Search

Various alternative forms of communication have emerged, such as community radio, radio podcasts, publications in networks, and press releases. These tools have served communities of eastern and southwestern Antioquia and the organizations COA and MOVETE, to sustain their causes over time, make the communicative task massive, and extend an invitation to more people to take action in favor of the defense of the territory. This has the advantage that popular communication strategies allow many stakeholders to become not only consumers and receivers of the information that other people produce, but also creators and transmitters of their own information, which emerges from the dynamics of their daily lives, by helping to reduce the communication gap between mass media and the excluded communities. [ABSTRACT FROM AUTHOR]

This article shows in a concise way the proposal of a model for reception studies of community radios. This is result of a collaborative research process with five community radio stations in Bogotá, Cundinamarca, Boyacá and Santander. Under the assumption that it is an open model and that it does not claim universality, the authors leaves some guiding theoretical and methodological assumptions and presents a route so that other community radio experiences can adapt it to their own history and contexts of conformation. [ABSTRACT FROM AUTHOR]

This article investigates the role that community media play in the translocal negotiation of local culture in Latin America. Translocal is a concept that captures the way that local cultural producers engage with national and transnational forces in shaping everyday cultural practices. This study focuses on community radio station Ecos de Manantlán in Zapotitlán de Vadillo, Mexico (Radio Zapotitlán), during the years 2006–2012. Radio Zapotitlán is officially categorized as a campesino or agricultural laborer/peasant station and presents its campesino identity through radio and Internet content. Analyses of that content, along with interviews with station associates and listeners, reveal the complex cultural mediations between local media producers, national regulators, and transnational donors. This study investigates the local production of a transnationally funded radionovela, or radio soap opera, as a window onto the station’s role as a cultural mediator. This article argues that station participants used the radionovela to express local values and meanings and to marginalize the educational goals of the transnational agency funding the project. Radio Zapotitlán offers a concrete case of cultural negotiation in which local interests engage with – and transform – donor-funded content aimed at the local community. [ABSTRACT FROM AUTHOR]