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The Russo-Japanese War of 1904-1905 captured the imagination of reading publics around the world and in Britain spawned a breadth of products aimed at a domestic audience, including cigarette cards, illustrated magazines and newspaper cartoons. This essay investigates the commentary on and interpretation of the war offered by cartoons appearing in the British Sunday paper the News of the World and the Welsh daily paper the Western Mail. Editorial cartoonist J. M. Staniforth drew over 70 cartoons documenting the war for both papers, and the degree to which these visual images complemented or diverged from the editorial line expressed in leader columns is considered. The importance of distinguishing between cartoons and editorials and of taking into account the identity and career of the cartoonist is stressed. The visual codes for communicating conflict are also investigated, revealing in the process something of the intellectual horizons of both cartoonist and audience. [ABSTRACT FROM AUTHOR]

In April 1921, J.H. Thomas, the Labour Party MP and National Union of Railwaymen (NUR) leader, initiated libel proceedings against the Communist—journal of the Communist Party of Great Britain. He cited defamation in the form of cartoons and words depicting the events of ‘Black Friday’—when he allegedly betrayed the locked-out Miners' Federation by leading the withdrawal of NUR solidarity. To Thomas, the framing of his image by indigenous Bolsheviks threatened to fatally define his character and career within popular imagination, and undermine Labour's rise. In this paper, I argue that during the domestic and international crises surrounding the First World War, innovative left-wing editors and cartoonists tested the boundaries of newspaper cartooning, and gave dissident cartoons renewed menace before the Law. The case was the first for over a century in which graphic satires of a national political figure were successfully prosecuted. [ABSTRACT FROM PUBLISHER]