The paper analyses the role that mineral objects and stones, described in medieval sources as votive offerings, play in the construction of a significant world. To do this, it evaluates the relationship that they establish, in the miraculous context, with the devotees, which configures them in a rank of entity equivalent or superior to that of the properly human due to the purpose and the way in which each actant uses them, and especially by the sensory aspect that defines such contacts allowing us to recognize specific characteristics of a sensorium that we qualify as devotional. [ABSTRACT FROM AUTHOR]