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During the storage of celluloid pictures for animation films over half a century, an interleave paper adhered to acrylic paint. The purpose of this study is to establish a methodology to cleanly remove the paper from the paint. A layered film, a replica of the celluloid pictures, adhered with paper was prepared and immersed in water or ethanol. The effect of these solvents on the peeling behavior was investigated using a peel test. The maximum peel force for the dry layered film in was distributed at ~0.5 N, independently of the peel speed. The peel force was significantly reduced after the layered film was immersed in pure water or ethanol. A morphological observation revealed that the dry paper was peeled off via the cohesive failure of the paper. After the layered film was immersed in pure water, the paper was also peeled off via cohesive failure. The layered film immersed in ethanol was peeled off at the paper/paint interface. To clear the effect of the volume change in the paint on peel behavior, the relative volume was determined via image analysis. The relative volume of paint was 1.56 in pure water and 1.37 in ethanol. It can be considered that the large difference in the volume of paint induces a large shear stress at the paint/paper interface. [ABSTRACT FROM AUTHOR]

Calcium hydroxide nanoparticles dispersed in ethanol or 2-propanol have been proposed for deacidification treatments of cellulose-based supports and are currently adopted by many paper and paintings conservators. There is however a risk inherent in this treatment: the dispersion would acquire a highly alkaline pH in the presence of moisture, absorbed by the dispersing alcohol solvents or by the cellulose-based support. Consequently, conditions of potential risk would be created for the structural integrity of the cellulosic supports, for some organic film-forming materials and some colouring matter. The simple tests conducted in this study clearly demonstrate that this risk is real, and suggest a cautious attitude in evaluating the suitability of these nano-dispersions for the treatment of some works of art. [ABSTRACT FROM AUTHOR]