69 results
Search Results
2. Elixer [A site-specific permanent artwork in Japan] [Paper in: Art and Ecology.]
3. Tragi-comedy, Megan Keating's paper dances of death: [Paintings and papercuts. The Ballet of Nothing More uses sources from international military and propaganda imagery in order to allude to the present state of unrest within the world.]
4. Indonesian art today: navigating between idealism and commodity. [This article is an edited version of a paper presented at The World and World-Making in Art conference, Australian National University, Canberra, 11 to 13 August 2011. Paper in special issue: Eyes on Indonesia]
5. Disturbances in the field: exhibiting Aboriginal art in the US [Paper in Special issue: Antipodean Fields: Working with Bourdieu. Bennett, Tony; Frow, John; Hage, Ghassan and Noble, Greg (eds)]
6. Lessons in visual literacy: Heysen Sculpture Biennial [Homage to Nature was held at The Cedars, Heysen Road, Hahndorf, South Australia, 26 February to 29 April 2012. Paper presented on 2 March 2012 in association with the Heysen Sculpture Biennial: 'Collaborating with country and sculpting our future: site-specific artworks as creative policy']
7. Made in Mildura: [This article is an edited version of a paper presented at the Mildura Palimpsest symposium '(to) give time to time', held in collaboration with the Australian Experimental Art Foundation, Mildura, 17 to 19 September 2010]
8. Kamasan painting at the Australian Museum, and beyond: [Paper in special issue: Eyes on Indonesia]
9. People, action and working together: Asialink engaging with Indonesia. [Paper in special issue: Eyes on Indonesia]
10. Punkasila at MUMA: [Punkasila - a 'band-formatted art project', made up of Danius Kesminas and a revolving collective of artists from Yogyakarta, Indonesia. Paper in special issue: Eyes on Indonesia]
11. Recapturing Monas and Us: [Art exhibtion: Monas dan Kita ('Monas and Us'). Paper in special issue: Eyes on Indonesia]
12. Dadang Christanto: artist of conscience for humanity. [Paper in special issue: Eyes on Indonesia]
13. Beyond the Self: Contemporary portraiture from Indonesia and other near neighbours. [Beyond the Self: Contemporary Portraiture in Asia, art exhibition at the National Portrait Gallery until 6 November 2011. Paper in special issue: Eyes on Indonesia]
14. My Tasmanian life: [Paper delivered to a THRA meeting on 8 February 2005.]
15. Captain Cook's eye-patch: [This is an edited version of a paper presented on 13 April, 2008, in association with the exhibition Lines in the Sand: Botany Bay Stories from 1770, Hazelhurst Regional Gallery and Arts Centre, 29 March to 11 May 2008.]
16. Qiu Anxiong: Watching as the enchanted land meets its end: [Paper in: Fuel for Thought: Oil, Energy, Conflict and Art. Hamilton, Ian (ed.).]
17. Medieval and Renaissance Manuscripts in Australia: resources, research and opportunities. [Paper in Special Issue: Transitus: Medieval and Renaissance Manuscripts in Australia and New Zealand. Lowry, James; Manion, Margaret and Spedding, Patrick (eds).]
18. Mind the gap: Billy Apple: Between British and American Pop, 1960-64. [Paper in: 21st Century Art History.]
19. The Asia-Pacific Triennial: a forum. [Paper in: 21st Century Art History.]
20. Cosmopolitanism and modernism: on writing a new Australian art history. [Paper in: 21st Century Art History.]
21. Stay, go, or come: a history of Australian art, 1920-40. [Paper in: 21st Century Art History.]
22. Editorial: [Paper in: 21st Century Art History.]
23. The possibility of a world art history: John Clark talks to Parul Dave Mukherjee, Omuka Toshiharu, Patrick Flores, and Woo Jung-ah. [Paper in: 21st Century Art History.]
24. Curating the world: [Butler, Rex interviews African art curator Okwui Enwezor. Paper in: 21st Century Art History.]
25. A dialogue to find ourselves and others: the reception of Emily Kngwarreye in Japan. [Paper in: 21st Century Art History.]
