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9/ 26/ 24, 12: 41 PM The New York Timeshttps:// nytimes. pressreader. com/ the- new- york- times 39/ 52 9/ 26/ 24, 12: 41 PM The New York Times https:// nytimes. pressreader. com/ the- new- york- times 42/ 52 [Extracted from the article]

9/ 19/ 24, 4: 28 PM The New York Timeshttps:// nytimes. pressreader. com/ the- new- york- times/ 20240919 35/ 50 9/ 19/ 24, 4: 28 PM The New York Times https:// nytimes. pressreader. com/ the- new- york- times/ 20240919 38/ 50 [Extracted from the article]

The article focuses on the first World Orchestra Week held at Carnegie Hall in New York City and the moment of escape it provided to student musicians from various countries who participated in the event. Topics discussed include the performances of the student musicians and activities done during their free time in the city.

The article talks about how students from the Middle East studying music in Berlin, Germany are affected by the ongoing Israel-Hamas war. Cited are how the conflict have made it harder for the students to promote civil debate and to find common ground, the support that students provide to each other as they faced new difficulties in German society, and the discussion of the war in German classrooms.

The article offers a preview of the opera "The Ritual of Breath Is the Rite to Resist," starring Neema Bickersteth, directed by Nigel Smith, an opera that premiered in 2022 and arrives at Lincoln Center in New York City in July 2024.

The article announces the resignation of Gary Ginstling as president and chief executive officer of New York (NY) Philharmonic.

The article presents information on a podcast entitled "If This Hall Could Talk," to be hosted by Broadway performer Jessica Vosk, which will explore the archive of Carnegie Hall in New York City. Topics discussed include the preservation of the hall's archive, and the stories behind four objects to be featured on the show.

An interview with American choreographer and actor Mikhail Baryshnikov is presented. Topics mentioned include a brief description of Baryshnikov's personal and career highlights, the difficulties faced by Russian artists, his reflection on his decision to defect from the Soviet Union and establish his career in the West, and impact of Russian politics and repression on the artists.

The article discusses the struggles faced by the San Francisco Symphony during its concert at Davies Symphony Hall in San Francisco, California in June 2024. Topics include the accusation by concertgoers against management of having no clear artistic vision, the announcement by conductor Esa-Pekka Salonen that he would step down as the orchestra's music director, and the cumulative deficit incurred by the orchestra which was announced in March 2024.

The article explores Jaap van Zweden's tenure at the New York Philharmonic, highlighting his challenges, including the pandemic, questions about his leadership, and his departure after six seasons.

The article discusses the controversy surrounding soprano Angela Gheorghiu's disruptive behavior during a performance of Puccini's "Tasca" in Seoul, where she interrupted a tenor's encore.

The article presents the discussion on Juilliard School's recent $20 million donation aimed at enhancing interdisciplinary collaboration among its students. Topics include the expansion of Juilliard's Creative Enterprise program, the support for the jazz program; and the inaugural fall festival featuring interdisciplinary performances.

The article focuses on conductor John Eliot Gardiner's announcement of a new choir and orchestra, the Constellation Choir and Constellation Orchestra, as he seeks to make a comeback following criticism over an incident in which he struck a singer during a tour.

The article focuses on Xian Zhang's upcoming role as the Seattle Symphony's music director. Topics include her historic appointment as the first woman and person of color to lead the orchestra, her plans to attract new audiences and broaden the symphony's repertoire, and her ongoing leadership of the New Jersey Symphony.

The article discusses Opera Philadelphia's new "Pick Your Price" initiative, offering tickets starting at 11 dollars to attract new audiences and boost attendance, with the approach already significantly increasing ticket sales and drawing praise from the opera community.

The article details a controversy sparked by pianist Jayson Gillham's political statements about the Gaza conflict during a Melbourne Symphony Orchestra recital, leading to his performance being canceled, the orchestra's managing director departing, and an ongoing inquiry into the incident.

The article focuses on the New Jersey Symphony's upcoming move to Symphony Center, a new 550-seat theater in Jersey City, scheduled to open in 2026, which will serve as the orchestra's flagship venue and cultural hub.

The article focuses on the Metropolitan Opera's announcement of a new production of Wagner's "Ring" cycle for the 2027-28 season, marking its first in nearly two decades and featuring Yannick Nézet-Séguin as the conductor.

The article announces that John Mangum has been appointed as the new general director of the Lyric Opera of Chicago.

The article focuses on Anna Netrebko's upcoming return to the U.S. for a performance at a Palm Beach Opera benefit in February, marking her first appearance in America since 2019 amidst ongoing controversy over her past support for Vladimir Putin.

The article focuses on conductor Gustavo Dudamel and his first rehearsal with the New York Philharmonic, on the program "Ninth Symphony" by Gustav Mahler, since being named the next music director of the ensemble. It informs about the resignation of Dudamel from the Paris Opera. It shows the positive reception of musicians to Dudamel, as well as his goal to develop love and connection with the orchestra

An interview with choreographer Kate Prince, singer Sting and composer Alex Lacamoire is presented. Prince talks about how she came up with the dance show "Message in a Bottle" and how the production came together. They describe their approach to the choreography and music. Sting and Lacamoire discuss the relationship between the songs, themes and styles of the production, as well as the timelessness of the music and the emotional touchstones of the songs.

The article focuses on Davóne Tines, a bass-baritone opera singer known for his intensity and thundering voice, who is making his Metropolitan Opera debut in John Adams's Nativity oratorio "El Niño." Tines has gained acclaim for his performances of classical works.

The article reports on updates in the career of pianist Alice Sara Ott, particularly her scheduled performance at the New York Philharmonic theater as of April 2024 and her suffering from multiple sclerosis. Also cited are how her disease could affect her health in the tough work culture of the music industry and how she uses her platform to raise awareness and dispel myth about the disease.

