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Pygmalion (the complex of Pygmalion), Balthasar (the Feast of Balthasar), and Arcimboldo (the painter) present three different models of association between "Sense and Senses" in the novelistic writing of History. This paper argues that by shifting from one model to another, the contemporary fiction of History becomes a kind of "istorical novel" (without h), which embodies the "fiduciary paradigm" at work in current times. [ABSTRACT FROM AUTHOR]