26. Backing Kant, wth interest: a global concept of art. [Paper in: 21st Century Art History.]
27. Firings at the lake [As part of Floating Land 2007 during the Noosa Longweekend, Lake Cootharaba was lit up with a clay-based performance art event when five paper kilns were constructed and fired on the lake to create ephemeral ceramic sculptures]
28. What difference does a museum make?: Te Papa's contribution to the New Zealand economy. [Paper in: A Clever Little Country? Cultural Change and Identity in New Zealand. Griffiths, Mary and Lealand, Geoff (eds).]
29. Neverland vs. reality: how to sustain an art practice in the Territory. [Paper in: Remote. Bowdler, Cath (ed.).]
30. Looking forward looking back: in the East Kimberly. [Paper in: Remote. Bowdler, Cath (ed.).]
31. Kuninjku modernism: new perspectives on western Arnhem Land art. [Paper in: Remote. Bowdler, Cath (ed.).]
32. Australian drawing now: labouring lightly. [Paper in Handmade: The New Labour. Murray, Kevin (ed.).]
33. The post-colonial jigsaw puzzle [Revised and edited version of a paper presented at Art and the British Empire, a conference held at Tate Britain in July 2001]
34. The theatrics of cloning: the recent paintings of Juan Ford. [Paper in: The 'Improved' Body: Animals and Humans, Britton, Stephanie (ed.).]
35. A flower study: peonies and waratahs. [Paper presented at the recent Visual Arts Summit, SmartARTS: New Perspectives on Research in Arts Education and the Creative Fields, jointly hosted by the University of Technology, Sydney and the Australian Institute for Art Education.]
36. Creative archaeology over Arafura seas: [Trepang: China and the Story of Macassan - Aboriginal Trade, art exhibition at the Melbourne Museum. Paper in special issue: Eyes on Indonesia]
37. Bryan Bulley: the irreverent logic of untamed chaos. [Bryan Bulley's latest exhibition, The Orange Hotel, was shown at Cross Cultural Art Exchange, Darwin, 2-24 September 2011. Paper in special issue: Eyes on Indonesia]
38. Indonesia - Australia: bizarre relations. [Paper in special issue: Eyes on Indonesia]
39. Nasi Goblok and Raja Kentut: an arranged marriage. [Art exhibition: Nasi Goblok and Raja Kantut (your time, my time) at the Woolloongabba Art Gallery (WAG) in Brisbane, October 2011. Paper in special issue: Eyes on Indonesia]
40. Fibre Face 3: [Fibre face is a series of exhibitions focusing on Indonesia fibre arts in the context of national traditions, and national and international contemporary fibre art practice. Fibre face 3, Transformation was exhibited at Taman Budaya Yogyakarta, Indonesia, 12-25 February 2011. Paper in special issue: Eyes on Indonesia]
41. Whispered landscapes of Jumaadi: [Paper in special issue: Eyes on Indonesia]
42. Driving (in) an Indonesian art jam: [Paper in special issue: Eyes on Indonesia]
43. After the house has gone: the future for Mes 56. [Paper in special issue: Eyes on Indonesia]
44. Reflections on an Art House: two decades of Rumah Seni Cemeti. [Cemeti Art House established in Yogyakarta, Indonesia, in 1988 by the artist-couple Nindityo Adipurnomo and Mella Jaarsma. Paper in special issue: Eyes on Indonesia]
45. Sex, destiny and amnesia: the fate of women artists. [Paper presented at the seminar 'Seen but not Heard: Rediscovering Women Artists' (2000: University of Melbourne)]
46. Perceptions of Aboriginal art: whither anthropology? [Condensed version of a research paper published by the Department de Filologia Anglesa y Alemanya, University of Barcelona (1998).]
47. Metaphor and climate: [Paper in: Remote. Bowdler, Cath (ed.).]
48. Women's business by remote: [Paper in: Remote. Bowdler, Cath (ed.).]
49. Bush techies and secret data business: [Paper in: Remote. Bowdler, Cath (ed.).]
50. The hand in making [Thinking about handmade in relation to the Tamworth Fibre Textile Biennial (16th), A Matter of Time. Paper in Handmade: The New Labour. Murray, Kevin (ed.).]
Discovery Service for Jio Institute Digital Library
For full access to our library's resources, please sign in.