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I will briefly discuss the history of research-related projects that Mark Burgin and I worked on together. I will then discuss our joint research related to the circle of sense and nonsense. One paper was entitled In a search for deeper meanings: navigating the circle of Sense and Nonsense and in turn articulating logical varieties as knowledge illuminators and the second was entitled In the Circle of Sense and Nonsense, Including A Mathematic Model of Meaning. This research represents a bridge between the media arts and sciences (my artwork) as a means of embodying ideas exploring a particular approach to meaning production and related computation, as well as Burgin's concepts related to logical varieties and mathematical models of meaning. I will refer to the full papers and links because they present a very robust and full articulation of the concepts discussed here. In this paper, I will briefly touch on the areas of research, supply short definitions, and refer to the relevant historical publications. [ABSTRACT FROM AUTHOR]

This article discusses four different case studies related to complex technological works that were created through international collaborations. The Exquisite Mechanism of Shivers/Ex.Mech Red Dice/Des Chiffré Com↔Space A China of Many Senses The article discusses elements of language, culture, technological creation and process. [ABSTRACT FROM AUTHOR]

The article examines the adaptability of the human body. The body is characterized as an open system because it subtly changes in relation to new knowledge, technologies, linguistic definitions, and biology. The authors seek to examine the body's operations that result in thoughts and human sentience. The authors seek to understand the body as a complex intra-active system of systems. Article topics include the various qualities of human-machine processes, human sense and ability, and "entailment."

Neosentience, a potentially new branch of scientific inquiry related to artificial intelligence, was first suggested in a paper by Bill Seaman as part of a new embodied robotic paradigm, arising out of ongoing theoretical research with Otto E. Rossler. Seaman, artist-researcher, and Rossler, theoretical biologist and physicist, have been examining the potential of generating an intelligent, embodied, multimodal sensing and computational robotic system. Although related to artificial intelligence the goal of this system is the creation of an entity exhibiting a new form of sentience. Its unique qualities will be discussed. Sentience is not yet used in the formal languages of either cognitive science or artificial intelligence. Two related approaches are (1) the generation of artificial minds via parallel processing, in a robotic system; (2) an alternative approach is the generation of an electrochemical computer as a robotic system. Biomimetics, along with state-of-the-art computer visualization is employed. The electrochemical paradigm has a complexity that exceeds standard computational means. The scientific and the poetic elements of the project are motivated by human sentience. The sentient entity is initially modelled on our functional definition of human sentience. The system involves synthetic drives as a new element. We seek to articulate the differences to living brains. This transdisciplinary approach necessitates different forms of inquiry to inform this project such as cognitive science including psychology, education/learning, neuroscience, linguistics, philosophy, anthropology, biology and the arts. We believe that this area of research to be of importance. [ABSTRACT FROM AUTHOR]

Instead of presuming the 'observer' as given, we are (re)sensing the observer and are thereby offering an 'open order cybernetics' (OOC). We are first of all concerned about our acquisition and use of language as the precondition for any meaningful statement. This self-reflexive point of departure distinguishes our project from philosophers who are presuming 'something' ('closure', 'self-organization', 'self', 'auto-poiesis', 'senses', 'objects', 'subjects', 'language', 'nervous systems' etc.) in the first place without being aware of their presumptions i.e. that they are able to already talk meaningfully about 'something'. We are undertaking a self-reflexive loop towards our already undertaken 'meaningful' actions, reflecting inside our concepts on our concepts, trying to find out how our concepts about 'something' have come into existence. We are reflecting on our concepts through this ongoing open investigation. We are sketching the ramifications of such a self-reflexive loop for epistemology as well as for the main research areas within cognitive science (i.e. language acquisition, perception, consciousness). We are also pointing towards virtual reality in combination with the arts as an awareness aid, helping us in our self-reflexive endeavours. [ABSTRACT FROM AUTHOR]

A computer-based language system exploring hybrid invention generation has been developed by Bill Seaman working in conjunction with the programmer Gideon May. The project was primarily funded by Intel. This work explores 3D visualization with related generative texts and recombinant audio/music, as well as a series of textual descriptions. Computer-based environmental meaning is explored through the inter-authorship and operative experiential examination of a diverse set of media-elements and media-processes, in this case focusing on the virtual construction of hybrid inventions. Differing sets of media elements in the Hybrid Invention Generator convey their own fields of meaning through the juxtaposition of 3D models, texts and digital audio. Varying combinations of these fields of meaning are experienced through direct interaction with the system. The work explores notions surrounding machinic genetics. Nonsense relations can present seemingly off-kilter juxtapositions, providing the participant with an experience akin to surrealism. Lautréamon's definition of surrealist beauty - 'beautiful as the unexpected meeting, on a dissection table, of a sewing machine and an umbrella' (Waldberg 1965) - describes an experience engendered through a unique juxtaposition of elements not unlike relations encountered within this particular techno-poetic environment. Yet the system can also be used to brainstorm actual devices, as well as their potential conceptual/functional construction. [ABSTRACT FROM AUTHOR]

This paper compares and contrasts approaches to combinatorics in OULIPO and Recombinant Poetics. OULIPO, also known as Ouvroir de Literature Potentielle, is a literary and artistic association founded in the 1960s whose combinatoric methods and experimental concepts continue to be generative and relevant to this day. Recombinant Poetics is a term that I coined in 1995 in order to define a particular approach to emergent meaning that is used in generative virtual environments and other computer-based combinatoric media forms. Combinatoric works enable the exploration of sets of media elements in different orders and combinations. The meaning of such work is derived through dynamic interaction. Another group exploring combinatorics uses digital audio techniques. The abbreviation "VS" ("versus") is often used in techno-audio remix culture to designate the remix of one group's music by another, often having only an oblique relation to the original. [ABSTRACT FROM AUTHOR]

Explores computer-mediated, re-embodied intelligence in the context of a form of poetic construction and navigation called Recombinant Poetics. Characteristics of the artworks which explore Recombinant Poetics; Definition of re-embodied intelligence; Function of a graphical user interface; Description of a computer-mediated interactive artwork.

Presents a narrative of how the author contributed to the creation of the Hybrid Invention Generator artwork, which enabled the creation of new inventions through a computer-based hybrid-forming mechanism. Contributions of several individuals from different fields to the project; Media examples collected for the project; Problems encountered during the course of the project.