that our model estimates distortion within 1.5 dB of actual simulation values in terms of peak-signal-to-noise ratio.

In this paper, we derive bounds on the structural similarity (SSIM) index as a function of quantization rate for fixed-rate uniform quantization of image discrete cosine transform (DCT) coefficients under the high-rate assumption. The space domain SSIM index is first expressed in terms of the DCT coefficients of the space domain vectors. The transform domain SSIM index is then used to derive bounds on the average SSIM index as a function of quantization rate for uniform, Gaussian, and Laplacian sources. As an illustrative example, uniform quantization of the DCT coefficients of natural images is considered. We show that the SSIM index between the reference and quantized images fall within the bounds for a large set of natural images. Further, we show using a simple example that the proposed bounds could be very useful for rate allocation problems in practical image and video coding applications.

Exploiting the quasi-linear relationship between local phase and disparity, phase-differencing registration algorithms provide a fast, powerful means for disparity estimation. Unfortunately, these phase-differencing techniques suffer a significant impediment: phase nonlinearities. In regions of phase nonlinearity, the signals under consideration possess properties that invalidate the use of phase for disparity estimation. This paper uses the amenable properties of Gaussian white noise images to analytically quantify these properties. The improved understanding gained from this analysis enables us to better understand current methodologies for detecting regions of phase instability. Most importantly, we introduce a new, more effective means for identifying these regions based on the second derivative of phase.

We propose an algorithm for designing linear equalizers that maximize the structural similarity (SSIM) index between the reference and restored signals. The SSIM index has enjoyed considerable application in the evaluation of image processing algorithms. Algorithms, however, have not been designed yet to explicitly optimize for this measure. The design of such an algorithm is nontrivial due to the nonconvex nature of the distortion measure. In this paper, we reformulate the nonconvex problem as a quasi-convex optimization problem, which admits a tractable solution. We compute the optimal solution in near closed form, with complexity of the resulting algorithm comparable to complexity of the linear minimum mean squared error (MMSE) solution, independent of the number of filter taps. To demonstrate the usefulness of the proposed algorithm, it is applied to restore images that have been blurred and corrupted with additive white gaussian noise. As a special case, we consider blur-free image denoising. In each case, its performance is compared to a locally adaptive linear MSE-optimal filter. We show that the images denoised and restored using the SSIM-optimal filter have higher SSIM index, and superior perceptual quality than those restored using the MSE-optimal adaptive linear filter. Through these results, we demonstrate that a) designing image processing algorithms, and, in particular, denoising and restoration-type algorithms, can yield significant gains over existing (in particular, linear MMSE-based) algorithms by optimizing them for perceptual distortion measures, and b) these gains may be obtained without significant increase in the computational complexity of the algorithm.

We cast the problem of corner detection as a corner search process. We develop principles of foveated visual search and automated fixation selection to accomplish the corner search, supplying a case study of both foveated search and foveated feature detection. The result is a new algorithm for finding corners, which is also a corner-based algorithm for aiming computed foveated visual fixations. In the algorithm, long saccades move the fovea to previously unexplored areas of the image, while short saccades improve the accuracy of putative corner locations. The system is tested on two natural scenes. As an interesting comparison study, we compare fixations generated by the algorithm with those of subjects viewing the same images, whose eye movements are being recorded by an eye tracker. The comparison of fixation patterns is made using an information-theoretic measure. Results show that the algorithm is a good locater of corners, but does not correlate particularly well with human visual fixations.

Measurement of visual quality is of fundamental importance for numerous image and video processing applications, where the goal of quality assessment (QA) algorithms is to automatically assess the quality of images or videos in agreement with human quality judgments. Over the years, many researchers have taken different approaches to the problem and have contributed significant research in this area and claim to have made progress in their respective domains. It is important to evaluate the performance of these algorithms in a comparative setting and analyze the strengths and weaknesses of these methods. In this paper, we present results of an extensive subjective quality assessment study in which a total of 779 distorted images were evaluated by about two dozen human subjects. The "ground truth" image quality data obtained from about 25,000 individual human quality judgments is used to evaluate the performance of several prominent full-reference image quality assessment algorithms. To the best of our knowledge, apart from video quality studies conducted by the Video Quality Experts Group, the study presented in this paper is the largest subjective image quality study in the literature in terms of number of images, distortion types, and number of human judgments per image. Moreover, we have made the data from the study freely available to the research community. This would allow other researchers to easily report comparative results in the future.

We propose the concept of quality-aware image, in which certain extracted features of the original (high-quality) image are embedded into the image data as invisible hidden messages. When a distorted version of such an image is received, users can decode the hidden messages and use them to provide an objective measure of the quality of the distorted image. To demonstrate the idea, we build a practical quality-aware image encoding, decoding and quality analysis system, which employs: 1) a novel reduced-reference image quality assessment algorithm based on a statistical model of natural images and 2) a previously developed quantization watermarking-based data hiding technique in the wavelet transform domain.

