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This paper deals with the architecture of Bartol Felbinger in the context of the relevant and positively evaluated conceptual levels of design. The architect's work is thus perceived in the context of building up the City of Zagreb and the initiation of Croatian Modern architecture. Furthermore, the paper looks into Classicism and Biedermeir inherently linked with Felbinger's work. They are viewed here in the context of the architectural culture of continental Croatia. [ABSTRACT FROM AUTHOR]