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Greater consideration of transgender communities within planning has been called for from research highlighting their absence in policy and practice. However, there is little work that outlines how trans is considered within current planning practice. This article presents an empirical case study of how trans becomes articulated into city-level policy and practice in Brighton & Hove, the "LGBTQ capital" of England. A poststructural approach is used to analyse how trans is problematized within planning documents and interviews with planning practitioners. We develop the concept of "choreographing" to reflect the constrained rhythms and selective positioning at work in the articulation of trans in and out of planning policy and practices. By tracing the only consideration of a specific identified need of the transgender population in Brighton & Hove planning policy, we evidence the previous siloing of these concerns that positioned them in relation to other municipal services, but not planning. We show how interpretive practices within a Health and Equalities Impact Assessment process do not allow the specific needs of trans people and communities to be considered, instead positioning trans people as having greater "sensitivity" to generic changes in the built environment. This research concludes that current planning practices can facilitate the consideration of trans communities in planning and policy-making, yet simultaneously constrain and inhibit the ability to enhance trans liveability in the city. This article opens up theorizing into how consideration of trans and LGBTQ communities and knowledge are integrated into planning processes and calls for a creative disruption of current practice. [ABSTRACT FROM AUTHOR]

Political scientists, social movement theorists and cultural geographers have made us aware of forms of micro-political resistance that have challenged the privatisation, corporatisation and securitisation of the city. An increasing tactical feature of such resistance has been the deployment of leisure practices and performances to challenge the dominant norms and ideologies governing the use of urban space. This paper focuses upon a case study of a creative intervention organised by a London-based group of anarchists. We consider the tactics employed by the Space Hijackers – a group of self-styled ‘anarchitects’ who have been prominent in questioning the spatialities of everyday urban life through leisure activity and creative protest opportunities. We assess the deliberately liminal tactics employed by the Space Hijackers, situated betwixt and between the normative social regulation of public space and a ‘pre-figurative’ or utopian vision of its future. Through the case study and a review of some prominent attempts to define the leisure–politics relationship, this essay highlights a need to further interrogate the nature and uses of leisure within micro-political struggle and citizen movements that seek to affect social change, and so continues the dialogue about how we are to understand ‘leisure politics’. [ABSTRACT FROM AUTHOR]

This article explores the role of the internet in the processes of organisation and mobilisation of a sporting subculture in asserting rights to enjoy the countryside for recreational purposes. It reports upon findings from a qualitative survey of chat room posts surrounding claims made by canoeists for better access to inland waterways in England and Wales. Informed by a reworking of the gift relationship, the findings question claims about the power of the internet to shape and realise democratic participation, indicating instead that it supports wider hegemonic relationships that constrain sporting activity and provides a mechanism for discipline within the subculture that is counter-intuitive to a broader politics of access for recreational purposes. [ABSTRACT FROM AUTHOR]

In May 1995, a 33 year-old woman named Alison Hargreaves made her name by becoming the first woman (and second person) to make an unaided solo ascent of the world's highest mountain, Everest. She was constructed as an exemplar of the highest order, a national heroine to be proud of, and in the vein of a series of British female heroes who punctuate the typically masculine narrative of national achievement. By August she was dead, the victim of a violent storm on the upper reaches of the peak they call the Savage Mountain, K2. The focus of vitriolic media attention, Hargreaves was stripped of her heroic status and condemned for the irresponsibility of leaving her two small children motherless, and so opened a national debate on 'motherhood, ambition and risk'. This article explores that debate. In so doing it probes the meaning of heroism, as both a culturally mediated idea of extraordinary actions, and as part of a wider politics of recognition and representation that calls for a consideration of the role of public communication. [ABSTRACT FROM AUTHOR]

This article addresses recreational conflict between anglers and boaters in England. While recognizing that interpersonal conflicts between individual anglers and boaters exist much as they do in other countries, the article argues that the position in England is mediated through complex land and property rights that position the stakeholders asymmetrically, as legal rights holders (anglers) and moral rights claimants (boaters). Under this scenario, negotiated attempts to increase access for boaters are interpreted not primarily as a means of addressing the asymmetry, but as a mechanism for underwriting the dominant property power of the anglers. Using data collected from focus groups involving stakeholders, the article suggests that in cases where recreational access to natural resources is mediated through sociopolitical institutions such as law, weaker stakeholders have very limited options in terms of the legal or social mechanisms through which he can pursue or assert their claims. [ABSTRACT FROM AUTHOR]

This article evaluates the cultural politics of waterfront heritage in regenerating Manchester, UK, in order to understand why the benefits envisaged for local communities have not been fully realised. Analysing a database of texts produced for an EU cultural heritage project (2015–2017) we find there is no lack of rich and diverse cultural heritage in Manchester, produced by a broad range of people. Using Lefebvre's ideas about the social production of space we explore how, nonetheless, waterfronts as heritage spaces are produced in ways that exclude that variety, and thus place and displace people, socially as well as bodily. We propose a role for geolocated mobile apps for spatialised heritage storytelling to enable communities to make their mark on official, imposed representations of space. Our analysis has relevance for cities across the globe, as governments, investors, redevelopment quangos and others seek to use urban waterways as heritage assets to reinvigorate former industrial areas, without adequate appreciation of their full range of cultural meanings. [ABSTRACT FROM AUTHOR]

Through a theoretical and empirical consideration of gift exchange we argue in this paper that those with legal interests in land have constructed property relations around a claim of reciprocity with nature. This has been used to legitimate the ways in which they have deployed their property power to exclude others, thus seeking to retain their dominion over both humans and nonhumans. In so doing, however, people with such interests have failed to understand the dynamic of gift relationships, with their inherent inculcation of subject and other, to the point where the exercise of power becomes contingent on the continued hegemony of property relations. Using the politics of recreational access to inland waters in England and Wales, we show that power--over both humans and nonhumans--is temporary and conditional in ways that are not fully theorised in most contemporary debates about property rights and their deployment on nonhuman subjects. [ABSTRACT FROM AUTHOR]

Scholarly fields are meant to be dynamic to accommodate new information that is infused with old. One of these areas is the notion, subject, subfield and process of street culture. Despite the frequency of its usage in the social sciences, urban planning, and selected areas of the visual arts, rarely is the term street culture defined and when it is, the definitions are often conceptually lacking. This article synthesizes current ideas about the study of street culture by examining six major questions that street culture researchers currently grapple with. The article outlines suggestions for improving scholarship in this field. [ABSTRACT FROM AUTHOR]