1. Evolution, Two Darwins, and the Gestalt Imagining of Edward Lear
- Author
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Dilworth, Thomas and Crawford, Michael
- Subjects
On the Origin of Species (Nonfiction work) -- Innovations ,Book of Nonsense (Poetry collection) -- Innovations ,Evolution ,Fishes ,Humanities ,Social sciences ,University of Windsor -- Innovations - Abstract
Edward Lear was in the vanguard of cultural assimilation of evolutionary theory. In what amounts to a gestalt relationship, some of his published 'nonsense' figures against, and largely derives its meaning from, innovation in the natural sciences. Certain of his works, some not previously interpreted, are specific in their engagement with evolutionists, including Erasmus and Charles Darwin, Etienne Geoffroy Saint-Hilaire, and Robert Grant. Before and after the appearance of On the Origin of Species (1859), Lear backs one side against another in public debates sparked by evolutionary theory. His implicit engagement with the new biology becomes evident in close attention to the drawings, which are essential components of Lear's innovative hybridization of visual and literary artforms., Huxleyism and Darwinism may be true--but are uncomfortable. --Edward Lear, Diary (24 April 1870) Recent commentators have asserted, but mainly in general terms, that Edward Lear's published 'nonsense' (1) reflects [...]
- Published
- 2023
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