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Reissue in 2012 by the Jo Mora Trust. 98% original size. For more information on Jo Mora's life and works, see http://www.jomoratrust.com

Suitable for use in a seminar room; viewable up to 20 feet. Language(s): English. Map is plasticized paper. Mounted on wood rods. Prime Meridian is Greenwich. Length of rolled wall map is 107 cm. Topics include: bio-geographical provinces. Department of Geography, University of California at Berkeley, Call Number 1-D-1., UCBGEOG1, UC Berkeley, Geography Department Call Number 1-D-1.

Data visualization of the structure of philosophy from the 1950s to Today. Singed by Noichl, 4/5'19 in lower right corner. Looking like a map, the visualization is based on 55,327 papers in philosophy. Designed by Maximilian Noichl. “In the graphic below, 50000 articles from various philosophy journals were spatially distributed according to their citation-patterns. Every point represents one of these papers. The papers were grouped by a clustering-algorithm into 42 clusters which are represented by the colored shapes, and which are labeled around the graphic.

"Seven-class elevation map of California featuring famous peaks, valleys, islands, coastline, and areas below sea level. Created by layering combinations of nearly 2,500 keystrokes (I, H, X, and O) with a 1953 ROYAL Quiet De Luxe typewriter on Masa 77gsm paper from Japan. Based on a California Albers projection at approximately 1:5,000,000 scale. Custom quantization bins and cell-by-cell decisions were made to preserve the spectacular land flows of the Golden State." (RJ Andrews, 2023), For more information see https://infowetrust.com/

"Mixed media drawing and collage on cyanotype print. Land of Opportunity is a map that documents forty-three of the most well-documented toxic sites in the Bay Area, alongside local environmental justice protests and both federal and community-based remediation efforts. The tar-like blobs dripping down the paper are places notable for the amount of toxic material that has leaked into the soil and groundwater primarily as a result of high-tech industry, military activities, mercury mining during the gold rush era, and nuclear testing in the South Pacific during World War II. Despite its reputation for being one of the ‘greenest’ places in the United States, the Bay Area also has one of the highest concentrations of Superfund sites in the country, particularly in Silicon Valley, the techno-utopian capital of the United States. The map emphasizes community-based, grassroots organizing efforts, and shows both the kinds of poisons that have contaminated the land as well as the ways in which surrounding communities have protested the presence of these polluters and demanded their right to a clean, healthy environment. Land of Opportunity is a register of the ways in which the Bay Area has been shaped — both figuratively and literally — by dominant settler narratives of the landscape’s potential for wealth and resource extraction. But it is also more than the shadowland of settler, entrepreneurial greed, or the American imperial war machine: it’s also a place constituted and nourished by strong radical politics, care for community, and a trust in the power of local organizing. We live in a place of endless possibility — where the byproducts of greed and warmongering can be sublimated into other forms of power, and politics can be shaped in certain places by the will of the people." Connie Zheng, 2022 https://www.conniezheng.com, This artwork is copyright by Connie Zheng. Please contact the artist for reproduction or exhibit. https://www.conniezheng.com

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

This map was a collaboration between author Ted Widmer and Connie Brown to create map end papers for Widmer's Book "Lincoln on the Verge: Thirteen Days to Washington," published in 2020., Image copyright Constance Brown., For more information on Connie Brown and Redstone Studios, see https://www.redstonestudios.com/studio

Covers to Map projection IX : Stereographic, Africa, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Ninth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections