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Sports journalism has become one of the news products with the most significant social reach in the press, radio, television and digital media. Despite the significant presence of women in journalism, they continue to face gender-based stereotypes. In Spain, not very many women can effectively access the labour field of sports journalism, and those who do find themselves in a space dominated by men, which results in a perpetuation of the existing imbalances in society. The main objective of this study is to analyse the evolution of the roles developed by women journalists in the article-production aspect of the Spanish sports press between 2010 and 2022. We use quantitative content analysis, studying the articles published in Marca and Mundo Deportivo during the second week of June in 2010, 2014, and 2018, and the third week of November 2022; in each of these years, the men's FIFA World Cup was played. The results of this study show that: (a) women journalists have an almost invisible role in the production of articles, and (b) rather than progress, women are facing "pseudo-progress", a more appropriate term for the appearance of a change that is not actually occurring. [ABSTRACT FROM AUTHOR]

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This article assesses the impact of sports journalism style on uncivil conversations, by analyzing the news that has generated the most deleted comments and the published readers' comments. The two sports newspapers with the largest number of readers in Spain (As and Marca) between 2019 and 2020 are compared. The analyzed journalistic pieces in both newspapers are proven to promote controversy and user participation, thus creating a polarized and strongly confronted community. Journalists lose their status as professionals by using a subjective, emotional and colloquial style, and they become mere commentators who can be discredited. This style is the breeding ground for uncivil conversations. Localized hate expressions are ideological: Spanish nationalism confronts Catalan independence in such a way that the world of football becomes dependent on the country's politics. There is no lack of negative gender stereotypes either in the predominantly male order of sport. Since no changes were observed during the pandemic, it can be established that these characteristics are part of the journalistic routine. Only the paywall introduced by As in the second half of 2020 change conversations: the number of messages, including deleted ones, was reduced, and positive feelings advanced in more rational conversations. [ABSTRACT FROM AUTHOR]

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This article explores the significance of Halal food and drink options for Muslim tourists in Indonesia, particularly in tourist destinations where the majority of the population is non-Muslim. The Indonesian government has designated the Indonesian Ulema Council (MUI) as the official institution responsible for issuing Halal certificates to businesses providing food and drinks. Restaurants and cafes in these tourist areas use the Halal logo as a marketing tool to attract Muslim tourists. The article discusses the semiotics of the Halal logo and how it represents the message of Halal food and drinks in tourism areas. The research methodology involved surveys and questionnaires distributed through social media to gather data from tourists who have visited non-Muslim tourist destinations in Indonesia. The results indicate that the majority of tourists, both international and regional, rely on the Halal logo as a reference to find restaurants serving Halal food and drink. They often search the internet using specific keywords to find information about Halal food options and also seek recommendations from hotel staff, family, or friends who have visited the destination. The article emphasizes the importance of restaurants having a Halal certificate and prominently displaying it to ensure the authenticity of their Halal offerings. It concludes that while branding the Halal logo is a strategy to attract Muslim tourists, it does not guarantee that the restaurant has a Halal certificate. The article suggests that future research should also consider the perspectives of non-Muslim tourists who choose Halal-certified restaurants. [Extracted from the article]

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Este artículo pretende, mediante el análisis de un spot televisivo realizado por Carlos Saura para una marca de refrescos francesa, estudiar las sinergias entre práctica autoral, marca personal e imagen nacional. Se argumentará que este corto publicitario es crucial para entender la carrera posterior de Saura, uno de los cineastas españoles de mayor proyección internacional. El concepto de marca (brand) permite relacionar el sello creativo de un director-autor con una serie de implicaciones comerciales pero, sobre todo, culturales. Por otra parte, y siempre utilizando la noción de marca, evaluaremos en qué modo viejos estereotipos sobre "lo español" encuentran nuevo acomodo en un mundo cada vez más interconectado y globalizado. [ABSTRACT FROM AUTHOR]

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Copyright of Visual Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)