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As of 1926, the Associated Press had not hired women to work as reporters. With the appointment of Kent Cooper as general manager, the first woman reporter was hired in that year, followed by the hiring of seven more women who worked at either the AP's New York or Washington, D.C., bureaus between 1928 and 1931. These women reporters provided American readers with numerous stories of women's activities, their style of dress, and other social news. They covered women athletes, women active in politics, and wives of officials, but they did not cover the most important assignments because that territory was claimed by their male counterparts. For the first time, AP assigned women to cover the wives of the presidential candidates, women at the political conventions, and women in the presidential inaugurations. [ABSTRACT FROM AUTHOR]

Gender inequalities persist in the journalism industry in Hong Kong, as female journalists are seriously under-represented in the upper echelons of news organizations. Not unlike other countries, a major reason contributing to the phenomenon is the family–work tensions experienced by many female journalists, which lead many to leave the field at different stages in their lives. This study examines this problematic through the lens of Bourdieu's field theory. Individual journalists are seen as positioned in several overlapping fields in differentiated manners. Using survey and in-depth interviews, this study not only highlights the presence of structural inequalities in journalism and the pervasiveness of family–work tensions for female journalists, but also interrogates the conditions which allow some female journalists to handle work and family simultaneously and relatively successfully. We also discuss the implications of our findings for ways to tackle the problem of gender inequalities in journalism. [ABSTRACT FROM PUBLISHER]

This article examines the Penney-Missouri Awards competition, which was meant to raise the standards of women's pages by recognizing the sections that went beyond traditional content. Using interviews to look at the competition's history as well as framing analysis to examine the content of winning submissions, the study's findings over the period from 1960 to 1971 support a revision in the history of women 's pages. While traditional women's pages filled with society, home, and wedding news appeared in many newspapers, some sections were progressive in their content and their writing style. Recognizing the differences among women's page editors at various newspapers helps to strip away the invisibility of women in journalism history and stresses the important role played by them in pressing for change. [ABSTRACT FROM AUTHOR]

The article, through a series of interviews conducted with women war correspondents in Great Britain, cautions against undue optimism since sexism in the field, both within the military and among journalists, continues to prevail. The authors of the essay do not subscribe to a feminization of war news theory but instead suggest that a "journalism of attachment," which favors more human stories of civilian victims is creating a productive arena for women reporters. It is suggested that the presence of women in the frontline may also be indicative of a change in war storylines. A female perspective is allowing for greater engagement with the lives of the victims of war rather than its technical and strategic aspects.

The article argues that audience perceptions about women have not kept pace with institutional changes in the field of journalism. Thus, the spaces available for women as agents in war journalism continue to be attenuated. Given that most news about Iraq was coming from the wire services or international media agencies, the South African Broadcasting Corp. adopted a different approach in an attempt to offer an alternative view of events in Iraq. For the first time, a decision was taken to send South African reporters and cameramen, as "unilaterals," to a combat zone. One of the reporters, who arrived in Baghdad the first day the U.S. invasion began and remained throughout the bombardment of the Iraqi capital Baghdad, was a young woman named, Renee Horne. South African audiences continued to feminize Horne, demanding that she look glamorous.