Measurement of visual quality is of fundamental importance to numerous image and video processing applications. The goal of quality assessment (QA) research is to design algorithms that can automatically assess the quality of images or videos in a perceptually consistent manner. Traditionally, image QA algorithms interpret image quality as fidelity or similarity with a "reference" or "perfecft" image in some perceptual space. Such "full-referenc" QA methods attempt to achieve consistency in quality prediction by modeling salient physiological and psychovisual features of the human visual system (HVS), or by arbitrary signal fidelity criteria. In this paper, we approach the problem of image QA by proposing a novel information fidelity criterion that is based on natural scene statistics. QA systems are invariably involved with judging the visual quality of images and videos that are meant for "human consumption." Researchers have developed sophisticated models to capture the statistics of natural signals, that is, pictures and videos of the visual environment. Using these statistical models in an information-theoretic setting, we derive a novel QA algorithm that provides clear advantages over the traditional approaches. In particular, it is parameterless and outperforms current methods in our testing. We validate the performance of our algorithm with an extensive subjective study involving 779 images. We also show that, although our approach distinctly departs from traditional HVS-based methods, it is functionally similar to them under certain conditions, yet it outperforms them due to improved modeling. The code and the data from the subjective study are available at.

Measurement of image or video quality is crucial for many image-processing algorithms, such as acquisition, compression, restoration, enhancement, and reproduction. Traditionally, image quality assessment (QA) algorithms interpret image quality as similarity with a "reference" or "perfect" image. The obvious limitation of this approach is that the reference image or video may not be available to the QA algorithm. The field of blind, or no-reference, QA, in which image quality is predicted without the reference image or video, has been largely unexplored, with algorithms focusing mostly on measuring the blocking artifacts. Emerging image and video compression technologies can avoid the dreaded blocking artifact by using various mechanisms, but they introduce other types of distortions, specifically blurring and ringing. In this paper, we propose to use natural scene statistics (NSS) to blindly measure the quality of images compressed by JPEG2000 (or any other wavelet based) image coder. We claim that natural scenes contain nonlinear dependencies that are disturbed by the compression process, and that this disturbance can be quantified and related to human perceptions of quality. We train and test our algorithm with data from human subjects, and show that reasonably comprehensive NSS models can help us in making blind, but accurate, predictions of quality. Our algorithm performs close to the limit imposed on useful prediction by the variability between human subjects.

The automatic segmentation of nuclei in confocal reflectance images of cervical tissue is an important goal toward developing less expensive cervical precancer detection methods. Since in vivo confocal reflectance microscopy is an emerging technology for cancer detection, no prior work has been reported on the automatic segmentation of in vivo confocal reflectance images. However, prior work has shown that nuclear size and nuclear-to-cytoplasmic ratio can determine the presence or extent of cervical precancer. Thus, segmenting nuclei in confocal images will aid in cervical precancer detection. Successful segmentation of images of any type can be significantly enhanced by the introduction of accurate image models. To enable a deeper understanding of confocal reflectance microscopy images of cervical tissue, and to supply a basis for parameter selection in a classification algorithm, we have developed a model that accounts for the properties of the imaging system and of the tissues. Using our model in conjunction with a powerful image enhancement tool (anisotropic median-diffusion), appropriate statistical image modeling of spatial interactions (Gaussian Markov random fields), and a Bayesian framework for classification-segmentation, we have developed an effective algorithm for automatically segmenting nuclei in confocal images of cervical tissue. We have applied our algorithm to an extensive set of cervical images and have found that it detects 90% of hand-segmented nuclei with an average of 6 false positives per frame.

We develop theorems that place limits on the point-wise approximation of the responses of filters, both linear shift invariant (LSI) and linear shift variant (LSV), to input signals and images that are LSV in the following sense: they can be expressed as the outputs of systems with LSV impulse responses, where the shift variance is with respect to the filter scale of a single-prototype fillter. The approximations take the form of LSI approximations to the responses. We develop tight bounds on the approximation errors expressed in terms of filter durations and derivative (Sobolev) norms. Finally, we find application of the developed theory to defoveation of images, deblurring of shift-variant blurs, and shift-variant edge detection.

Objective methods for assessing perceptual image quality traditionally attempted to quantify the visibility of errors (differences) between a distorted image and a reference image using a variety of known properties of the human visual system. Under the assumption that human visual perception is highly adapted for extracting structural information from a scene, we introduce an alternative complementary framework for quality assessment based on the degradation of structural information. As a specific example of this concept, we develop a Structural Similarity Index and demonstrate its promise through a set of intuitive examples, as well as comparison to both subjective ratings and state-of-the-art objective methods on a database of images compressed with JPEG and JPEG2000.

Image and video coding is an optimization problem. A successful image and video coding algorithm delivers a good tradeoff between visual quality and other coding performance measures, such as compression, complexity, scalability, robustness, and security. In this paper, we follow two recent trends in image and video coding research. One is to incorporate human visual system (HVS) models to improve the current state-of-the-art of image and video coding algorithms by better exploiting the properties of the intended receiver. The other is to design rate scalable image and video codecs, which allow the extraction of coded visual information at continuously varying bit rates from a single compressed bitstream. Specifically, we propose a foveation scalable video coding (FSVC) algorithm which supplies good quality-compression performance as well as effective rate scalability. The key idea is to organize the encoded bitstream to provide the best decoded video at an arbitrary bit rate in terms of foveated visual quality measurement. A foveation-based HVS model plays an important role in the algorithm. The algorithm is adaptable to different applications, such as knowledge-based video coding and video communications over time-varying, multiuser and interactive networks.