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Showing total 27 results
27 results

1. EXTENSION DU DOMAINE DU MONTAGE : L’étude de la forme problématique des films.

Author

Tore, Gian Maria

Subjects
ART materials, MOTION picture editing, ART centers, COLLEGE teachers, SEMIOTICS
Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022

8. Composer, compresser. Formes intensives du montage dans le cinéma d’avant-garde et expérimental.

Author

Thouvenel, Éric

Subjects
EXPERIMENTAL films, FILM studies, MOTION picture editing, CINEMATOGRAPHY, THEORY of knowledge, WESTERN films
Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022

9. L’ÉMERGENCE DU RÔLE DE LA MONTEUSE DE SHOAH (1985) DANS L’ESPACE PUBLIC 1973-2022.

Author

Besson, Rémy

Subjects
MOTION picture editors, DISCOURSE analysis, PUBLIC spaces, EDITORIAL boards, POSTDOCTORAL researchers
Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022

10. DU LECTEUR AU SPECTATEUR: Spectacles de boxe et pratiques de montage dans la presse illustrée et le cinéma en France au début du xxe siècle.

Author

Houillère, Jérémy

Subjects
FILM studies, RESEARCH personnel, NEWSPAPER reading, TWENTIETH century, PHOTOGRAPHS, PHOTOGRAPHIC editing
Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022

12. LE PEUPLE COMME TABLEAU VIVANT: Il Quarto Stato/Novecento.

Author

JAUDON, Raphaël

Subjects
GESTURE, INTENTION, TIME, PRACTICAL politics
Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020

13. LE TEMPS SUSPENDU: Mélancolie des tableaux vivants.

Author

CABART, Anaïs

Subjects
MELANCHOLY, PICTURES
Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020

14. FEMALE-DRIVEN GENRE FESTIVALS AND THE “RE-DEFINITION" OF HORROR.

Author

LUPHER, Sonia

Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2017

17. LES MÉNINES PHOTOGRAPHIQUES DE JOEL-PETER WITKIN.

Author

BRUNET, Mathilde

Subjects
NATURALIZATION, RIDDLES, PHOTOGRAPHY, PHOTOGRAPHIC film, PHOTOGRAPHERS
Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020

19. QUAND LE VISIBLE S'INCARNE: Nollywood et la crise de modernité.

Author

COLLEYN, Jean Paul

Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2017

21. LA MORALE DES FORMES SELON JACQUES RIVETTE.

Author

VANCHERI, Luc

Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2016

22. AFFRONTER LA DISTANCE: Le capitalisme mondialisé et l'engagement de l'auteur dans les années 1960.

Author

JAUDON, Raphaël

Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2016

26. TECHNIQUES, CORPS ET RECRÉATIONS: La pensée anthropologique de Zoe Beloff.

Author

BLÜMLINGER, Christa

Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2017

27. CINÉMA, IMPRIMERIE, ILLISIBILITÉ: Une composition anthropologique.

Author

DURAFOUR, Jean-Michel

Abstract

Copyright of Écrans is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2017