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Copyright of Cement & Concrete World / Cimento ve Beton Dunyasi is the property of Cimento ve Beton Dunyasi / Cement & Concrete World and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article reviews the art exhibition "Ito Meikyū" by Boris Labbé that was held at The Drawing Lab in Paris, France from October 11, 2024, to January 5, 2025, and will also be presented at Chroniques in Marseille from November 7, 2024, to January 15, 2025.

Copyright of Art-Press is the property of Art-Press (International) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article focuses on the European Irrigation Association's (EIA) finalized Position Paper on "Sustainable Irrigation." Topics include the integration of irrigation within the European Union (EU) Taxonomy framework; recommendations for the sector's sustainable transition; addressing climate-induced water challenges; the need for concrete actions to safeguard water resources; and the potential impact of the EU Taxonomy on the irrigation sector's access to financial capital and competitiveness.

The article focuses on the intricate relationship between photography and the forest, examining how contemporary artists use both optical and chemical techniques to capture the complex, slow-growing, and interwoven nature of plant life. It highlights the work of photographers like Gilbert Fastenaekens, Céline Clanet, and Chrystel Lebas, who engage with the forest not only as a visual subject but as a means to explore ecological, philosophical, and political questions.

An interview with artist, Georges Didi-Huberman is presented. He discusses his curatorial work, particularly his involvement in the "In the Troubled Air" exhibition, which forms the third part of a trilogy that began with Atlas (2010) and continued with Uprisings (2016). He reflects on the conceptual underpinnings of these exhibitions, drawing from Aby Warburg's approach to political iconology, which examines politics through images and gestures rather than solely through texts and ideas.

Copyright of Art-Press is the property of Art-Press (International) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article reviews the exhibition "Chiharu Shiota: The Soul Trembles" by Japanese artist Chiharu Shiota, to be held at the Grand Palais in Paris, France running until March 19, 2025.

The article reviews Vasantha Yogananthan's exhibition "Le Passé composé (2020-2022)" at Les Rencontres d'Arles, showcasing the warmth and light of Provence, from July 1st to September 29th, 2024.

The article presents an interview with Thomas Demand, an artist known for creating life-size sculptures out of paper and cardboard to explore the role of images in memory construction. Topics include his exhibition "The Stutter of History" in Paris, France, his thoughts on appropriation and stealing in art, and his creatisculpturesve process of using photography to archive his sculptures.

The article reviews the artwork titled "L'Acte photochimique," by Anne-Lou Buzot presented at Galerie Charlot in Paris, France as part of the Biennale de l'image tangible.

Copyright of Joining Plastics / Fügen von Kunststoffen is the property of DVS Media GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)