Search

Italy opened the doors of its universities to female students in 1875. The general view was that very few women were clever enough to obtain a degree, so they would not threaten social stability. Female professors would be even rarer -- a few exceptional "male" women. Access to the professions was impossible in the case of the legal profession, or limited in terms of medicine. In this context, where both Catholics and Positivists opposed women's careers, seeing them as incompatible with motherhood and marriage, five women managed to enter the academic world as unsalaried lecturers: Giuseppina Cattani (1887, Pathology), Paolina Schiff (1891/1893, German literature and language), Rina Monti (1899, Anatomy and Comparative Physiology), Teresa Labriola (1901, Philosophy of Law) and Maria Montessori (1904, Anthropology). With archival documents and other contemporary texts, this paper reconstructs who these women were and the many difficulties they faced in academic life. Four of them were emancipationists and did not marry. These choices debarred them from pursuing a full academic career. Only Monti, who had a family and took no active part in female propaganda, managed to become a full professor in 1911, the first woman in Italy to do so.

Creating archival descriptions in a digital environment and communicating across the Internet is not the same as traditional paper-based communication. As in other cultural domains, in archival description the medium influences the structure and content of information. The SIASFI Project and the Online Guide to the State Archives of Florence are good examples of these transformations. The article presents the main features of the Online Guide and discusses the theoretical and methodological assumptions underlying its conceptual model which are rooted in the international descriptive standards, "ISAD(G)" and "ISAAR (CPF)," as well as in a complex view of what archival context is. (Contains 9 figures and 9 notes.)