The article reports on the possible shutdown of the St. Thomas Choir School in Manhattan, New York as the Episcopal church struggles to pay for its operational costs due to declining endowment, annual fund-raising, and tuition fees. According to the church's Reverend Canon Carl F. Turner, the people's perception that the church has ample resources adversely affected their fund-raising programs. Also cited are the claims by alumni like Ian Fisher that the school should not be closed.

The article features Ukrainian conductor Oksana Lyniv, the first Ukrainian conductor to perform at the Metropolitan Opera (Met). Lyniv was preparing for a performance of Puccini's "Turandot" at the Met when he learned that a Russian drone had hit a building in Odesa which is not far from the home of per parents-in-law. She has used her platform to denounce Russia's government since the invasion and has faced criticism in Ukraine for performing Russian music and working with Russian artists.

The article focuses on the decline of American conductors leading major orchestras in the U.S., despite initial optimism sparked by Leonard Bernstein's appointment as the New York Philharmonic's music director in 1958, with only four of the 25 largest ensembles currently led by Americans.

The article presents an interview with Elim Chan, chief conductor of the Antwerp Symphony Orchestra. Among the issues she discussed include how she developed a love for music while growing up in Hong Kong, China, the event that made her realize that she wanted to be a conductor, and how she felt about being the first woman to win the Donatella Flick Conducting Competition in England a decade ago.

The article reviews the opera "Blind Injustice," directed by Mark A. Godsey and starring Eric Shane Heatley, Adrienne Danrich, and Phillip Bullock, performed at the Montclaire State University's Alexander Kasser theater in Montclair, New Jersey until February 18, 2024.

The article focuses on the decision by the board of the Monteverdi Choir & Orchestras to permanently remove John Eliot Gardiner, the renowned conductor accused of striking a singer in France, from leading the ensembles he founded.

The article highlights the challenges and ambitions of Susan Jaffe as she leads American Ballet Theater through financial difficulties and artistic aspirations. It emphasizes her dual role as artistic director and interim executive director, focusing on efforts to innovate, expand the company's repertoire, and stabilize its financial footing amid declining donations and shifting audience preferences.

The article reviews the performance of the Metropolitan Opera in New York, highlighting its mixed attendance rates despite a focus on contemporary operas, financial challenges, and efforts to attract younger audiences.

The article presents an interview with the renowned pianist Mitsuko Uchida, focusing on her dedication to music over self-analysis, her upcoming role at the Ojai Festival, and her perspectives on creativity, the pandemic's impact on culture, and her approach to performance and mentoring.

The article focuses on Barbara Hannigan, a renowned singer and conductor, who will assume the role of chief conductor and artistic director of the Iceland Symphony Orchestra in 2026, marking her first full-time conducting position and highlighting her innovative approach to programming.

The article focuses on the Concertgebouw in Amsterdam reversing its decision to cancel performances by the Jerusalem Quartet due to security concerns related to threatened protests, with the quartet now set to perform with expanded security measures and police presence.

The article focuses on Barry Diller's plan to finance a four-month annual performing arts festival on Little Island, aiming to fulfill the park's original vision as a haven for innovation in the performing arts, with the guidance of Scott Rudin.

The article offers information on the Los Angeles Philharmonic's recent leadership changes and its appointment of Kim Noltemy as the new president and chief executive.

The article focuses on musicians Matthew Muckey and Liang Wang suing the New York Philharmonic, alleging wrongful suspension due to revived misconduct allegations. Topics include the musicians' legal action against the orchestra and their union, alongside the repercussions of the suspensions on their careers and reputations.

The article focuses on the appointment of Cristian Macelaru as the next music director of the Cincinnati Symphony Orchestra, highlighting his background in music education and previous prestigious conducting roles in Europe, succeeding Louis Langrée in the 2025-26 season.

The article focuses on the 1.7 million U.S. dollars that the late opera aficionado Lois Kirschenbaum had left to cultural groups following her death in 2021. Cited are cultural groups that were the recipients of her arts legacy, her being a devoted fan of opera, and a trove of memorabilia that she left behind.

The article focuses on "Angel Island," a staged oratorio by Huang Ruo, depicting the hardships and discrimination faced by Chinese immigrants detained at the Angel Island Immigration Station in the early 20th century, addressing historical events and drawing parallels to contemporary issues of discrimination against Asians in the U.S.

The article focuses on Valery Gergiev, a staunch supporter of President Vladimir Putin, being appointed to lead Moscow's Bolshoi Theater, replacing Vladimir Urin, who opposed the Ukraine war. Topics discussed include Gergiev's political ties and musical career, Urin's removal due to his stance against the war, and the cultural implications amid strained international relations post-Russia's invasion of Ukraine.

The article focuses on "Émigré," an oratorio composed by Aaron Zigman, with lyrics by Mark Campbell and Brock Walsh, about Jewish refugees who fled Nazi Germany for Shanghai, China in the late 1930s. Topics discussed include reaction of Israel to China's muted response to the Hamas attack on Israel, remarks from Shanghai Symphony Orchestra music director, Long Yu, and insight on Shanghai's role as a haven for Jews.

The article follows student musicians as they rehearse with Gustavo Dudamel, the future music director of the New York Philharmonic, highlighting his commitment to expanding the orchestra's presence in schools and communities through education and collaboration.

The article announces that celebrated countertenor Anthony Roth Costanzo will become the general director and president of Opera Philadelphia, aiming to reshape the company amid pandemic disruptions while continuing his own performances and focusing on innovative collaborations.

The article discusses Lincoln Center's Summer for the City festival, emphasizing community engagement, diverse programming, and civil rights themes to foster civic bonds.